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After Chongqing Bus Crash, State Media Warn Passengers to Fight Those Attacking Bus Drivers

The Chongqing bus crash, that killed fifteen people, was caused by an angry passenger attacking the driver.

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The tragic crash of a bus in Chongqing, caused by a passenger’s aggression towards the bus driver, is just one of many similar incidents in China over the past years. Now, state media encourage people to protect themselves by fighting against those who attack their bus driver.

With more than 1.1 billion views on Weibo, the news of a bus plunging off a bridge in Chongqing is the top trending topic on Chinese social media today (#重庆公交车坠江原因#). Some threads on the incident received over 235,000 comments.

Although the incident occurred earlier last week (Oct 28), the reason for the crash only became known on Friday, after authorities released security footage recovered from the black box (see footage below, viewer discretion is advised).

The footage (other link) shows that a female passenger, who apparently had missed her stop, asks the driver to let her off the bus. When he does not, the woman gets angry and starts hitting him with her mobile phone.

The attack causes the driver to lose control over the steering wheel, and to plunge 50m (164ft) off a bridge into the Yangtze River, causing all (estimated) 15 passengers to die.

A big rescue operation was set up to recover the bus from the water, look for any survivors, and retrieve passengers’ bodies. On Wednesday, rescue workers were able to pull the bus out of the river.

This is not the first time a serious incident occurs because of bus passengers’ aggression towards the driver. Similar scenarios were caught on security footage in 2016 (Chengdu), or in 2017 (Guangdong and Yancheng).

Netease posted a compilation of these scenes, where agressive passengers sometimes even grab the steering wheel, on their video channel (see video below).

Other videos of similar incidents are also making their rounds on social media (see below).

On Friday, state media outlet Xinhua posted an article on WeChat, in which they highlighted a scene that occurred on a Hunan bus earlier this year.

While the bus was riding from Hengyang to Changsha, a middle-aged man suddenly runs towards the driver, yells at him, and reaches for the steering wheel, causing the vehicle to swing.

Another passenger then surges forwards and kicks the aggressive man in the face, away from the driver – saving the bus and other passengers from a potentially very risky situation.

“When encountering this kind of behavior that endangers public safety,” Xinhua writes: “Don’t be a bystander, resolutely say no [shut it down].”

On Weibo, similar sentiments pop up in response to the Chongqing crash. A popular comment, with more than 130,000 likes, said: “If you see a passenger attacking a driver, and you think it doesn’t concern you and you’ll just watch the scene – you might actually lose your life in the next second. So for your own life and safety, get up and do something!”

By Miranda Barnes and Manya Koetse

Spotted a mistake or want to add something? Please let us know in comments below or email us.

©2018 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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1 Comment

1 Comment

  1. C

    November 6, 2018 at 5:59 pm

    A nation of bystanders. Smh

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China Arts & Entertainment

Top 30 Classic TV Dramas in China: The Best Chinese Series of All Time

This year marks 60 years of Chinese TV drama. These are the best Chinese TV dramas of all time.

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They might have aired 30 years ago, but some TV dramas just never get old. We have listed the greatest classic Chinese TV dramas of all time, that, either because of their high-production value or historic ratings, are still talked about today. A special overview by What’s on Weibo, as China celebrates 60 years of TV drama this year.

This year marks the 60th anniversary of Chinese TV drama since the airing of the very first (one-episode) drama A Mouthful of Vegetable Pancakes (一口菜饼子) in 1958 – the same year in which the very first Chinese television station started broadcasting (Bai 2007, 77).

The drama, live broadcasted by Beijing Television, sent out a message of frugality, as one young girl warns her sister not to waste food by remembering her of their difficult past and brave mother, who died of hunger while even refusing to eat the last bit of food, a vegetable pancake.

A Mouthful of Pancakes aired in 1958.

Much has changed within those sixty years. After a time when the production of TV dramas practically came to a standstill during the Cultural Revolution, the late 1970s and early 1980s saw a boom in the popularity of television dramas, along with a spike in households that owned their own TV. From 1980 to 1990, the number of household television sets in China increased from 5 to 160 million (Wang & Singhal 1992, 177).

Since the 1980s, mainland China has gone from a country where most television dramas were imported from outside the country, to one that has the most thriving domestic TV drama industry in the world.

Some TV dramas in this list have become classics through time, some are fairly new but have already become classics within their genre.

This list has been fully compiled by What’s on Weibo, based on popularity charts on Chinese search engine Sogou’s top tv drama listings of all time, together with ranking on Douban, a big Chinese social networking service and influential media review website, and also based on academic sources that note the importance of some of these TV classics.*1 We will list a recommendation list of relevant books at the end of this article.

Most of these series will have links redirecting to available versions on Youtube or elsewhere – unless written otherwise, they do not have English subtitles. Please share English subtitled versions in the comment section if you found them, we’ll add them to the list.

This article is focused on those classics that have been important for the TV drama industry and audiences of mainland China. Although several of them were produced in Hong Kong or Taiwan, the majority is from the PRC. These dramas are listed in chronological order of appearance, not listed based on rankings.

Here we go!

 

#1 The Bund / The Shanghai Bund (上海滩)

Year: 1980
Episodes: 25
Genre: Action
Produced in Hong Kong

Noteworthy: “The Godfather of the East”

This TV drama became such a sensation across China in 1980, that it also became known as the Chinese equivalent to the classic Godfather series.

Actors Angie Chiu and Chow Yun-Fat star in this Hong Kong drama, that is set in the underworld society of 1920s Shanghai, and revolves around the tumultuous love story between Feng Chengcheng and Xu Wenqiang.

The series has become such a classic that it still plays an important role in popular culture of China today, with newer films and TV dramas also being based on the original series (the 2007 mainland China TV series Shanghai Bund, for example, is a remake of the 1980 original). If you ever go to karaoke, you’re probably already familiar with the shows’ famous theme song ‘Seung Hoi Tan’ (上海滩) by Frances Yip (see here).

 

#2 Eighteen Years in the Enemy’s Camp (敌营十八年)

Year: 1981
Episodes: 9
Genre: War Drama
Watch the first episode here on Youtube.

Noteworthy: “The first TV drama produced by CCTV”

Eighteen Years in the Enemy’s Camp is somewhat of a cult classic in China. Despite the fact that the TV drama itself was somewhat poorly produced, it still gets high ratings on sites such as QQ Video or Douban today.

At a time when the Chinese TV drama market was still dominated by imported television series (from Hong Kong, US, and other places), Eighteen Years in the Enemy’s Camp was the first drama series made by CCTV (Bai 2007, 80), directed by Wang Fulin (王扶林) and Du Yu (都郁).

The story revolves around the Communist Party member Jiang Bo (江波), who spends 18 years undercover in the “tiger’s den” (虎穴), the enemy’s camp, as a National Army officer, thwarting the Nationalists’ plans until the 1949 victory of the Communists.

Fun fact by Ruoyun Bai (see references): despite the fact that the entire show is about the Nationalists Army, not a single Nationalist Army uniform could be found for the cast. The uniforms that were used, were not up to par: the main character had to leave his coat’s collar unbuttoned because it was too tight, and always has his hat in his hands because it was actually too small to fit his head (2007, 80-81).

 

#3 Ji Gong (济公)

Year: 1985
Episodes: 12
Genre: Fantasy
Directed by Zhang Ge (张戈)
All episodes can be watched here on YouTube.

Noteworthy: “Influenced by Charlie Chaplin”

This popular TV series is centered around Ji Gong, the folk hero and Chan Buddhist monk who lived in the Southern Song and, according to legend, had supernatural powers and spent his whole life helping the poor.

The main role is played by renowned Chinese artist and mime master You Benchang (游本昌). In an interview with CRI, the actor once said that he was heavily influenced by his idol Charlie Chaplin for this role, sometimes even imitating some of Chaplin’s gestures.

 

#4 Chronicles of The Shadow Swordsman (萍踪侠影)

Year: 1985
Episodes: 25
Genre: Wuxia/Martial
Directed by: Wang Xinwei (王心慰)
Produced in Hong Kong
Episodes available on Youtube here.

Noteworthy: “Perfect Chemistry between Leading Actors”

This classic TV drama features actors Damian Lau as Zhang Danfeng and Michelle Yim as Yun Lei, whom are often praised by drama lovers for their perfect chemistry in these series. Of the many adaptations there are of Liang Yusheng’s wuxia novel Chronicles of The Shadow Swordsman, many say this is their favorite.

 

#5 New Star (新星)

Year: 1986
Episodes: 12
Directed by: Li Xin (李新)

Noteworthy: “A drama anyone over 50 will remember”

This CCTV mini-drama, based on the novel by Ke Yunlu (柯云路), tells the story of a young Party secretary fighting against corruption. Before Heaven Above (later in this list), it is thus one of the very first dramas to focus on corruption as a theme, and it also caused a buzz at the time for doing so – most people over 50 in China today will probably remember this TV series today.

 

#6 Journey to the West (西游记)

Year: 1986
Episodes: 25 for season one, 16 episodes for season 2
Directed by Yang Jie (杨洁)
Watch on Youtube (with English subtitles!) here.

Noteworthy: “Shot with one camera”

This is an all-time favorite TV series in China that is still rated with a 9.5 on the TV drama database of search engine Sogou. It has been an instant classic from the moment it was first broadcasted by CCTV in October of 1986.

Journey to the West (Xīyóu jì 西游记), published in the 16th century (Ming dynasty), is one of the most important classical works in the history of Chinese literature, and tells the story of the long journey to India of the Tang Monk Xuánzàng, who is on a mission to obtain Buddhist sutras. He is joined by three disciples, the pig demon Zhū Bājiè, the river demon Shā Wùjìng, and Sūn Wùkōng, who is better known as the Monkey King in the West.

The Monkey in the series is played by Zhang Jinlai (章金莱), also known as Liu Xiao Ling Tong, who recently recalled in an CGTN article that: “it was 30 years ago and we’d got only one camera. We walked around China’s picturesque areas and took 17 years to make 41 episodes. 17 years equals Monk Xuanzang’s pilgrimage for the Buddhist scriptures.”

 

#7 “The Dream of Red Chambers” (红楼梦)

Year: 1987
Episodes: 36
Directed by: Wang Fulin (王扶林)
Watch with English subtitles on YouTube here.

Noteworthy: “The first entry of Chinese tv drama into the global market”

Even today, this CCTV TV series from 1987 is still rated as one of the best Chinese television series of all time on Sogou, where viewers rate it with a 9.6.

Like other series in this list, this is an adaptation from a classic literary work; Dream of the Red Chamber (Hónglóumèng), one of China’s Four Great Classical Novels, which was written by Cao Xueqin in the mid-18th century during the Qing.

In June of 1987, this TV drama became the first Chinese television series to be exported to Malaysia and West-Germany, making it “the first entry of Chinese tv drama into the global market” (Hong, 32).

 

#8 The Investiture of the Gods (封神榜)

Year: 1990
Episodes: 36
Genre: Fantasy/Costume Drama
Directed by: Guo Xinling (郭信玲)
The first episode is available on YouTube here.

Noteworthy: “Based on the classical novel Fengshen Yanyi

This TV series is based on the classical novel Fēngshén Yǎnyì (封神演義), also known as Investiture of the Gods or Creation of the Gods), written by Xu Zhonglin and Lu Xixing. Famous Chinese actor and painter Lan Tianye (蓝天野) was praised for his role as Jiang Ziya in this drama.

The (female) director Guo Xinling (1936-2012) was a Party member who worked on many televised works during her career.

Just as many others of the series in this list based on classic novels, there are remakes of these series in recent times.

 

#9 Yearnings / Kewang (渴望)

Year: 1990
Episodes: 50
Genre: Family drama
Directed by Lu Xiaowei (鲁晓威) and Zhao Baoguang (赵宝刚).

Noteworthy: “China’s first soap opera – a national craze”

Yearnings is also known as China’s real first soap opera, which caused a sensation across the nation – sales of TV sets surged, and streets were empty when it aired.

The story’s time spans from the Cultural Revolution until the 1980s reform period. The series, set in Beijing, tells the story of working-class woman Liu Huifang and her unlikely marriage to the middle-class Wang Husheng, a university graduate who comes from a family of intellectuals. When Huifang finds an abandoned baby, she adopts it against the will of her husband.

As the first TV series that focused on the hopes and dreams of ordinary Chinese people, the success of Yearnings was unprecedented, and it formed the beginning of Chinese television drama as we know it today.

 

#10 River of Gratitude (江湖恩仇录)

Year: 1989
Episodes: 20
Genre: Wuxia/Martial
Directed by: Mao Yuqin (毛玉勤)
Watch first episode on Youtube here

Noteworthy: “A true classic – it’s nostalgia!”

One of the main stars in this series is actress and producer Wenying Dongfang (东方闻樱), who also starred in A Dream in Red Mansion (1987).

By commenters on Douban, this series is described as a “cult classic.” Although some say the quality of the series, now, looking back, is somewhat substandard or silly, according to many, the nostalgia of seeing it in the early 1990s and being excited about it seems to play a major factor in why people still grade this one as a true classic – it’s nostalgia!

 

#11 Wan Chun (婉君)

Year: 1990
Episodes: 18
Produced in Taiwan

Noteworthy: “The first Taiwanese TV series filmed in mainland China”

Wan Chun is a 1990 Taiwanese television series about a girl named Wan Chun and her three adoptive brothers, that is based on the 1964 novel “Wan-chun’s Three Loves” (追尋) by Taiwanese writer and producer Chiung Yao, and which is set in Republican era Beijing.

This is the first cross-strait co-production, as a Taiwanese TV series filmed in mainland China. Wan Chun was followed up by the 1990 Taiwanese television drama series Mute Wife based on Chiung Yao’s 1965 novelette of the same name.

 

#12 The Legend of Qianlong (戏说乾隆)

Year: 1991
Episodes: 41
Genre: Imperial drama
Produced in Taiwan (Taiwan-mainland co-production)
Watch on Youtube here

Noteworthy: “The beginning of a genre”

In today’s TV drama environment of China, dramas that focus on life during the imperial era are ubiquitous, with titles from the Imperial Doctress to Story of Yanxi Palace being everywhere.

But when this drama aired in the early 1990s, it was something quite new. The Legend of Qianlong, also known with the English translation A Fanciful Account of Qianlong, tells the (fictional) stories of the Emperor Qianlong’s Tours of Southern China.

It was the beginning of a drama genre that turned out to be hugely popular, with many new television series focusing on emperors and empresses in their youth or their tumultuous lives during the height of their power (Barme 2012, 33). Perhaps, this 1991 series will always be a classic just because it was one of the first within its genre.

 

#13 The Legend of the White Snake (新白娘子传奇)

Year: 1992
Episodes: 50
Genre: Fantasy
Produced in Taiwan

Noteworthy: “One of the most replayed TV series”

As many of the classics in this list, this hit TV series is also based on a folk legend, namely that of Madame White Snakee, a mythical snake-like spirit who strives to be human, which is a source for many major Chinese operas, films.

The 1992 TV series stars Angie Chiu and Cecilia Yip. In 2016, it was still one of the most replayed TV series. Even on IMDB, it is rated with an 8.2.

 

#14 Beijinger in New York (北京人在纽约)

Year: 1993
Episodes: 21
Watch: YouTube
Buy novel (in English): Beijinger in New York

Noteworthy: “The first Chinese-language TV show to be shot in the United States”

The TV series Beijinger in New York, also known as A Native of Beijing in New York, based on the novel by Glen Cao (Cao Guilin), was a hit when it was first broadcasted broadcast nightly on CCTV and watched by millions of Chinese.

The story follows the immigrant life of cello player and Beijinger Wang Qiming (王起明), who arrives in New York in 1980 together with his wife, and begins working as a dishwasher the next day.

The TV series marks a first in several aspects. It was the first Chinese-language TV show to be shot in the United States, but it was also the first time ever for the production of a Chinese TV drama that a bank loan was used in order to make it possible (Bai 2007, 83); in other words, it also marks the start of a more commercialized TV drama environment. FYI: the bank loan that was used was a total of US$1.3 million.

 

#15 I Love My Family (我爱我家)

Year: 1993
Genre: Comedy
Episodes: 120
Directed by Ying Da (英达) et al
First episodes on Youtube here.

Noteworthy: “First Mandarin-language sitcom”

I Love My Family (Wǒ ài wǒjiā) is one of China’s first popular sitcoms, and the first Mandarin-language and multi-camera sitcom, that aired from 1993 to 1994. It has since been rerun on local channels countless of times.

One of the show’s central stars is Wen Xingyu (文兴宇), who was a popular comedian and director in mainland China.

At the time of I Love My Family, sitcoms were mostly characterized by their low production cost; three episodes were made within five working days (Di 2008, 122).

 

#16 Justice Pao (包青天)

Year: 1993
Episodes: 236
Genre: Historical drama
Produced in Taiwan
Some episodes on Youtube here.

Noteworthy: “From 15 to 236 episodes”

This series is themed around Bao Zheng (包拯), a government official who lived during China’s Song Dynasty, from 999 to 1062, and who was known for his extreme honesty and uprightness. Award-winning Taiwanese actor Jin Chao-chun (金超群) plays this role.

The series was originally scheduled for just 15 episodes, but was received so well when it aired on Chinese Television System, that it was eventually expanded to 236 episodes.

The story of Justice Bao is still a recurring topic in the popular culture of mainland China, Hong Kong, and Taiwan. There was the 2008 Chinese series Justice Bao, and the 2010 New Justice Bao, that also starred Jin Chao-chun.

 

#17 Romance of the Three Kingdoms (三国演义)

Year: 1994
Episodes: 84
Genre: Historical drama
Directed by: Wang Fulin (王扶林)
Buy original novel here: The Romance of the Three Kingdoms
Some episodes available with English subtitles here.

Noteworthy: “400,000 people involved in the production”

This is another classic TV series produced by the CCTV, and that is also adapted from a classical novel (same title, written by Luo Guanzhong). Its director, Wang Fulin (王扶林), also directed the CCTV’s first TV drama Eighteen Years in the Enemy’s Camp, and A Dream of Red Mansions.

The production of Romance of the Three Kingdoms is especially noteworthy because the productions costs broke all kinds of records at the time; the production of the 84 one-hour episodes took four years, total costs were over 170 million RMB (±US$25 million), and around 400,000 people were involved – the larghest number of people involved in a production in the history of Chinese television. THe show has been watched by some 1,2 billion people around the world (Hongb 2007, 127).

 

#18 Heaven’s Above (苍天在上)

Year: 1995
Episodes: 17
Genre: Corruption drama (or ‘anti-corruption drama’ 反腐剧)
Directed by: Zhou Huan (周寰)

Noteworthy: “First drama about high-level official corruption”

In late 1995, the CCTV drama Heaven Above (Cāngtiān zài shàng) debuted on Chinese TV as the first TV series about high-level official corruption in the PRC.

It would certainly not be the last, as ‘corruption dramas’ became wildly popular – it is the entire focus of the 2014 book Staging Corruption by scholar Ruoyun Bai.

 

#19 Foreign Babes in Beijing (洋妞在北京)

Year: 1995
Genre: Urban drama
Episodes: 20

Noteworthy: “Foreign women in Chinese dramas”

Foreign Babes in Beijing (Yáng niū zài Běijīng) was one of the new kinds of dramas that featured foreigners in China. This series focues on two Chinese men and two American women, of which one seduces one of the Chinese (married) men. The show was a big hit in the mid-1990s.

One of the show’s actresses, Rachel Dewoskin, later wrote the recommended book Foreign Babes in Beijing: Behind the Scenes of a New China about her experiences of playing in the show and her life in China at the time.

 

#20 My Dear Motherland (我亲爱的祖国)

Year: 1999
Episodes: 21
Genre: History/War
Directed by: Liu Yiran (刘毅然)
Watch on Billibilli here, QQ, or on Youtube.

Noteworthy: “Rated with a 9.1”

This 1999 series is still rated with a 9.1 on Douban today. The series tells the experiences and hardships of three generations of Chinese intellectuals during the tumultuous (war)history of China’s 20th century, starting during the May Fourth Movement in 1919.

Chen Jianbin (陈建斌) is one of the famous actors starring in this TV drama as Fang Xuetong.

 

#21 Yongzheng’s Dynasty (雍正王朝)

Year: 1999
Episodes: 44
Genre: History/Costume

Noteworthy: “Qing drama as export product”

Yongzheng Dynasty is one of many so-called “Qing dramas” – TV dramas that focus on palace life during the 1644-1911 Qing Dynasty. According to scholar Zhu (2008), one of the reasons that dynasty dramas such as these became so enormously popular in mainland China is that (1) certain social and political issues can be discussed in the shape of stories and settings that are very much removed from modern-day China, allowing for more relaxed censorship policies on storylines and dialogues, and (2) that the reconstruction of “history” allows room for artistic interventions (22).

This epic TV drama was loosely based on historical events in the reigns of the Kangxi and Yongzheng Emperors, and became one of the most watched television series in mainland China of the 1990s. Also outside of China the show became very popular, making the so-called ‘Qing dramas’ an export product.

 

#22 Towards the Republic (走向共和)

Year: 2003
Episodes: 59 (one hour per episode)
Genre: Historical drama
Directed by: Zhang Li (张黎)
Watch on Youtube , buy on Amazon with English subtitles.

Noteworthy: “59 hours of historical drama”

This is one of the most important TV series in this list. On Sogou ratings, Towards the Republic, which is also known as For the Sake of the Republic (Zǒuxiàng gònghé), is one of netizens’ top all-time favorite series, rated with a 9.7.

The CCTV TV drama tells the story of the historical events in China from 1890 to 1917 – the time during which the Qing Dynasty collapsed, and the Republic of China (1912-1949) was founded. Important historical events such as the First Sino-Japanese War (1894–1895), the Hundred Days’ Reform (1898), the Boxer Rebellion (1900) and the Xinhai Revolution (1911) are all featured in this epic drama, that mainly focuses on the lives of Li Hongzhang (Chinese general in late Qing), Empress Dowager Cixi, Sun Yat-Sen, and Yuan Shikai.

The historical drama was not without controversy, and some parts of it have been censored in mainland China. The original series had 60 episodes, which was later brought down to 59. The TV drama has also been a fruitful topic for scholars for its representation of history. In the 2007 book Representing History in Chinese Media: The TV Drama Zou Xiang Gonghe (Towards the Republic) by Gotelind Mueller, the entire series is analyzed in how history is portrayed and narrated.

 

#23 Crimson Romance (血色浪漫)

Year: 2004
Episodes: 32
Genre Youth drama
Directed by: Teng Wenji (滕文骥)
Watch on Youtube here.

Noteworthy: “Romantizing the Cultural Revolution”

There are almost 40,000 netizens ranking this 2004 TV drama on Douban, where it scores a 8.7.

The TV drama, which is also known as Romantic Life in English, dramatizes memories of the Cultural Revolution, focusing on a group of friends, their hopes and dreams, and their romantic life. It is set in Beijing in the late period of the Cultural Revolution (1966-1976).

 

#24 Fu Gui (福贵)

Year: 2005
Episodes: 33
Genre: Family drama
Directed by Zhu Zheng (朱正)
Original novel: To Live: A Novel
Watch on Youtube.

Noteworthy: “Based on the novel To Live

Chuang Chen (陈创), Liu Mintao (刘敏涛), and Li Ding (李丁) star in this family drama, which is ranked with a 9.4 on Sogou, and 4,5 stars or a 9,4 on Douban (more than 5500 voters).

The drama is based on the 1993 novel by Yu Hua (余华) To Live (活着), which focuses on the struggles of the son of a wealthy land-owner, Xu Fugui, amidst the tumultuous times of the Chinese Revolution. The story became well-known by the movie of the same title by Zhang Yimou, which became an international success.

 

#25 Ming Dynasty in 1566 (大明王朝1566)

Year: 2007
Episodes: 46
Genre: Historical drama
Directed by: Zhang Li (张黎)
Available with English subtitles on Youtube

Noteworthy: “Scoring a 9.7 on Douban, rated by 55,000 users”

Ming Dynasty in 1566 (Dàmíng wángcháo), starring Chinese actor Chen Baoguo (陈宝国), is a Chinese television series based on historical events during the reign of the Jiajing Emperor (1507-1567) of the Ming dynasty. It was first broadcast on Hunan TV in China in 2007.

On Douban, more than 55000 people have reviewed this movie at time of writing, coming up with a score of 9.7, one of the highest in this list. The drama was also broadcasted in other countries, such as South Korea.

 

#26 Dwelling Narrowness (蜗居)

Year: 2009
Episodes: 35
Genre: Urban Drama
Directed by: Teng Huatao (滕华涛)
Watch on Youtube here.

Noteworthy: “Focusing on China’s urban real estate bubble”

Also known as Snail House, this TV drama was all the rage back in 2009 for its focus on the crazy housing market in urban China and the lives of ordinary Chinese who are struggling to survive in the city while living in small spaces. Dwelling Narrowness, based on a novel by the same name, tells the story of two sisters with very different lifestyles who are looking to find a home in Shanghai (or actually, the fictional city of Jiangzhou, that basically represents Shanghai), and improve their quality of life, each in their own way.

The real estate bubble is a major theme throughout these series, and the TV drama was much-discussed within the frame of Chinese urban dwellers becoming “house slaves” (房奴). In the year of its broadcast, Wall Street Journal featured an article dedicated to the series and the discussions it triggered online.

 

#27 The Red (红色)

Year: 2014
Episodes: 48
Genre: War drama
Directed by Yang Lei (杨磊)

Noteworthy: “Patriotism as its key theme”

War drama The Red (Hóngsè) receives a 9.2 on Sogou, showing its success over the last four years.

Edward Zhang (Zhang Luyi 张鲁一) stars in this drama as an ordinary worker in Shanghai who gets caught up in underground circles at the start of the Second Sino-Japanese War, and unexpectedly becomes part of a decisive moment in Chinese modern history. Perhaps unsurprinsginly, ‘Patriotism’ is a key theme throughout The Red.

 

#28 Moral Peanuts – Final Season (毛骗 终结篇)

Year: 2015
Episodes: 10 (in this season)
Genre: Crime/Suspense
Directed by: Li Hongchou (李洪绸)
Watch on Youtube here.

Noteworthy: “A gang of friends who con people out of their money”

Rated with a 9.6 on Sogou and a 9.6 by more than 26,000 people on Douban, this TV drama has already become somewhat of a classic in the few years since its airing.

Moral Peanuts is a multiple season series (started in 2010), that follows a gang of five young friends who live together and earn their living in a fraudulent way. The series is characterized by its cliffhanger endings and its ‘grey’ portrayals of its characters.

 

#29 In the Name of the People (人民的名义)

Year: 2017
Episodes: 55
Genre: Corruption drama
Directed by: Li Lu
Available with English subtitles here.

Noteworthy: “The Chinese ‘House of Cards'”

In the Name of the People is a 2017 highly popular Chinese TV drama series based on the web novel of the same name by Zhou Meisen (周梅森). Its plot revolves around a prosecutor’s efforts to unearth corruption in a present-day fictional Chinese city by the name of Jingzhou.

In 2017, this TV drama became a true craze on Chinese social media and received a lot of coverage in (international) media for being comparable to the American political drama House of Cards. The BBC described it as “the latest piece of propaganda aimed at portraying the government’s victory in its anti-corruption campaign.”

 

#30 White Deer Plain (白鹿原)

Year: 2017
Genre: Contemporary historical drama
Episodes: 85
Directed by: Liu Jin (刘进)
WAtch with English subs at New Asian TV here.

Noteworthy: “The epic TV drama took nearly 17 years to prepare and produce “

This TV drama has consistently been ranking number one in Baidu’s and Weibo’s popular drama charts last year, and is now ranked with an 8.8 score on sites such as Douban. Although it is somewhat tricky to call such a present-day drama a ‘classic’, we’ll take the chance.

White Deer Plain is based on the award-winning Chinese literary classic by Chen Zhongshi (陈忠实) from 1993. The preparation and production of this series reportedly took a staggering 17 years and a budget of 230 million yuan (US$33.39 million).

The success of the novel this TV drama is based on, has previously been compared to that of One Hundred Years of Solitude by Gabriel García Márquez. White Deer Plain follows the stories of people from several generations living on the ‘White Deer Plain,’ or North China Plain in Shanxi province, during the first half of the 20th century. This tumultuous period sees the Republican Period, the Japanese invasion, and the early days of the People’s Republic of China. The series is great in providing insights into how people used to live, from dress to daily life matter. The scenery and sets are beautiful.

 

Some Book Recommendations Based on This List:

 

* Chinese Television in the Twenty-First Century: Entertaining the Nation (Routledge Contemporary China Series Book 121)

* Staging Corruption: Chinese Television and Politics (Contemporary Chinese Studies)

* Television in Post-Reform China: Serial Dramas, Confucian Leadership and the Global Television Market (Routledge Media, Culture and Social Change in Asia)

* TV Drama in China (TransAsia: Screen Cultures)

* Media in China: Consumption, Content and Crisis

 
Want to know more? Check out our various Top 10s of popular Chinese TV Dramas from 2013 to present here.
 

By Manya Koetse

*1(We kindly ask not to reproduce this list without permission – please link back if referring to it).

References

Bai, Ruoyun. 2007. “TV Dramas in China – Implications of the Globalization.” In Manfred Kops and Stefan Ollig (eds), Internationalization of the Chinese TV sector, 75-99. Berlin: LIT Verlag.

Bai, Ruoyun. 2014. Staging Corruption: Chinese Television and Politics. Vancouver: University of British Columbia Press.

Barmé, Geremie. 2012. “Red Allure and the Crimson Blindfold.” China Perspectives, 2012/2, 29-40.

Di, Miao. 2008. “A Brief History of Chinese Situation Comedies.” In Ruoyun Bai, Ying Zhu, Michael Keane (eds), TV Drama in China, 117-129. Hong Kong: Hong Kong University Press.

Hong, Junhao. 2007. “The Historical Development of Program Exchange in the TV Sector.” In Manfred Kops and Stefan Ollig (eds), Internationalization of the Chinese TV sector, 25-40. Berlin: LIT Verlag.

–. 2007b. “From Three Kingdoms the Novel to Three Kingdoms the Television Series: Gains, Losses, and Implications.” In Kimberly Besio and Constantine Tung (eds), Three Kingdoms and Chinese Culture, 125-143. Albany: State University of New York Press.

Zhu, Ying. 2008. “Yongzheng Dynasty and Totalitarian Nostalgia.” In Bai R, Keane M, Zhu Y. (eds), TV Drama in China, 21-33. Hong Kong: Hong Kong University Press; 2008

Wang, Min and Arvind Singhal. 1992. “Kewang, A Chinese Television Soap Opera With A Message.” Gazette 49: 177-192.


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Insights into the Social Credit System on Chinese Online Media vs Its Portrayal in Western Media

In many international media, China’s nascent Social Credit System is presented as a gloomy sci-fi storyline with clickbait titles. In Chinese mass media, the story is not nearly as ‘sexy’.

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The lurid scenario of how China’s nascent Social Credit System (SCS) might unfold as presented by many international media, stands in stark contrast to how the topic is discussed on Chinese online media. Not only is the SCS discussed and presented much differently within the PRC, the topic is also not nearly getting as much attention as it does in the West.

“The year 2018 has been a crucial year in the development of China’s Social Credit System (社会信用体系),” lawyer Ju (居小森律师) writes on Weibo this week.

The past year has indeed been the year of China’s Social Credit System: it was an important year for the system’s implementation, and it also became one of the most discussed China-related news topics in international media1 – using sci-fi vocabulary, powerful emotional words, suspenseful music, and dramatic images in their SCS-focused stories, the SCS is presented much differently in Western media than it is within the PRC.

 

SCS: From Google to Weibo Trends

 

From October 2017 to October 2018 alone, the Google search engine comes up with more than six million results in a search for the term “China social credit system” in English. Showing all results from before this time, there are 160 million results for the term in total.

(whatsonweibo/google)

Google Trends statistics show that worldwide interest in China’s Social Credit System had its absolute peak in the past year, and that Black Mirror, the British science fiction series exploring the dark consequences of new technologies, is one of the terms that is most associated with the web search query ‘China’s social credit system.’

Black Mirror is a highly popular series on Netflix, of which one 2016 episode called ‘Nosedive’ revolved around a dystopian society where people are judged by a numeric rating given to them by their interactions with other people, affecting their opportunities in life. This episode is often connected to China’s SCS by Western blogs or news sites.

In the Black Mirror episode ‘Nosedive’, people’s position on the social ladder is determined by other people ranking them.

The Black Mirror association with ‘social credit’ does not only come up on Google Trends. On Twitter, for example, some of the hashtags most related to the term also includes “#blackmirror.”

In contrast to the English term, with 160 million results, the Chinese term for the social credit system (社会信用体系) comes up with only 19,2 million total search results on Google. Google Trends also shows a rather minimal interest in the Chinese term compared to its English equivalent.

Although that result is somewhat flawed (the Google search engine is blocked in mainland China), Baidu, one of China’s most popular search engines, also gives a comparatively small total of 7,7 million results for the same Chinese web search query.

All in all, there are clear indications that the attention for the Chinese Social Credit System in the international English-language online media environment is much bigger than that within China.

While the Social Credit System (SCS) is being mentioned on Twitter almost every five to ten minutes at time of writing, it is only being discussed on Weibo with intervals of minimally one or two hours by posts that are barely getting likes or comments.2

This is especially noteworthy when considering that Sina Weibo has around 100 million more monthly active users (±430 million) than Twitter has (±326 million).

So what does this all mean? How come that there is so much appetite for this topic outside of China, while inside the PRC, where the ‘system’ is well underway, there is a lesser public interest in its development?

 

What Actually is the Social Credit System?

 

In the book Social Credit Law: Principles, Rules and Cases, author Luo Peixin explains Social Credit as follows:

Social Credit is a management system that takes big data as its basis, is supported by technological capacities, and is backed by law [legal provisions]; it is an important modern method to forward the country’s governance systems and management capabilities” (3).

Rather than one system or database, the Social Credit System is an overall policy or ideology, a mechanism of punishments and rewards, that is allegedly “meant to improve the integrity and trust level of the whole society” (creditchina.gov.cn).

In 2014, the Chinese government announced its first plans on the construction of a nationwide Social Credit System to be rolled out by 2020. For now, there is not one system in place, but rather a collection of different implementations and experiments across various regions and cities across China.

What they all have in common, though, is that individuals, corporations, or agencies are being assessed based on their ‘trustworthiness’ (Kostka 2018, 1).

In Shaanxi’s Ankan city, blacklisted trust ‘offenders’ are being publicly displayed on a local court’s LED screens this month (via http://jszx.court.gov.cn).

The past summer has seen some important developments in the realization of a national Social Credit System. In the Chinese state media article “The Credit Society is Coming, Are You Ready for It?” [“信用社会来临,你准备好了吗”], People’s Daily notes that new Social Credit terms such as “blacklists” (黑名单) will become more ubiquitous in daily life from now on.

Earlier this year, the first names on the ‘lose trust list’ (失信人名单) – meaning those who have failed in complying with their public commitments or court orders – were reported to the Chinese railway and aviation departments by the China Securities Regulatory Commission (CSRC) to block these people from traveling.

At the beginning of 2018, twelve cities have been announced as successfully laying out the foundations of a Social Credit management system.3

Other Chinese cities are frequently added to the ‘credit cities’ list. Dalian, for example, is one of the cities that is highlighted by Chinese media this month for “steadily advancing” its Social Credit System implementation. The city has introduced an automated administrative process at its Public Resources Trading Center, in which people who are found to have bad credit will automatically be refused the handling of business.

It is just one among dozens of examples of how various cities and regions in China are experimenting with Social Credit and both punitive and rewarding measures.

Besides the SCS initiatives being implemented by local governments, commercial companies are also participating in making China a more credit-based society. Users who opt in to Alibaba’s Sesame Credit loyalty program system, for example, can enjoy many benefits if they have a good credit score (650+), such as borrowing books from the local library for free, or using share bikes without deposit (more on Sesame Credit and its perks here).

According to Weibo user ‘Lawyer Ju’, the broad credit system “covers both economic credit systems and social integrity systems,” within which the blacklist system is getting “more and more important”, adding that “the joint structure of ‘lose trust in one place, and there’s no place to go’ [一处失信、处处受限] will soon be here.”

 

Weibo Focus: No Bad Deed Should Go Unpunished

 

Lawyer Ju is not the only Weibo user who seems rather optimistic and happy about the implementation of a system that governs society based on trust.

Although major discussions on the actual ‘Social Credit System’ – using that exact term (社会信用体系) – are practically non-existent on Weibo, there are other examples of trending topics linked to the system that have gone viral lately.

One noteworthy example is the topic of two ‘Train Tyrants‘ that went trending on Chinese social media since August of this year.

The two train bullies that went viral the past months.

It all started with the “Highspeed Train Tyrant” (高铁霸座男) in September. It is a nickname that was given to a man who refused to give up the seat he took from another passenger on the G334 express train to Beijing in late August, and whose bizarre and rude behavior was caught on video.

The other train bully that went viral in September, is a woman from Hunan who was dubbed ‘High-Speed Train Tyrant Woman’ (高铁霸座女) by Weibo netizens.

She had taken a seat assigned to another passenger while riding the train from Yongzhou to Shenzhen. A video (YouTube link here) shows how the woman makes a scene when the train conductor tells her she is in the wrong seat; she refuses to get up, raises her voice, talks rudely to the conductor, and simply claims she has bought a ticket and will not change to another seat until she has reached her final destination.

The story of this female ‘train tyrant’ became trending on Weibo with over 500 million views.

With more than 600 million combined views on the stories of the highspeed ‘Train Tyrants’, making them one of the bigger news stories of the year, the unruly behavior of passengers on Chinese public transport system made headlines. When news came out that both ‘bullies’ were fined and blacklisted by the Chinese railways (banning them from boarding trains for 180 days, see this article by Jeremy Daum for more on the legal aspects), many commenters applauded the system – although some deemed it not punitive enough (“180 days and a 200 yuan [$28] fine is nothing!“).

Although this case concerned a Railway-specific blacklist, many people commented that this blacklisting system should also be applied to people disturbing the order in hospitals, for example, and that it should be linked with the nationwide Social Credit System.

Moreover, many deemed that the Social Credit System should be even more punitive to people disturbing the public order, saying they “only had themselves to blame” (“咎由自取”), and it is a mere matter of “how karma works.”

 

Twitter Focus: China’s Scary Social Credit System

 

Meanwhile, on Twitter, a very different Social Credit story is going viral. A two-minute short video published by the Economist on October 26 titled “How Does China’s Social Credit System Work?” has more than 275,000 views on Twitter alone at time of writing (Update 23.00 China time: Economist has removed the video within hours after this article was posted).

Accompanied by suspenseful music, the video starts by captioning that by 2020, “the Chinese government will give all 1.4bn of its citizens a personal score based on how they behave.”

It further alleges that the ‘system’ will “track people’s activities on the Internet,” and that “what they buy, view, and say online will all be analysed,” followed by the claim that “this data will then be evaluated and distilled into a single number according to rules set by the government.”

Still from the Economist video.

The Economist video then focuses on surveillance cameras “that track people’s behavior in public”, suggesting that someone’s “score” could be lowered by crossing a red light, and that 12 million people have already been “punished for having a low score” through domestic travel bans.

Among thousands of reactions on the video, many compared China to an “Orwellian surveillance state” or a “Black Mirror episode.”

This recent Economist video is but one of dozens of examples of international media outlets describing China’s Social Credit System within a certain framework, mainly linking it to terms such as ‘punishment,’ ‘surveillance,’ and ‘individual scores.’

Many of these news stories suggest that every Chinese citizen will be assigned a ‘score’, or that people’s mere way behaving in public will be able to lower that ‘score’, resulting in ‘punishment’ (FYI: there is no indication that there will be one ‘score’ for citizens in a nationwide SCS, also see this article).

These stories are often grossly conflating the (optional) commercial credit systems, such as Sesame Credit, with national government policies and local experiments. (For more about this, also check this article).

 

Dramatically Different Approaches

 

By just comparing the previously mentioned examples of the Train Tyrant viral story in China, and the Economist viral video, one can get a glimpse of the great gap in (social) media approaches of the Social Credit System in China and in Western media.4

“Creepy”, “Chilling”, “Sci-fi” – some of the words used in Western media headlines to frame the SCS.

In the international media headlines, powerful emotional words like ‘chilling’, ‘creepy’, or ‘dystopian’ are often used. Perhaps not coincidentally, marketers since long know that readers react more strongly to ‘alert words’ that make us feel anxious, such as ‘afraid’, ‘scare’, ‘risk’, and ‘alarm’ – which are all great words to get more engagement with social media users, and thus will result in more clicks.

As ‘sexy’ as the SCS might seem in Western media, as ‘dry’ it can seem in the Chinese media context, where the most powerful words used in headlines are terms as ‘trust’, ‘harmony’ or ‘blacklist’, and where there are no dramatic images; occasionally there is a featured photo of officials having a meeting (to see more on how state media propagates the SCS through cartoons, click here).

A typical SCS-focused article in Chinese media.

This difference in the framing of SCS between Western publications and Chinese articles can also be seen in the specific words used in SCS-focused news stories.

The word clouds below show the most used words in three typical SCS articles from Western mainstream media (Independent, Guardian, and ABC), and three typical English-language Chinese state media articles on SCS (namely Global Times, Xinhua, and China Daily ).

Most common words in news articles discussing the social credit system in Western media (left) and English-language Chinese media (right). (By What’s on Weibo via wordart).

While there are many words overlapping between the two examples, the most-used words in these Western media sources (left) are words as ‘system’, ‘list’, ‘citizen’, ‘behaviour’, ‘score’, and ‘government’, whereas the Chinese state media sources (right) more commonly use words as ‘business’, ‘law’, ‘market’, and ‘build.’

Doing the same experiment with Chinese-language state media articles on the SCS (Sina News, People’s Daily, and Guangming Daily) shows that ‘trust’ or ‘credit’ (信用) and ‘building’ (建设) are among the most-used words, with terms such as ‘enjoy together’, ‘cooperate’, or ‘unite’ frequently popping up.

The result of the most common words used in three state media articles on SCS (Whatsonweibo via Picdata).

The different public attitude towards the SCS implementation in China versus the Western media discourse on the issue, is also illustrated in a recent study by Genia Kostka (2018), that investigates Chinese citizens’ attitudes towards social credit systems. Rather than thinking of it as a ‘creepy’ or ‘dystopian’ system, it showed that SCSs actually have very high levels of approval across the respondent groups in the study (her work can be viewed here).

 

Social Credit Accounts without Followers

 

Ever since the 2014 plans of China’s Social Credit implementation were announced, Chinese social media has seen dozens of regional, urban, district-based ‘Social Credit’ accounts pop up on Weibo and WeChat to inform netizens of local developments.

The online presence of these local social credit programmes signals that Weibo and Wechat may have hundreds of these accounts in the future informing citizens/netizens of new measures and guidelines.

However, the fanbase numbers of these accounts, again, reflect that there does not seem to be that much interest for the nascent SCS implementations.

A brief overview of some of these Weibo accounts:

* Credit Suzhou @苏州工业园区信用平台
Followers: 391
First post on record: September 29, 2015

* Liaoning Credit @信用辽宁
Followers at time of writing: 764
First post on record: August 1, 2012

* Wuhu Credit
@信用芜湖
Followers at time of writing: 14
First post on record: August 22, 2016

* Beijing City Social Credit Building Promotional Association @北京市社会公信建设促进会
Followers at time of writing: 14913
First post on record: September 17, 2014

* China Trustworthy Guangzhou @中国诚信广州
Followers at time of writing: 383
First post on record: June 20, 2012

* Honest Suqian @诚信宿迁
Followers at time of writing: 21
First post on record: September 9, 2014

With more than 24,000 followers, the Weibo account of commercial credit system Sesame Credit (@芝麻信用) is much more popular than the government-related management programmes.

Perhaps the topic of SCS, for many Chinese, is lacking the ‘Black Mirror’ appeal it has for many Western consumers of news. Perhaps ‘harmony’ and ‘trust’ are not as click-worthy as ‘creepy’ and ‘dystopian’?

On Weibo, Lawyer Ju is confident in the future of SCS in China: “Whether it’s from a social, corporate, or individual perspective,” he writes: “‘trust’ is now everywhere; it’s become a necessary ‘virtual asset.’ The gradual improvement of the construction of a legal credit system is the fundamental policy in order to regulate the market economy.”

Although his message is sound and clear, it is perhaps also somewhat boring and dry: it has not received any likes or shares to date. Meanwhile, on Twitter, the Economist‘s suspenseful video on China’s grim SCS future has received more than 280,000 views, and counting. “Oh my god!”, one popular reply to the video says: “This is just like that Black Mirror episode!”

(Update 23.00 China time: Economist has removed the video within hours after this article was posted).

By Manya Koetse

1 This article talks about ‘international’ or ‘Western’ media to show a clear difference from Chinese media. Although the term can be understood in many ways, we mean it here to address mainstream English-language (news) sources of media outlets from mainly the US, Europe, and Australia.

2 Please note that there is currently no reason to assume that discussions of this specific topic are being censored: censorship scanning sites such as Free Weibo show no signs that posts using the term are specifically targeted, and state media and local governments are actually trying to start up discussions on this topic, as I will briefly touch upon later on in this article.

3 Namely Hangzhou, Nanjing, Xiamen, Chengdu, Suzhou, Suqian, Huizhou, Wenzhou, Weihai, Weifang, Yiwu, and Rongcheng.

4 Note that these are just small examples within a big and complicated discourse that has more sides to it than this article allows to zoom in on.

References

Kostka, Genia. 2018. “China’s Social Credit Systems and Public Opinion: Explaining High Levels of Approval” SSRN, July 23. Available at https://ssrn.com/abstract=3215138 or http://dx.doi.org/10.2139/ssrn.3215138 [29.10.18].

Luo Peixin 罗培新. 2018. Social Credit Law: Principles, Rules and Cases [社会信用法:原理、规则、案例]. Beijing: Peking University Press.

People’s Daily. 2018. “Observing the Social Credit System: The Credit Society is Coming, Are You Ready for It? [观察社会信用体系:信用社会来临,你准备好了吗].” Xinhua June 4. Available online at http://www.xinhuanet.com/2018-06/04/c_1122931164.htm [29.10.18].


Directly support Manya Koetse. By supporting this author you make future articles possible and help the maintenance and independence of this site. Donate directly through Paypal here. Also check out the What’s on Weibo donations page for donations through creditcard & WeChat and for more information.

 

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©2018 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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What’s on Weibo provides social, cultural & historical insights into an ever-changing China. What’s on Weibo sheds light on China’s digital media landscape and brings the story behind the hashtag. This independent news site is managed by sinologist Manya Koetse. Contact info@whatsonweibo.com. ©2014-2018

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