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Fan Bing Bing is Back! The ‘Missing’ Actress is Ordered to Pay $130 Million & Apologizes on Weibo (Full Translation)

After months of silence, there is finally clarity about the situation of Fan Bing Bing: she is ordered to pay millions, and she is sorry.

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Chinese actress Fan Bing Bing, who has been “missing” for months since she was at the center of a tax evasion scandal, is back in the public eye. Hours after authorities issued the news that the actress has to pay millions in tax penalties, she returned to Weibo with an apology.

Fan Bing Bing (范冰冰), one of China’s most renowned actresses whose disappearance from the public eye has been at the center of a social media storm since July of this year, is back.

Earlier today, on October 3rd, news came out on Chinese state media that the tax investigations by authorities had been completed, with Xinhua News stating that the actress “has been ordered to pay taxes and fines worth hundreds of millions of yuan over tax evasion.”

Other sources said the actress had to pay 883 million yuan in tax fines; approximately 128,5 million US dollars. According to CGNT, the 37-year-old actress will not be held criminally liable if she pays the penalty in time.

 

The Tax Evasion Scandal

What followed after the scandal was months of silence and rumors.”

 

Earlier this year, the news that Fan Bing Bing allegedly received a total payment of 60 million yuan ($9.3 million) for just four days work on the film Cell Phone 2, of which she would have only declared 10 million ($1.56 million) to authorities, became a huge trending topic on Chinese social media.

The tax scandal first came to light when Chinese TV host Cui Yongyuan (崔永元) leaked two different contracts on social media; the one that allegedly showed that the actress was paid a total of 10 million RMB for her work, with another showing a payment of 50 million RMB for the exact same work. These types of contracts are called yin-yang contracts (阴阳合同), an illegal practice to avoid paying taxes.

What followed after the scandal was months of silence and rumors. The actress was last seen in public on July 1st, and social media rumors alleged the actress might have left the country or that she was banned from acting.

Last month, one particularly strong rumor surfaced, saying that Fan had been arrested in Wuxi, in Jiangsu province, where Fan’s studio is based.

Hours after today’s news on her penalty came out, Fan issued an apology letter on Chinese social media site Weibo, in which she expressed shame about her actions. Fan has 62,6 million fans on her Weibo, and the apology letter is the first time she has posted on social media since June 2nd.

 

The Apology Letter

Without the good policies of the Party and the state, without the love of the people, there would be no Fan Bing Bing.”

 

Full letter translation here in English (by What’s on Weibo):


Apology Letter

Over the past period, I have gone through unprecedented pain and suffering, and have done in-depth self-reflection and soul-searching. I feel deeply ashamed and guilty of everything I have done. Here, I want to express my sincere apologies to you.

For a long time, because of the fact that I did not correctly lay out the relations between the interests of the state, society, and myself, I used “split contracts” (拆分合同) for the film “Unbreakable Spirit” (大轰炸) and others, to evade the tax problem, and I am ashamed of that. These days, during the tax authorities’ tax inspections of me and my company, I have been deeply questioning myself the whole time: as public figures, we should abide by the law, and be a role model within the industry and society at large. We should not lose ourselves by putting economic interests first and loosening the supervision, which leads to breaking the law. Here, I sincerely apologize to society, to my cherished friends, to the public, and to the tax authorities.

After completing their investigation, the tax servation services have issued a series of penalties. I fully accept them and will try my best to overcome all difficulties and raise the funds and pay the taxes and fines in accordance with the tax authorities’ finalized penalty order.

I’ve loved arts since I was young, and because I was right on time for the booming developments within the film and TV industry, and thanks to the guidance of my seniors and loving support from the audience, along with my own continuous efforts, I have been able to acquire some achievements within the performing arts. As an actress, I am always proud of being able to showcase my culture in the international limelight, and I’ll do what I can to fight for that goal.

You could say that my every achievement is owed to my country and the support of its people. Without the good policies of the Party and the state, without the love and protection of the people, there would be no Fan Bing Bing.

Today, I feel very disquieted about my mistakes. I let down the country that educated me, the society that trusted me, and the fans who loved me. Here, again, I offer my sincerest apologies to everyone. Please forgive me!

I believe that, after going through this rectification, I emphasize rules, order, and responsibility. While offering everyone good work, I will also supervise the management of my company, engage in law-abiding business, keep my promises, and strive to have a company full of meaningful cultural content so I can bring out positive energy to the whole society!

Once again, to the society, to the fans who have always supported me, to the friends and family who care for me, I sincerely say sorry!

Fan Bingbing

October 3, 2018


On Weibo, Fan’s letter was soon shared more than 135,000 times (and ongoing), receiving ten thousands of likes.

 

The Criticism and Online Control

Especially when looking at my own small salary, I have mixed feelings about all of this.”

 

The comments underneath the letter, however, were severely restricted – by Sina Weibo or by Fan herself-, and only displayed the six reactions of five different people who showed their support and sent their love to the actress.

Elsewhere on Weibo, however, there are more critical responses to the apology letter, with people wondering why the actress did not get any criminal charges for tax evasion, and also questioning the decision to let this story come out during the national holidays.

“From now on, all actors can do tax evasion, and just fix it once it’s discovered,” some netizens respond, writing: “Especially when looking at my own small salary, I have mixed feelings about all of this.”

Others are not too confident that there is still a brilliant future ahead for the actress, although one commenter writes: “It’s ok, if she’s no longer able to perform, she could still be an internet celebrity and do some commercials.”

The more supportive reactions include those saying: “She knows her mistakes and she will correct them, I believe she will only do better in the future.”

The strict control of information flows surrounding Fan’s apology is also attracting attention on social media, with some wondering why the topic is not showing up on the ‘hot search’ or ‘trending’ lists, although it obviously is a big trending topic. “May I ask why such a topic that is all over CCTV is not on Weibo’s trending lists,” one Weibo user asked: “Has Weibo been bribed or something?”

 

The State Media

Those film and television companies and related employees who investigate themselves and correct any [open] tax payments before December 31st, can avoid any potential administrative penalties and fines..”

 

Xinhua News Agency issued an article on Weibo following today’s news, saying that “the case of Fan Bing Bing is a lesson for those in the film and tv industry to obey the law” (范冰冰案教育警示文艺影视从业者遵纪守法).

The article, by authors Bai Ying (白瀛) and Luo Sha (罗沙), was soon read more than 400,000 times.

It called Fan’s case the “biggest yet” when it comes to personal tax evasion in China, and also stated it played a strong role in being an “educational warning” for similar tax violating behavior of others.

Xinhua states that according to Chinese law, people who make false tax returns or evade tax payments for an amount that is more than 10% of the payable tax, can be sentenced to up to three years in prison, along with receiving payable penalties. If that amount is more than 30% of the payable tax, they can be sentenced to a maximum of seven years (and a minimum of three years) in prison.

But the law also states that people can prevent going to prison (or being “held criminally liable”), if they pay their tax payments and the full penalties tax payment within a proposed time frame. They can still be sentenced if they get another administrative penalty.

The state media article, noteworthy enough, further reveals that the State Administration of Taxation (国家税务总局) will carry out “special actions to regulate the tax orders within the film and television industry”: those film and television companies and related employees who investigate themselves and correct any [open] tax payments before December 31 of this year, can avoid any potential administrative penalties and fines (see screenshot of segment below).

Noteworthy segment in Xinhua article.

In other words; this might suggest that there are many other (albeit much smaller) Fan Bing Bing cases out there, and that those involved are now getting the chance to correct themselves in the coming three months to avoid the fines and penalties that Fan does need to pay; meaning that the renowned actress and her tax scandal is used a ‘killing the chicken to scare the monkeys’ (杀鸡吓猴) case, as the Chinese saying goes: punishing an individual to set an example to others.

On Weibo, a typical comment says that the way in which this entertainment industry case was handled “is not really fair to ordinary people,” with many saying: “If you do not have the money or the fame [like Fan Bing Bing], you would be treated as a criminal for much smaller issues.”

By Manya Koetse and Miranda Barnes

Full letter here in Chinese

致歉信

最近一段时间,我经历了从未有过的痛苦、煎熬,进行了深刻的反思、反省,我对自己的所作所为深感羞愧、内疚,在这里我向大家诚恳道歉!

长期以来,由于自己没有摆正国家利益、社会利益和个人利益的关系,在影片《大轰炸》和其他一些合同中出现利用“拆分合同”等逃税问题,我深感羞愧。这些天在配合税务机关对我及我公司的税务检查中,我一直深刻反省:作为一个公众人物,应该遵纪守法,起到社会和行业的模范带头作用,不应在经济利益面前,丧失自我约束,放松管理,以致违法失守。在此,我诚恳地向社会、向爱护关心我的朋友,以及大众,向国家税务机关道歉。

对税务机关调查后,依法作出的一系列处罚决定,我完全接受,我将按照税务部门的最终处罚决定,尽全力克服一切困难,筹措资金、补缴税款、缴纳罚款。

我从小喜欢艺术,又赶上了影视业蓬勃发展的好时机,在诸多前辈的提携和观众朋友的爱护下,加之自己的不断努力,这才在演艺方面取得了一点成绩。作为一个演员,我常为自己能在世界舞台上展示我国文化而自豪,并不遗余力为此冲锋。可以说,我每一点成绩的取得,都离不开国家和人民群众的支持。没有党和国家的好政策,没有人民群众的爱护,就没有范冰冰。

今天,我对自己的过错深感惶恐不安!我辜负了国家对我的培养,辜负了社会对我的信任,也辜负了影迷对我的喜爱!在此,我再次向大家诚恳道歉!请大家原谅!

我相信,经过这次整顿,我会讲规矩、遵秩序、重责任,在把好的作品献给大家的同时,也要监督公司管理,守法经营,诚实守信,争做富有文化内涵的好公司,为全社会传播正能量!

再次向社会,向一直支持我的影迷,向关爱我的朋友家人,真诚的说一句,对不起!

范冰冰

2018年10月3日

 

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©2018 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

Stories that are authored by the What's on Weibo Team are the stories that multiple authors contributed to. Please check the names at the end of the articles to see who the authors are.

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  1. Avatar

    awrrw

    October 6, 2018 at 4:29 pm

    That`s how China does business, corruption to the max

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China Arts & Entertainment

Chinese Social Media Reactions to The New York Times Bad Review of ‘Wandering Earth 2’

A New York Times bad review of ‘Wandering Earth II’ has triggered online discussions: “China’s gonna save the world, the US can’t stand it.”

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This Chinese Spring Festival, it’s all about going to the movies. After sluggish years for China’s movie market during the pandemic, Chinese cinemas welcomed millions of visitors back to the theaters during the weeklong Spring Festival holiday.

Much-anticipated new movies attracted Chinese moviegoers this festive season, including Full River Red by Zhang Yimou, the suspenseful Hidden Blade, or the animated Deep Sea by Tian Xiaopeng.

But the undisputed Spring Festival box office champion of 2023 is Frant Gwo’s Wandering Earth II (流浪地球II), the sequel to China’s all-time highest-grossing sci-fi epic Wandering Earth (2019), which also became the fifth highest-grossing non-English film of all time.

The narrative of the follow-up movie Wandering Earth II actually takes place before the events of the first film and focuses on the efforts by the United Earth Government (UEG) to propel the Earth out of the solar system to avoid planetary disaster. This so-called Moving Mountain Project – which later becomes the Wandering Earth Project – is not just met with protest (the majority of Americans don’t believe in it), it also bans the Digital Life Project, which supports the idea that the future of humanity can be saved by preserving human consciousness on computers (backed by an American majority). The film is all about hope and resilience, human destiny, and geopolitics at a time of apocalyptic chaos.

Outside of China, the sequel was also released in, among others, North American, Australian, and UK cinemas.

Although the film, featuring movie stars Wu Jing and Andy Lau, received an 8.2 on the Chinese rating & review platform Douban, a 9.4 on movie ticketing app Maoyan, dozens of positive reviews on Bilibili, and was overall very well-received among Chinese viewers, a bad review by The New York Times triggered discussions on Chinese social media this weekend.

Chinese media outlet The Observer (观察者网) initiated a Weibo hashtag about “The New York Times‘s completely sour review of Wandering Earth II” (#纽约时报酸味拉满差评流浪地球2#, 6.2 million views at time of writing).

The New York Times review of Wandering Earth II, titled “The Wandering Earth II Review: It Wanders Too Far,” was written by Brandon Yu and published in print on January 27, 2023.

Yu does not have a lot of good things to say about China’s latest blockbuster. Although he calls the 2019 The Wandering Earth “entertaining enough,” he writes that the sequel is a movie that is “audaciously messy” and has lost “all of the glee” its predecessor had:

“(..) the movie instead offers nearly three hours of convoluted storylines, undercooked themes and a tangle of confused, glaringly state-approved political subtext.”

The topic was discussed on Chinese social media using various hashtags, including “The New York Times Gave Wandering Earth II a 3″ (#纽约时报给流浪地球打30分#, #纽约时报给流浪地球2打30分#).

Instead of triggering anger, the bad review actually instilled a sense of pride among many Chinese, who argued that the review showed the impact the movie has made. Some commenters pointed out that the movie is a new milestone in Chinese cinema, not just threatening America’s domination of the movie industry but also setting a narrative in which China leads the way.

“We’re gonna save the world, and America just can’t stand it,” one commenter replied.

That same view was also reiterated by other bloggers. The author and history blogger Zhang Yi’an (@张忆安-龙战于野) argued that The New York Times review was not necessarily bad; it actually shows that Americans feel threatened by the idea of China’s important role in a new international world order, and by the fact that China actually will have the capacity to lead the way when it comes to, for example, space technology innovation, robotics, and artificial intelligence.

Zhang argues that if a similar movie had been made by India as a Bollywood blockbuster – including exploding suns and wandering earths – The New York Times would have been more forgiving and might have even called it cute or silly.

But because this is China, the film’s success and its narrative plays into existing fears over China’s rise, and it clashes with American values about what the international community should look like.

Zhang writes: “The China in the movie doesn’t boast itself as the savior of the world, but in reality, China really is capable of saving the world. The United States is no longer able to do so (电影里的中国没有把自己吹嘘成救世主,现实中的中国真的有能力做救世主。而美国却已经不能了).”

One popular Film & TV account (@影视综艺君) also summarized the general online reaction to the bad review in the American newspaper: “Whenever the enemy gets scared, it must mean we’re doing it right. Our cultural export has succeeded.” That post received over 120,000 likes.

On Zhihu.com, some commenters also attached little value to the review and showed how the overseas reviews of Wandering Earth II widely varied in their verdict.

Meanwhile, a state media-initiated hashtag on Weibo claimed on January 28 that Wandering Earth II has actually “captured the hearts of many overseas audiences” (#流浪地球2海外上映获好评#), and that the film’s “imaginative” and “wonderful” visuals combined with its strong storyline were being praised by moviegoers outside of China.

On IMDB, the movie has received 5.9/10; it has gotten a 70% Rotten Tomatoes score. The Guardian gave it 2/5. Meanwhile, on Weibo, one reviewer after the other gives the film 5/5 stars.

Weibo blogger Lang Yanzhi (@郎言志) writes: “Recently, we’ve seen a lot of attacks and slander directed at the China-made science fiction movie Wandering Earth 2, especially coming from Western media and pro-Western forces, because the film’s “Chinese salvation” narrative made them uncomfortable. This was already the case when the first film in the series was released. It is very clear that Wandering Earth is not just a movie: it is a symbol of great influence.”

By Manya Koetse , with contributions by Zilan Qian

 

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China Arts & Entertainment

Behind the Short Feature Film of the Spring Festival Gala

The first-ever ‘mini film’ of the Spring Festival Gala struck a chord with viewers for its strong storytelling and authentic production.

Manya Koetse

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This precious and powerful short film by Zhang Dapeng has touched the hearts of Spring Festival Gala viewers. But there is more to the short film than meets the eye. Here’s the noteworthy story behind the 7-minute Spring Festival Mini Film.

On January 21, 2023, China’s Spring Festival Gala, hosted by China Media Group, kicked off the Year of the Rabbit. The annual show, which featured forty different acts and performances, lasted over four hours and attracted millions of viewers worldwide (see our liveblog here, and see a top 5 highlight of the show here).

Traditionally, the Spring Festival Gala always shows several short public service ad films in between the performances, but this year was the first time the Gala featured a “mini-film” or “micro film” (微电影).

Titled Me and My Spring Festival Night (“我和我的春晚”), the 7-minute film was praised among viewers. On Weibo, one hashtag dedicated to the short film received over nine million clicks (#我和我的春晚#).

The film was directed by the Beijing director Zhang Dapeng (张大鹏). Born in 1984, Zhang is a Beijing Film Academy graduate who previously attracted wide attention for directing the Peppa Pig Celebrates Chinese New Year movie and the brilliant ad campaign that came with it. Titled What Is Peppa, that short ad film featured a grandfather living in rural China who goes on a quest to find out what ‘Peppa’ is. The promotional video became an absolute viral hit back in 2019 (see/read more here).

Still from ‘What is Peppa.’ 2019.

This time, Zhang’s latest Chinese New Year film is about a hard-working former military man from China’s countryside named Zhang Jianguo (张建国), for whom coming on the show to play the trumpet has been a dream for many years. By featuring his story, the film takes us from the Chinese 1980s, 90s, 00s – as we see him change jobs, move around, and start a family – up to the present.

The main idea behind the film was to honor all the ordinary viewers who have written – and are still writing – to the Gala ever since it first aired in the early 1980s, and to tell a story inspired by these personal letters and ordinary viewers.

Short Summary of “Me and My Chunwan”

At the start of the film, we see Zhang Jianguo dusting off his military honorary awards (光荣军属), putting on his jacket, grabbing his thermos flask and trumpet, and setting out on a journey in the midst of winter.

Riding an electric tricycle in the icy cold, his driver (actor Huang Bo 黄渤) asks him where he is going. “Can you keep your mouth shut?” Zhang replies (“你嘴严实不严实”). “I can,” the driver says, and Zhang then says: “So can I.”

The voiceover narration, a first-person narrative by Zhang himself, explains that he has always been busy: “I never had time for the Spring Festival Gala. My Spring Festival fate is all because of something my captain said.”

The film jumps to a scene showing Zhang as a young military man during the Chinese New Year’s Eve, working outside while people are watching the Spring Festival Gala on a small black and white television inside. As his commander (played by Wu Jing 吴京) hands him his trumpet, he says: “Go and play your trumpet on the television.”

“If the leader asks me to go on the Spring Festival Gala, it’s a task I must complete,” the voice-over says.

But in the military scene itself, duty calls and Zhang has to blow the trumpet to announce dinner time.

In the years that follow, Zhang is always busy during the Spring Festival Gala. Working in the factory, getting married, working on a train, farming cattle, taking care of his family, and always cooking. His trumpet is still there with him, to announce dinner time or hanging on the wall as a memory of times past.

As the years pass by, Zhang realizes that he has gradually forgotten about his commander’s words. Time moves fast. First, he had a son, then his son grew taller than himself, and then his son had his own son. “And I still had never been to the Spring Festival Gala.”

With his captain’s words back on his mind, Zhang, now an older man, sets out on his journey without telling anyone. By foot, by electric tricycle, by bus, and by train, Zhang travels all the way to the famous Beijing Studio 1 to perform at the Spring Festival Gala after being “too busy” for forty years.

Backstage at the Spring Festival Gala, Zhang sits down with famous Chinese Spring Festival Gala performers (Ma Li 马丽 and Shen Teng 沈腾). While unpacking his lunchbox, he tells them he was finally not too busy to come on the show: “I wrote a letter and here I am.” “It’s that simple?” Ma Li wonders.

The producer then rushes to come and get Zhang, who bravely walks towards the stage with his old little trumpet.

A female voice-over then reads out a message, while we see various scenes throughout the years showing Zhang – from young to old – writing letters to CCTV from wherever he is.

The female narrator says: “Dear Uncle Zhang, we’ve received your letter regarding your hopes to realize your cherished stage dream. In this age of emailing, and knowing that you’ve been writing us for 39 years, we’re moved and feel guilty. Our reply may be late, but not our sincerity..

Meanwhile, we see a flashback to a mailman pulling up to old Zhang’s home (the mailman is the actor Wang Baoqiang), and the old Zhang finally receives that much-anticipated letter from CCTV at his remote rural home.

The female narrator continues: “This year, we proudly invite you to be a guest at the Spring Festival Gala and to “ring the dinner bell” [play the sound announcing dinner]. Sincerely, the Spring Festival Director Committee.

In the final shot, we see Zhang blowing the trumpet at the Gala, with flashbacks showing him blowing that trumpet in all those decades before. He has finally made it to the big stage.

A Noteworthy Story

While Me and My Spring Festival Night received a lot of praise on Chinese social media, the story behind the film was not immediately clear to many viewers celebrating the Chinese New Year, but it was explained in several articles and interviews with director Zhang Dapeng.

During the live-televised Spring Festival Gala itself, the airing of Me and My Spring Festival Night was directly followed up by a shot featuring a person (a veteran) in the audience standing up and actually playing the trumpet.

Directly after, the song “Goodmorning Sunshine” began, representing multiple people from all kinds of professions and social groups. About one minute into the song, the camera turns to another audience member: the person who plays ‘Uncle Zhang’ in the mini-film. Later in the song, we can see he is wiping away tears, visibly moved.

Why was he so moved? The older man in the audience, the main ‘Uncle Zhang’ actor in the film, is Jin Changyong (金长勇), and he actually is not a professional actor.

Somewhat similar to the character Zhang Jianguo, Jin Changyong or “Uncle Jin” (金叔) is a hardworking veteran from Hebei’s Huailai County in Zhangjiakou.

Jin Changyong is a 63-year-old farmer who is also active at the Hebei Tianmo Film and TV Park doing security and logistics-related jobs. He served in the army for four years from the age of 19, as, among others, a military chef.

Director Zhang Dapdeng came across ‘Uncle Jin’ one day while shooting another film at the studio. While Jin was busy doing kitchen work, director Zhang saw him and, as he later recounts, was struck by his face that showed he had “lived through many changes” (“这种饱经沧桑的脸”).

Zhang later invited Uncle Jin to star in the movie, and he also made sure Jin’s own story played a role in the script.

Director Zhang Dapeng, image via CCTV.

This makes this short movie all the more special, something which has since been discussed on Chinese social media (#春晚微电影的主演是普通农民#).

The surprising twist in the story is how Zhang Jianguo tells other people he has just always been “too busy” to attend the Gala, while he had in fact already written to the show for 39 years with the hope of one day being invited.

Another noteworthy aspect of the film is how Zhang Dapeng chose to cast some of China’s most celebrated actors as supporting roles to lift up the main character and actor, Jin, who was inexperienced and learnt from his fellow players.

In an interview, Jin expressed that the entire experience of playing in this short film left his overcome with emotion. After the filming had ended, he told reporters that he had sleepless nights because he had not received an actual invitation to the Spring Festival Gala yet, something which he so very much hoped for. Just one week before the show, that invitation finally came.

The fact that Jin, in a way, played a man like himself in the short movie has added to the film’s popularity.

“I was sincerely moved by this film,” one commenter wrote, with others saying: “This was the best program I’ve seen on the Gala over the past decade.”

While some people also remarked that the short film seemed to have been influenced by The Grand Budapest Hotel by Wes Anderson, others praised it for its originality.

“This was just the best part of the night,” several commenters said: “It made me cry.”

“Zhang Pengda – a name to remember,” others wrote.

You can watch the short film on Youtube here.

By Manya Koetse 

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