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Hundred Flowers Awards 2022: Full List of Nominees and Must-Watch Chinese Movies (Updated)

The complete list of Hundred Flowers Award nominees for 2022.

Manya Koetse

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Which Chinese movies released from February 2020 to February 2022 are nominated for this year’s Hundred Flowers Awards? Who are the best directors and which actors could expect an award? Here’s all you need to know about the upcoming Hundred Flowers Awards and the list of nominations.

Update July 31st: we’ve marked the winners in each list in this text. We’ve also embedded the author’s Twitter thread on the Award ceremony below this article, which includes all winners. To go directly to the thread, click here.

This week, China’s Hundred Flowers Film Festival and award ceremony will take place in Wuhan from July 28-30; the red carpet ceremony will take place July 30. Earlier this month, on July 20, nominees for the 36th edition of China’s Hundred Flowers Awards were announced, with the list of nominees becoming a trending topic on Chinese social media.

Here is all you need to know about the Hundred Flowers Awards and the nominations.

ABOUT THE AWARDS

The Hundred Flowers Awards are one of China’s most important government-approved film awards along with the Golden Rooster Awards and Huabiao Awards.

The Hundred Flowers Awards were first established in 1961 by the Association of Chinese film Artists in collaboration with Popular Cinema magazine (大众电影), based on readers’ votes. The initial initiative was proposed by Premier Zhou Enlai at the time and approved by the Central Propaganda Department.

Known as the ‘people’s’ awards, the Hundred Flowers’ first edition was presented in May of 1962, when 117,000 people voted for the best films. Amid the turmoil and political mobilization of the Cultural Revolution, the awards were suspended from 1963-1979 but were reinstated in 1980. In that year, 700,000 people cast their votes (Wang 2014, p. 136; Nakajima 2019, p. 232).

Since 2004, the Hundred Flowers Award Ceremony is no longer an annual one but a bi-annual one, alternating with the Golden Rooster Awards. The two festivals also share one account (@金鸡百花电影节) on Chinese social media platform Weibo.

As explained by Nakajima (2019, p. 233), the initial selection for the films is made by a group of committee members under the organization of major film theatre managers belonging to the China Film Distribution Exhibition Association. After the approval of the Awards Organising Committee, the nominations are then sent to the China Literary and Art Federation, which decides on the ten final nominees and also selects the individual awards from these movies.

The round-up of the ten nominated films is then publicized and people’s votes determine the final five candidates for each category. The final selection comes down to a pre-approved group of 101 audience juries, from students to military staff, to cast votes at the Awards Ceremony.

This year, the official social media account of the Hundred Flowers Awards also clarified that all of the selected movies have been viewed by more than one million people, and were released and screened in nationwide cinemas nationwide from February 1, 2020, to February 28, 2022. There were a total of 108 films meeting the eligibility criteria.

 

The Nominated Films:

in random order



 

#1 Battle at Changjin Lake (长津湖) (UPDATE: WINNER)

As one of China’s biggest movies of the past few years, the war movie Battle at Lake Changjin became a social media sensation in the fall of 2021. The movie provides a Chinese perspective on the start of the Korean War and the lead-up and unfolding of the battle of Chosin Reservoir, a massive ground attack of the Chinese 9th Army Group against American forces, preventing them from driving Kim Il-Sung and his government out of North Korea. The film specifically follows the Wu brothers, company commander Wu Qianli (Wu Jing) and the young volunteer soldier Wu Wanli (Jackson Yee), and their fellow soldiers fighting side by side in extreme conditions. If you want to read more about this movie, we did a background article on it here. Watch the trailer here.

#2 Hi Mom (你好,李焕英)

Hi Mom was the box office favorite in China during the 2021 Spring Festival period. It tells the story of Jia Xiaoling (Jia Ling) who is devastated when her mother Li Huanying has a serious accident one day and passes away. Jia is especially grief-stricken because she feels she has not become the daughter she wanted to be for her mother. When she finds herself transported back in time to the year 1981, she meets her young mother before she was her mum, and becomes her friend in the hopes of making her happy and change her life for the better. For more about this movie, also check our article here. Watch the trailer here.

#3 Nice View (奇迹·笨小孩)

Released in February 2022, Nice View tells the story of the 20-year-old Jing Hao (Jackson Yee) who comes to live in Shenzhen to look after his little sister Tong Tong after the unexpected death of their mother. Desperate to pay for his little sister’s much-needed heart surgery and hoping for a better future, Jing Hao does everything he can to provide an income and create a more stable life for him ad Tong Tong, but he faces many hurdles along the way (think Pursuit of Happyness). Watch the trailer here.

#4 A Little Red Flower (送你一朵小红花)

A Little Red Flower is a touching movie about family, romance, and two cancer patients. The cynical young Wei Yihang – who claims he can see the future – and the open-minded Ma Xiaoyuan meet each other during a particularly tough time in their lives when they are caught between their past and uncertain future. Anyone familiar with American hit film The Fault in Our Stars might feel there is a striking similarity between the two movies, something that has also been discussed in the media. Watch the trailer here.

#5 Chinese Doctors (中国医生)

Chinese Doctors is a medical drama that features the story of a group of doctors at a Wuhan hospital, being the first in the world to deal with the novel coronavirus. The movie, based on true events, shows the struggles of medical front-line workers facing a virus that would change the world as we know it. Watch the trailer here.

 

Nominated for Best Screenplay:

in random order



 

#1 Hi Mom (你好,李焕英)

Jia Ling (贾玲) and Sun Jibin (孙集斌) were nominated for the screenplay of Hi Mom. Besides being responsible for the screenplay, which was inspired by events in her own life, Jia Ling also directed the movie and plays the main protagonist. Sun Jibin also wrote the screenplay for the 2017 Trouble Makers.

#2 Battle at Lake Changjin (长津湖)

Lan Xiaolong (兰晓龙) and Huang Xin (黄欣) were nominated for the screenplay of Battle at Lake Changjin. Both screenwriters also did the screenplay for the sequel of this film, titled Water Gate Bridge (长津湖之水门桥).

#3 Be Somebody (扬名立万) (UPDATE: WINNER)

Libashen (里八神), Liu Xunzimo (刘循子墨, also the director), Zhang Benyu (张本煜), and Ke Da (柯达) were nominated for their writing team efforts on the Be Somebody screenplay, which they began writing in 2018 and finished in 2020 before filming began. The small budget film became an unexpected success after National Day in 2021. It is a mystery comedy set during the Republic of China (1912-1949) that follows the story of a group of frustrated filmmakers who gather to plan a new film about a notorious criminal case. Little do they know that the actual murderer is among them. Watch the trailer here (no English subtitles).

#4 Chinese Doctors (中国医生)

Yu Yonggan (于勇敢) was nominated for best screenplay for the movie Chinese Doctors. Yu is also known for his work for The Captain and The Bravest.

#5 Nice View (奇迹·笨小孩)

Zhou Chuchen (周楚岑), Xiu Mengdi (修梦迪), Wen Muye (文牧野), Han Xiaohan (韩晓邯), Zhong Wei (钟伟) were nominated for the screenplay of Nice View.

 

Nominees for Best Directing:

in random order


 

#1 Battle at Lake Changjin (长津湖)

The ‘dream team’ of Chen Kaige (陈凯歌), Tsui Hark (徐克), Dante Lam (林超贤) are nominated for directing The Battle at Changjin Lake.

#2 Hi Mom (你好,李焕英)

For director Jia Ling, this nomination as best director is especially noteworthy since Jia is mostly known as a comedian in China, often performing during the annual Spring Festival Gala. This movie is her directorial debut.

#3 Chinese Doctors (中国医生)

Andrew Lau, known in China as Liu Weiqiang (刘伟强), was nominated as best director for Chinese Doctors (中国医生). The prolific Hong Kong film director, producer, and cinematographer most most notable in the West for his action and crime films.

#4 Be Somebody (扬名立万)

Liu Xunzimo (刘循子墨) is both the director and co-writer for Be Somebody.

#5 Nice View (奇迹·笨小孩)

Director Wen Muye (文牧野) is nominated for Nice View, which is the second feature film by the director. The Chinese film Dying to Survive was the young director’s debut in 2018, and it became an absolute box office sensation and one of China’s highest-grossing films of all time. For Dying to Survive, Wen also worked together with producer Ning Hao and Jackson Yee, who also stars in Nice View.

 

Nominated for Best Actor:

in random order



 

#1 Liu Ye (刘烨)

The renowned actor Liu Ye (1978) is nominated for his role as Wang Jicai (王继才) in Island Keeper (守岛人). Liu already won best actor for the same role during the Golden Deer Awards in December of 2021. Island Keeper is about the true story of Wang Jicai and his wife Wang Shihua who guarded a Chinese border island – Kaishan Island – for 32 years from 1986 to 2018.

#2 Shen Teng (沈腾)

Shen Teng (1979) was nominated for his role as bionic robot Xing Yihao (邢一浩) in My Country, My Parents (我和我的父辈), a four-part anthology drama film directed by four directors, who also each star in their own segment. Shen’s segment is called Go Youth. Shen previously also starred in other successful movies, such as Goodbye Mr. Loser and Hello Mr. Billionaire.

#3 Wu Jing (吴京)

Wu Jing (1974) also known as Jacky Wu, is nominated for his role as commander Wu Qianli (伍千里) in Battle at Changjin Lake (长津湖). Wu is a renowned and award-winning actor who starred in some of the most famous Chinese films of the past decade, including The Wandering Earth and Wolf Warrior.

#4 Jackson Yee (易烊千玺)

Jackson Yee is definitely one of the most-discussed people for this award edition. As a singer, dancer, and youngest member of popular boy band TF Boys since 2013, Yee has a major fan base. Over the past years, he has become a notable actor and he starred in the nominated films A Little Red Flower, Nice View, and The Battle at Lake Changjin. This nomination is for his role as Jing Hao (景浩) in Nice View (奇迹·笨小孩). Yee previously also received critical acclaim for his role in Better Days (2019).

#5 Zhang Yi (张译) (UPDATE: WINNER)

Zhang Yi (1978) is nominated for his role as Zhang Xianzhen (张宪臣) in Cliff Walkers (悬崖之上), a film by Zhang Yimou about four Communist Party special agents who embark on a secret mission and find themselves surrounded by threats on all sides.

 

Nominated for Best Actress:

in random order



 

#1 Deng Jiajia (邓家佳)

Deng Jiajia (1983) was nominated for her role as Su Mengdie (苏梦蝶) in Be Somebody (扬名立万). Deng starred in various well-known movies and TV dramas, among them the romantic comedy television series iPartment (爱情公寓).

#2 Jia Ling (贾玲)

Besides Jackson Yee, Jia Ling is also one of the names that are nominated multiple times. Besides being nominated for directing and writing Hi Mom, she is also on the nomination list for best actress starring as Jia Xiaoling (贾晓玲).

#3 Yuan Quan (袁泉) (UPDATE: WINNER)

Yuan Quan (1977) was nominated for her role as Wen Ting (文婷) in Chinese Doctors, for which she worked again with director Andrew Lau and co-star Zhang Hanyu like she did for The Captain (2019).

#4 Zhang Xiaofei (张小斐)

Zhang Xiaofei (1936) is nominated for her role as Li Huanying in Hi Mom, which means she is a direct competitor of Jia Ling, who plays her daughter in the film.

#5 Zhang Zifeng (张子枫)

The young Zhang Zifeng (2001) is nominated for her role as An Ran (安然) in Sister (我的姐姐). The movie, directed by Yin Ruoxin (殷若昕), revolves around the story of An Ran, an 18-year-old daughter who is unexpectedly facing the major responsibility for her 6-year-old brother after the tragic loss of their parents. Read more about this film in this article about how the film stirred online discussions on traditional fanily values in 2021.

 

Best Supporting Actor Nominations:

in random order


 

#1 Hou Yong (侯勇) (UPDATE: WINNER)

Hou Yong (1967) was nomiated for his role as Wang Changjie (王长杰) in Island Keeper.

#2 Liu Haoran (刘昊然)

Noteworthy enough, this is the only category nomination for the movie 1921, which came out to commemorate the centennial year anniversary of the Chinese Communist Party and tells the story of the founding of the Chinese Communist Party. Liu Haoran (1997) was nominated for his role as Liu Renjing (刘仁静).

#3 Tian Yu (田雨)

Another nomination for Nice View is for Tian Yu (1975) for his role as Liang Yongcheng (梁永诚).

#4 Jackson Yee (易烊千玺)

Besides his other nomination for Best Actor (Nice View), Jackson Yee was also nominated for his role in Chinese Doctors as Yang Xiaoyang (杨小羊).

#5 Zhu Yawen (朱亚文)

Zhu Yawen (1984) was nominiated for his role as political instructor Mei Sheng (梅生) in Battle at Changjin Lake.

 

Nominations for Best Supporting Actress:

in random order


 

#1 Hai Qing (海清)

Hai Qing (1978) is nominated in this category for playing the eldest sister in My Country, My Parents.

#2 Liu Jia (刘佳)

Liu Jia (1960) was nominated for playing the middle-aged Li Huanying in Hi, Mom.

#3 Qi Xi (齐溪)

Qi Xi (1984) was nominated for her role as Wang Chunmei, the female worker who helps Jing Hao (Jackson Yee) reach his goals, in Nice View.

#4 Zhou Ye (周也)

Zhou Ye was nominated for starring in Chinese Doctors as Xiao Wen (小文).

#5 Zhu Yuanyuan (朱媛媛)(UPDATE: WINNER)

A second nomination for Sister is for Zhu Yuanyuan (1974) as Antie Rongrong.

 

Best Newcomer Nomination:

in random order



 

#1 Chen Halin (陈哈琳)(UPDATE: WINNER)

The little Chen Halin, just nine years old, is was nominated for her role as the little sister ‘Tong Tong’ in Nice View.

#2 Qin Xiaoshen (秦霄贤)

The Chinese comedian ad host Qin Xiaoshen (1997), also known as Victor Qin was nominated for playing Dahai (大海) in Be Somebody.

#3 Ren Sinuo (任思诺)

Ren is the youngest newcomer at the awards, she starred in My Country, My Parents and is just six years old.

#4 Xu Yu (徐砡)

Xu Yu (2011) is another child star who played Xiao Bao (小宝) in Island Keeper.

#5 Yuan Jinhui (袁近辉)

Yuan Jinhui (2011) was nominated for playing the little brother in My Country, My Parents.

 
Read more about Chinese cinema here.
 

Update on ceremony and winners in thread below:

By Manya Koetse

 

Get the story behind the hashtag. Subscribe to What’s on Weibo here to receive our weekly newsletter and get access to our latest articles:

References

Nakajima, Seio. 2019. “Official Chinese film awards and film festivals: History, configuration and transnational legitimation.” Journal of Chinese Cinemas 13 (3): 228–243

Wang, Zhuoyi, 2014. Revolutionary Cycles in Chinese Cinema, 1951-1979. New York: Palgrave Macmillan.

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©2022 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya is the founder and editor-in-chief of What's on Weibo, offering independent analysis of social trends, online media, and digital culture in China for over a decade. Subscribe to gain access to content, including the Weibo Watch newsletter, which provides deeper insights into the China trends that matter. More about Manya at manyakoetse.com or follow on X.

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  1. charles baer

    July 27, 2022 at 4:20 am

    china needs best documentary catigories .

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Chinese Movies

Why Chinese Hit Movie “Her Story” is ‘Good Stuff’: Stirring Controversy and Celebrating Female Perspectives

China’s end-of-year movie hit, Her Story, is sparking debates and highlighting the rising influence of Chinese female directors.

Wendy Huang

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The Chinese comedy-drama Her Story (好东西, literally “Good Stuff”), directed by Shao Yihui (邵艺辉), has been gaining attention and sparking discussions on Weibo since its late November release in mainland China.

The film features an all-star cast including Song Jia (宋佳), Zhong Chuxi (钟楚曦), Zeng Mumei (曾慕梅), Zhao Youting (赵又廷), and Zhang Yu (章宇). It tells a quirky yet heartfelt story about two women: Wang Tiemei (王铁梅), a self-reliant single mom juggling life and work, and Xiao Ye (小叶), a free-spirited young woman navigating her chaotic relationships.

Their friendship begins when Xiao Ye starts babysitting Tiemei’s nine-year-old daughter, Wang Moli (王茉莉). Xiao Ye introduces her drummer friend, Xiao Ma (小马), to teach Moli how to play the drums, but Xiao Ma’s presence stirs jealousy in Tiemei’s unemployed ex-husband, who schemes to regain his place in the family. Blending humor with poignant insights, the film explores themes of imperfect love, friendship, and the messy process of rebuilding lives.

(“Her Story” poster and the director Shao Yihui)

The film also addresses a range of hot societal issues through dialogues woven into everyday interactions, touching on topics like menstruation stigma, sexual consent, feminism, and how family dynamics can impact personal development.

In just eight days, Her Story surpassed 300 million RMB ($41 million) at the Chinese box office (#好东西票房破3亿#). Two days later, on December 2, it exceeded 400 million RMB (#好东西票房破4亿#), and on December 7 news came out that it had surpassed the 500 million RMB ($68.7 million) mark at the box office.

The film also achieved an impressive 9.1/10 rating on Douban, a Chinese platform similar to IMDb, making it the highest-rated domestic film on Douban in 2024.

(“Her Story” on Douban)

Notably, 65.4% of voters awarded it five stars, while only 0.5% gave it one star.

 
Conflicting Views: From Feminist Film to Chick Flick
 

Despite its huge success, it is almost unavoidable for a movie this big to come without controversy. The film sparked debate on Hupu (虎扑), a platform focused on sports and men’s lifestyle, where it received a lower score of 5/10. While 33.1% of users gave it five stars, 58.4% rated it one star, reflecting divided opinions.

(“Her Story” on Hupu)

Much of the criticism comes from male viewers who feel the film undermines men by portraying them in non-traditional ways and omitting proper names for male characters, such as referring to the ex-husband only as “the ex-husband” (前夫). On the other hand, many female viewers resonate with the film’s female-centered perspective, with one scene blending household sounds and Xiao Ye’s recordings praised as a standout cinematic moment of 2024.

Interestingly, not all women appreciated the film either. A Weibo user, identified as a female scriptwriter for two Chinese TV dramas, emphasized that most of the producers of the film are male. She accused the director of hypocrisy, claiming Shao accepts money and resources from privileged men to create films that encourage female audiences to look down on average men.

She wrote, “I hope that everyone who believes in the ‘ghg’ [girl help girl] myth and supports female idols will also congratulate the male producers who will earn a lot of money from the film.”

Zhou Liming (周黎明), one of China’s most influential film critics, noted two extreme perspectives in film reviews. Some critics label the film as a “boxer film” (拳师电影) or an “extreme feminist film.”

However, the film itself suggests otherwise, as reflected in Moli’s line, “I don’t want to box,” when her father tries to convince her to take up boxing. Some audiences interpreted the line as rejecting extreme feminist messages.

In China, the term “boxer” (拳师) is used to critique certain feminists. The second character in the word for feminists (“权” [quán] in 女权主义者) is pronounced the same as the first character in “boxer” (“拳” [quán] in 拳师). This term often mocks behaviors seen as overly aggressive or lacking nuance in feminist discourse, such as avoiding dialogue or oversimplifying social issues.

Some also dismissed the film as a “chick flick,” a casual term for romantic comedies, which Zhou argued unfairly minimizes its significance. He likened the film to Woody Allen’s Annie Hall, suggesting that, much like Allen’s work, Her Story transcends gender differences and reflects the cultural zeitgeist of its time.

Despite the controversy, the film has been praised by notable figures like actor Zhang Ruoyun (张若昀), who called it “super good, super awesome, and super cute” (“超级好、超级牛、超级可爱的东西”). Zhang described the movie as tackling absurd yet realistic issues from a female perspective with humor and depth.

 
The Increasing Influence of Female Directors in China
 

At the end of Her Story, Tiemei’s daughter, Moli, nervously prepares for her first drum performance. Despite her hesitation, she gathers her courage and steps on stage. This moment reminded some viewers of a similar scene in another female-directed film this year, YOLO (麻辣滚烫), where the protagonist gears up for a boxing match.

YOLO is a 2024 comedy-drama directed by Jia Ling (贾玲), starring Jia Ling and Lei Jiayin (雷佳音). A comedic adaptation of the Japanese film 100 Yen Love (2014), it tells the story of Du Leying (杜乐莹), a woman facing personal struggles who turns to boxing after meeting coach Hao Kun (昊坤). Through her journey, she finds a new direction in life after their breakup. Grossing USD 496 million worldwide, YOLO became the highest-grossing Chinese film of 2024.

These parallels between Her Story and YOLO highlight a broader trend: the growing prominence of female directors in Chinese cinema. Beyond the discussions of plot and central themes, Her Story reflects the increasing success and influence of women filmmakers in the industry.

In 2024, female directors have made a notable impact on Chinese cinema, with their films achieving both critical acclaim and box office success. Their works also spark conversations about the need for more diverse perspectives in the industry.

(“The Last Frenzy” poster and the director Wu Rina)

The Last Frenzy (末路狂花钱), directed by Wu Rina (乌日娜), premiered on May 1. This comedy follows Jia Youwei (贾有为), a man diagnosed with a terminal illness, who decides to sell his assets and live fully with his friends. Despite mixed reviews and a Douban score of 5.9, the film grossed over 700 million RMB ($96 million) by May 31, becoming a major box office hit.

(“Stand By Me” poster and the director Yin Ruoxin)

Stand By Me (野孩子, literally “Wild Kids”), directed by Yin Ruoxin (殷若昕), premiered on September 13. Starring Wang Junkai (王俊凯), it tells the story of two neglected children, Ma Liang (马亮) and Xuan Xuan (轩轩), who form a makeshift family while facing life’s challenges. With a Douban rating of 6.7, the film grossed 241 million RMB by October 9.

(“Like A Rolling Stone” poster and the director Yin Lichuan)

Like A Rolling Stone (出走的决心, literally “The Determination to Leave”), directed by Yin Lichuan (尹丽川), premiered the same week as Stand By Me. Inspired by Su Min (苏敏), a 50-year-old woman who embarked on a solo road trip, the film explores themes of self-discovery and the struggles of neglected women. Featuring Yong Mei (咏梅), the film earned praise for its authenticity, achieving a Douban score of 8.8 and grossing over 123 million RMB.

To the Wonder (我的阿勒泰, literally “My Altay”), a film-like TV drama directed by Teng Congcong (滕丛丛), adapts Li Juan’s (李娟) memoir. Starring Ma Yili (马伊琍), it tells the story of Li Wenxiu (李文秀), a young woman finding her place in her hometown of Altay after setbacks in the big city. Known for its poetic storytelling and portrayal of ethnic harmony, the series has a Douban score of 8.9 from over 300,000 ratings, ranking among the top dramas of 2024.

 
“An Era Where Women Are Being Seen”
 

The growing influence of female directors has sparked discussions about how women’s perspectives are challenging traditional storytelling.

Some Weibo users compared a scene from Her Story, where Tiemei scolds a man for urinating roadside, to a similar moments in YOLO. In YOLO, Hao Kun’s attempt to urinate roadside is humorously interrupted by car headlights. Such scenes highlight how female directors reinterpret everyday behaviors, inviting audiences to question societal norms.

Her Story has already been released in several countries, including the United States, Australia, Germany, and the United Kingdom, with more international releases to follow.

The success of Her Story, the conversations it inspires, and its contribution to highlighting female perspectives in film reflect the evolving dynamics of contemporary cinema and the strengthening of female voices in traditionally male-dominated industries.

On Weibo, many view this as a positive development. One commenter wrote:

Her Story [好东西/”Good Stuff”] is truly ‘good stuff.’ (..) At the start of this year, I watched YOLO, and at the end of this year, I watched Her Story. Suddenly, I feel very grateful to live in this era—the era where women are gradually being ‘seen.’ Both films hold very special meaning for me. It feels like everything has come together perfectly. I hope to see more outstanding works from female directors in the future, and I look forward to an era where there’s no gender opposition, only mutual equality.”

By Wendy Huang

Edited for clarity by Manya Koetse

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China Arts & Entertainment

Chiung Yao’s Suicide Farewell Letter: An English Translation

Manya Koetse

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Chinese netizens mourned the passing of Taiwanese writer Chiung Yao (琼瑶) this week. Chiung Yao, one of China’s most beloved romance novelists, passed away at the age of 86.

Among her many works, Chiung Yao is cherished by many netizens in mainland China as part of their collective memories from the 1980s and 1990s. Some of the most iconic Chinese dramas, such as My Fair Princess (also: Return of the Pearl Princess, 還珠格格), were written by Chiung Yao.

On December 4, she was found on her sofa at home, leaving behind a suicide note. The cause of death was determined to be asphyxiation due to carbon monoxide poisoning.

In her farewell letter to loved ones and fans, she wrote the following:

To all my dear friends:

Do not cry, do not grieve, and do not feel sad for me. I have already fluttered away [翩然 piānrán] effortlessly.

I love the word “翩然” [piānrán]. It represents flying in the air independently, easily, and freely. Elegantly and gracefully, I have shed the body that gradually caused me pain and have ‘fluttered away,’ transforming into snowflakes flying into the sky.

This was my wish. “Death” is a journey everyone must take—it is the final significant event in life. I did not want to leave it to fate, nor did I want to wither away slowly. I wanted to have the final say in this final event.

God has not designed the process of life particularly well. When a person grows old, they have to go through a very painful period of ‘becoming weak, degeneration, illness, hospitalization, treatment, and fatal illness.’ This period, may it be long or short, is a tremendous torment for those who are destined to grow old and die! Worst of all, some may become bedridden, dependent on tubes for survival. I have witnessed such tragedies, and I do not want that kind of “death.”

I am a “spark,” and I have already burned as brightly as I could. Now, before the flame finally dims, I have chosen this way to make a light departure. I have recorded everything I wish to say in my video “When Snowflakes Fall Down” (当雪花飘落). I hope my friends can watch it a few times to grasp everything I wanted to express.

Friends, do not mourn my death but smile for me! The beauty of life lies in the ability to love, hate, laugh, cry, sing, speak, run, move, be together until death parts us, live freely, despise evil with a passion, and live life boldly. I have experienced all these things in my lifetime! I truly ‘lived’ and did not waste this life.

What I find hardest to let go of are my family and all of you. “Love” is what is tightly bound to my heart, and I am reluctant to part with you. To allow my soul (if humans even have souls) to also ‘flutter away,’ please laugh for me, sing loudly for me, and dance in the breeze for me! My spirit in the heavens will dance together with you!

Farewell, my dearest ones! I am grateful for this life, where I had the chance to meet and know you all.

Take note of the way I died: I was at the final station of my life! For those of you who are still young, never give up on life lightly. Momentary setbacks or blows may be the “training” for a beautiful life. I hope you will be able to endure those, as I did, and live to 86, 87.. years old. When your physical strength fades, then decide how to face death. By then, perhaps they will have found more humane ways to help the elderly “leave joyfully.”

Dear friends, be brave, be the greatest version of yourself. Do not waste your journey through this world! Though this world is not perfect, it is filled with unexpected joys, sorrows, and laughter. Don’t miss out on all the wonders out there for you.

There are a thousand more things to say, but in the end, I wish everyone health, happiness, and a life of freedom and joy.

This translation was previsously published on my X channel here.

By Manya Koetse
(follow on X, LinkedIn, or Instagram)

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