As the count-down for China’s most important event of the year, the Spring Festival, has started, countless unmarried daughters and sons anticipate the reunion with their parents and relatives with some horror. “Why are you still single?” is amongst the top-dreaded questions they are facing during the New Year’s dinners at the family dining table.
More so than the bachelor sons, it’s China’s unmarried daughters in their late twenties and early thirties who came to be at the center of a media storm over the past decade. The so-called ‘leftover women’ (剩女 shèngnǚ) have become a source of critique, banter, worry, fascination, and inspiration for the media, both in- and outside China.
The term shèngnǚ became a catchphrase ever since the Chinese Ministry of Education listed it as one of the newest additions to Chinese vocabulary in 2007. The shengnü label is mainly applied to unmarried (urban) women in their late twenties or early thirties who are generally well-educated and goal-oriented, but who came to be associated with ‘leftover food’ because of their single status and long-standing beliefs about the right age to marry.
One 2015 survey by Chinese dating site Zhenai, that was held amongst 1452 single men and women, shows that 50% of Chinese men think that women who are still single at the age of 25 are ‘leftovers.’
“I’m pro-active about finding a partner, but not to the extent that it gets in the way of other ambitions.”
After the success of much-acclaimed books such as Factory Girls (Leslie T. Chang 2008) and Leftover Women: The Resurgence of Gender Inequality in China (Leta Hong Fincher 2014), Leftover in China: The Women Shaping the World’s Next Superpower (2018) by Roseann Lake, Cuba correspondent for The Economist, brings fresh insights into the role and position of young women in a rapidly-changing society.
At the root of the ‘leftover women’ phenomenon and the media frenzy around it lies China’s One-Child Policy (1979-2015), the country’s imbalanced sex ratio, and traditional perceptions on wives and mothers being the building blocks of Chinese families and the nation at large.
Lake describes how the onset of China’s One-Child Policy and a traditional preference for sons, together with the available ultrasound technology in the late 1980s, led to an enormous rise of abortions on female fetuses. The gender imbalance it brought about is most severe in China’s rural areas; in places such as Tianmen, Hubei, the gender ratio is a shocking 176 males to 100 females. It leaves villages full of men who are unable to find a bride and start a family. Guānggùn (光棍), they’re also called, literally the “bare branches” of their hometowns.
While the ‘bare branches’ reside in China’s more rural areas, the ‘leftover women’ live in China’s more urban areas. The ‘bare branches’ and ‘leftover women’ both have difficulties in finding a partner, albeit for radically different reasons. For the rural men, there simply are not enough marriage candidates, whereas for the urban women, there are not enough suitable marriage candidates. A major difference between the countryside and the urban environment is that China’s cities have seen a much better-balanced gender ratio, with parents pampering and pressuring their only child – whether it was a boy or girl.
Although Lake does explain the “gruesome cloud” of China’s One-Child Policy and female foeticide and the demographic problems it has triggered, she especially focuses on the “silver lining,” which is that the sociopolitical circumstances have also ‘forced’ parents to value their daughters more than ever before. Over the past decades, millions of Chinese daughters have been given the opportunities and liberties their mothers and grandmothers never had. Their increased educational and professional prospects have made marriage somewhat less of a priority for them.
While China’s unmarried, urban woman are often stigmatized by Chinese state media for being too ‘spoilt’, ‘picky’, or ‘promiscuous’ to marry, Roseann Lake casts an entirely different light on China’s urban bachelorettes as being determined, independent, and self-assured. “I’m pro-active about finding a partner,” one of the ‘leftover women’ in Lake’s book says: “But not to the extent that it gets in the way of other ambitions.”
CHANGING TIMES, CHANGING LOVE
“Leftover women are resisting ultimatums to wed because they want to marry for love, and not just for the sake of being married.”
Lake’s strong connection to Chinese culture and society jumps off the pages of Leftover in China, in which she playfully and compellingly offers a window into the female experience in modern China, explaining fascinating concepts that are unique to modern-day society. One such example is the ‘phantom third stories’ phenomenon; two-story houses with an unfinished ‘fake’ third story, built by unmarried men and their family to make the house appear more grandiose in the hopes of attracting a wife.
The interest in China started when Lake took a sabbatical from her job with the French government in New York, and went to Beijing. “I was only supposed to stay for three months,” she tells What’s on Weibo: “But shortly into my stay I bought a hot orange electric – Chinese – ‘Vespa’, and that changed everything.”
As Lake was riding her scooter, which she lovingly nicknamed ‘Fanta’, she took in the city and all of its aspects, including its love and romantic relationships. On what first caught her attention within this field, she explains that it started one afternoon as she was riding her scooter in Beijing and spotted a very angry Chinese woman on the side of the road, screaming profanities at a man who appeared to be her romantic partner. The altercation turned violent, and it was not the first time Lake had witnessed such a scene between couples in public.
“I felt that something seemed afoul with the state of romantic relationships in China,” she says – which was a start of her interest and research into romance, love, and the role of Chinese women in this. “For thousands of years, marriage has largely been a mercenary, transactional agreement in China, made with the best interests of the key stakeholders – the parents – in mind.”
Romantic love as a reason for marriage in China, Lake says, is a relatively new concept. She tells What’s on Weibo: “Down the line, this better helped me understand the situation of leftover women – many of which, as I discovered, were resisting ultimatums to wed because they wanted to marry for love, and not just for the sake of being married.”
The topic of China’s changing marriage values and the generation gap in perceptions on love and marriage between parents and their daughters recurringly comes back in Lake’s book, for which she followed the lives of various ‘leftover women’ over a period of several years. Through the stories of women such as Christy, the CEO of a successful Beijing PR firm, or June, a “return turtle” who came back to the mainland after graduating from Yale, readers can get a grasp of the pressures and problems many single women are facing in China today.
An important lesson to draw from this book is that the phenomenon of China’s ‘leftover women’ cannot be explained through a unidimensional lens. Lake highlights China’s historical, societal, cultural, and economic dimensions in her approach of why this large group of unmarried women, despite all of their personal, academic and professional achievements, are still being labeled through their single status.
THE TOAST OF THE NATION
“There is irony and absurdity in the fact that these women are referred to as “leftover” but are really such an important part of China’s future.”
In 2016, an ad campaign by skincare brand SK-II titled ‘She Finally Goes to the Marriage Corner’ (她最后去了相亲角) gained huge popularity on Chinese social media. The short video showed how women, pressured to get married by their families and society, pluck up the courage to speak out and get their message heard.
The video received much praise, with many women protesting against the derogatory ‘leftover women’ label. CCTV recently also posted a feature article on social media in which various women plead for the elimination of the “leftover woman” or shèngnǚ label.
Why, then, would Lake still refer to the ‘leftover’ label on the cover of her book? About the book’s title, Lake says: “There was a different title that I preferred, but my publisher disagreed with it, so we compromised on ‘Leftover in China.’ It has grown on me. I’m told that for non-fiction books, the subtitle is just as important as the title itself, and I think “The Women Shaping the World’s Next Superpower” is apt. It underscores the irony and absurdity of the fact that these women are referred to as “leftover” but are really such an important part of China’s future.”
Throughout the course of writing this book, Lake spoke to many experts on the importance of China’s young (unmarried) women in shaping Chinese economics. One of them is Dr. Kaiping Peng, the founding chair of the Department of Psychology at Tsinghua University, who is quoted as saying: “The Chinese economic miracle has two secrets. The first are migrant workers, and the second are young, educated women.”
All the love, time, and money that Chinese parents and grandparents have invested in their only (grand)daughter has now paid off – not just for them, but for the economy at large. These well-educated and hard-working women play a powerful role in running China’s economic engine.
THE FUTURE OF CHINA’S LEFTOVER WOMEN
“Few people know that the most imbalanced year for sex ratio at birth in China was actually 2005.”
When talking about the future of China’s ‘leftover women,’ Lake suspects that they will continue to get married later in life or not at all – on trend with what is also happening in countries such as Japan or South Korea. “This would be much to the dismay of the Chinese government” Lake says, “- which desperately wants babies, but hasn’t done much to incentivize or make it easier for women to have them.”
Social media platforms such as Weibo and WeChat also play an important role in the lives of these women: “When I was living in China and writing the first drafts of this book, there were a few groups on Weixin [WeChat] where women would chat, share articles, and plan gatherings. They’ve dramatically multiplied! More content is shared, more ideas are exchanged, and the ease of these platforms means that Chinese women abroad can easily remain a part of the conversation.”
Lake is more worried about the so-called guānggùn, China’s ‘bare branches’: “We all may imagine that the worst years for gendercide were in the 80s and 90s, when population controls were stricter in China, but I think few people know that the most imbalanced year for sex ratio at birth in China was actually 2005. That means that boys who are now 13 years old will likely have a harder time finding a wife than any generations of men before them.”
This Spring Festival, Lake is anticipating the launch of her book (release February 13, 2018), which has already been listed as one of the must-read books for 2018 by the South China Morning Post.
For China’s many bachelorettes, they’ll just have to face the nagging questions at the New Year’s dining table, but they need not worry too much about being called ‘leftover women.’ Through books such as these, the term loses its derogatory tone – it is becoming a badge of honor instead.
Leftover in China: The Women Shaping the World’s Next Superpower by Roseann Lake is now available for pre-sale:
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Top 30 Classic TV Dramas in China: The Best Chinese Series of All Time
This year marks 60 years of Chinese TV drama. These are the best Chinese TV dramas of all time.
This year marks the 60th anniversary of Chinese TV drama since the airing of the very first (one-episode) drama A Mouthful of Vegetable Pancakes (一口菜饼子) in 1958 – the same year in which the very first Chinese television station started broadcasting (Bai 2007, 77).
The drama, live broadcasted by Beijing Television, sent out a message of frugality, as one young girl warns her sister not to waste food by remembering her of their difficult past and brave mother, who died of hunger while even refusing to eat the last bit of food, a vegetable pancake.
Much has changed within those sixty years. After a time when the production of TV dramas practically came to a standstill during the Cultural Revolution, the late 1970s and early 1980s saw a boom in the popularity of television dramas, along with a spike in households that owned their own TV. From 1980 to 1990, the number of household television sets in China increased from 5 to 160 million (Wang & Singhal 1992, 177).
Since the 1980s, mainland China has gone from a country where most television dramas were imported from outside the country, to one that has the most thriving domestic TV drama industry in the world.
Some TV dramas in this list have become classics through time, some are fairly new but have already become classics within their genre.
This list has been fully compiled by What’s on Weibo, based on popularity charts on Chinese search engine Sogou’s top tv drama listings of all time, together with ranking on Douban, a big Chinese social networking service and influential media review website, and also based on academic sources that note the importance of some of these TV classics.*1 We will list a recommendation list of relevant books at the end of this article.
Most of these series will have links redirecting to available versions on Youtube or elsewhere – unless written otherwise, they do not have English subtitles. Please share English subtitled versions in the comment section if you found them, we’ll add them to the list.
This article is focused on those classics that have been important for the TV drama industry and audiences of mainland China. Although several of them were produced in Hong Kong or Taiwan, the majority is from the PRC. These dramas are listed in chronological order of appearance, not listed based on rankings.
Here we go!
#1 The Bund / The Shanghai Bund (上海滩)
Produced in Hong Kong
Noteworthy: “The Godfather of the East”
This TV drama became such a sensation across China in 1980, that it also became known as the Chinese equivalent to the classic Godfather series.
Actors Angie Chiu and Chow Yun-Fat star in this Hong Kong drama, that is set in the underworld society of 1920s Shanghai, and revolves around the tumultuous love story between Feng Chengcheng and Xu Wenqiang.
The series has become such a classic that it still plays an important role in popular culture of China today, with newer films and TV dramas also being based on the original series (the 2007 mainland China TV series Shanghai Bund, for example, is a remake of the 1980 original). If you ever go to karaoke, you’re probably already familiar with the shows’ famous theme song ‘Seung Hoi Tan’ (上海滩) by Frances Yip (see here).
#2 Eighteen Years in the Enemy’s Camp (敌营十八年)
Genre: War Drama
Watch the first episode here on Youtube.
Noteworthy: “The first TV drama produced by CCTV”
Eighteen Years in the Enemy’s Camp is somewhat of a cult classic in China. Despite the fact that the TV drama itself was somewhat poorly produced, it still gets high ratings on sites such as QQ Video or Douban today.
At a time when the Chinese TV drama market was still dominated by imported television series (from Hong Kong, US, and other places), Eighteen Years in the Enemy’s Camp was the first drama series made by CCTV (Bai 2007, 80), directed by Wang Fulin (王扶林) and Du Yu (都郁).
The story revolves around the Communist Party member Jiang Bo (江波), who spends 18 years undercover in the “tiger’s den” (虎穴), the enemy’s camp, as a National Army officer, thwarting the Nationalists’ plans until the 1949 victory of the Communists.
Fun fact by Ruoyun Bai (see references): despite the fact that the entire show is about the Nationalists Army, not a single Nationalist Army uniform could be found for the cast. The uniforms that were used, were not up to par: the main character had to leave his coat’s collar unbuttoned because it was too tight, and always has his hat in his hands because it was actually too small to fit his head (2007, 80-81).
#3 Ji Gong (济公)
Directed by Zhang Ge (张戈)
All episodes can be watched here on YouTube.
Noteworthy: “Influenced by Charlie Chaplin”
This popular TV series is centered around Ji Gong, the folk hero and Chan Buddhist monk who lived in the Southern Song and, according to legend, had supernatural powers and spent his whole life helping the poor.
The main role is played by renowned Chinese artist and mime master You Benchang (游本昌). In an interview with CRI, the actor once said that he was heavily influenced by his idol Charlie Chaplin for this role, sometimes even imitating some of Chaplin’s gestures.
#4 Chronicles of The Shadow Swordsman (萍踪侠影)
Directed by: Wang Xinwei (王心慰)
Produced in Hong Kong
Episodes available on Youtube here.
Noteworthy: “Perfect Chemistry between Leading Actors”
This classic TV drama features actors Damian Lau as Zhang Danfeng and Michelle Yim as Yun Lei, whom are often praised by drama lovers for their perfect chemistry in these series. Of the many adaptations there are of Liang Yusheng’s wuxia novel Chronicles of The Shadow Swordsman, many say this is their favorite.
#5 New Star (新星)
Directed by: Li Xin (李新)
Noteworthy: “A drama anyone over 50 will remember”
This CCTV mini-drama, based on the novel by Ke Yunlu (柯云路), tells the story of a young Party secretary fighting against corruption. Before Heaven Above (later in this list), it is thus one of the very first dramas to focus on corruption as a theme, and it also caused a buzz at the time for doing so – most people over 50 in China today will probably remember this TV series today.
#6 Journey to the West (西游记)
Episodes: 25 for season one, 16 episodes for season 2
Directed by Yang Jie (杨洁)
Watch on Youtube (with English subtitles!) here.
Noteworthy: “Shot with one camera”
This is an all-time favorite TV series in China that is still rated with a 9.5 on the TV drama database of search engine Sogou. It has been an instant classic from the moment it was first broadcasted by CCTV in October of 1986.
Journey to the West (Xīyóu jì 西游记), published in the 16th century (Ming dynasty), is one of the most important classical works in the history of Chinese literature, and tells the story of the long journey to India of the Tang Monk Xuánzàng, who is on a mission to obtain Buddhist sutras. He is joined by three disciples, the pig demon Zhū Bājiè, the river demon Shā Wùjìng, and Sūn Wùkōng, who is better known as the Monkey King in the West.
The Monkey in the series is played by Zhang Jinlai (章金莱), also known as Liu Xiao Ling Tong, who recently recalled in an CGTN article that: “it was 30 years ago and we’d got only one camera. We walked around China’s picturesque areas and took 17 years to make 41 episodes. 17 years equals Monk Xuanzang’s pilgrimage for the Buddhist scriptures.”
#7 “The Dream of Red Chambers” (红楼梦)
Directed by: Wang Fulin (王扶林)
Watch with English subtitles on YouTube here.
Noteworthy: “The first entry of Chinese tv drama into the global market”
Even today, this CCTV TV series from 1987 is still rated as one of the best Chinese television series of all time on Sogou, where viewers rate it with a 9.6.
Like other series in this list, this is an adaptation from a classic literary work; Dream of the Red Chamber (Hónglóumèng), one of China’s Four Great Classical Novels, which was written by Cao Xueqin in the mid-18th century during the Qing.
In June of 1987, this TV drama became the first Chinese television series to be exported to Malaysia and West-Germany, making it “the first entry of Chinese tv drama into the global market” (Hong, 32).
#8 The Investiture of the Gods (封神榜)
Genre: Fantasy/Costume Drama
Directed by: Guo Xinling (郭信玲)
The first episode is available on YouTube here.
Noteworthy: “Based on the classical novel Fengshen Yanyi“
This TV series is based on the classical novel Fēngshén Yǎnyì (封神演義), also known as Investiture of the Gods or Creation of the Gods), written by Xu Zhonglin and Lu Xixing. Famous Chinese actor and painter Lan Tianye (蓝天野) was praised for his role as Jiang Ziya in this drama.
The (female) director Guo Xinling (1936-2012) was a Party member who worked on many televised works during her career.
Just as many others of the series in this list based on classic novels, there are remakes of these series in recent times.
#9 Yearnings / Kewang (渴望)
Genre: Family drama
Directed by Lu Xiaowei (鲁晓威) and Zhao Baoguang (赵宝刚).
Noteworthy: “China’s first soap opera – a national craze”
Yearnings is also known as China’s real first soap opera, which caused a sensation across the nation – sales of TV sets surged, and streets were empty when it aired.
The story’s time spans from the Cultural Revolution until the 1980s reform period. The series, set in Beijing, tells the story of working-class woman Liu Huifang and her unlikely marriage to the middle-class Wang Husheng, a university graduate who comes from a family of intellectuals. When Huifang finds an abandoned baby, she adopts it against the will of her husband.
As the first TV series that focused on the hopes and dreams of ordinary Chinese people, the success of Yearnings was unprecedented, and it formed the beginning of Chinese television drama as we know it today.
#10 River of Gratitude (江湖恩仇录)
Directed by: Mao Yuqin (毛玉勤)
Watch first episode on Youtube here
Noteworthy: “A true classic – it’s nostalgia!”
One of the main stars in this series is actress and producer Wenying Dongfang (东方闻樱), who also starred in A Dream in Red Mansion (1987).
By commenters on Douban, this series is described as a “cult classic.” Although some say the quality of the series, now, looking back, is somewhat substandard or silly, according to many, the nostalgia of seeing it in the early 1990s and being excited about it seems to play a major factor in why people still grade this one as a true classic – it’s nostalgia!
#11 Wan Chun (婉君)
Produced in Taiwan
Noteworthy: “The first Taiwanese TV series filmed in mainland China”
Wan Chun is a 1990 Taiwanese television series about a girl named Wan Chun and her three adoptive brothers, that is based on the 1964 novel “Wan-chun’s Three Loves” (追尋) by Taiwanese writer and producer Chiung Yao, and which is set in Republican era Beijing.
This is the first cross-strait co-production, as a Taiwanese TV series filmed in mainland China. Wan Chun was followed up by the 1990 Taiwanese television drama series Mute Wife based on Chiung Yao’s 1965 novelette of the same name.
#12 The Legend of Qianlong (戏说乾隆)
Genre: Imperial drama
Produced in Taiwan (Taiwan-mainland co-production)
Watch on Youtube here
Noteworthy: “The beginning of a genre”
In today’s TV drama environment of China, dramas that focus on life during the imperial era are ubiquitous, with titles from the Imperial Doctress to Story of Yanxi Palace being everywhere.
But when this drama aired in the early 1990s, it was something quite new. The Legend of Qianlong, also known with the English translation A Fanciful Account of Qianlong, tells the (fictional) stories of the Emperor Qianlong’s Tours of Southern China.
It was the beginning of a drama genre that turned out to be hugely popular, with many new television series focusing on emperors and empresses in their youth or their tumultuous lives during the height of their power (Barme 2012, 33). Perhaps, this 1991 series will always be a classic just because it was one of the first within its genre.
#13 The Legend of the White Snake (新白娘子传奇)
Produced in Taiwan
Noteworthy: “One of the most replayed TV series”
As many of the classics in this list, this hit TV series is also based on a folk legend, namely that of Madame White Snakee, a mythical snake-like spirit who strives to be human, which is a source for many major Chinese operas, films.
The 1992 TV series stars Angie Chiu and Cecilia Yip. In 2016, it was still one of the most replayed TV series. Even on IMDB, it is rated with an 8.2.
#14 Beijinger in New York (北京人在纽约)
Noteworthy: “The first Chinese-language TV show to be shot in the United States”
The TV series Beijinger in New York, also known as A Native of Beijing in New York, based on the novel by Glen Cao (Cao Guilin), was a hit when it was first broadcasted broadcast nightly on CCTV and watched by millions of Chinese.
The story follows the immigrant life of cello player and Beijinger Wang Qiming (王起明), who arrives in New York in 1980 together with his wife, and begins working as a dishwasher the next day.
The TV series marks a first in several aspects. It was the first Chinese-language TV show to be shot in the United States, but it was also the first time ever for the production of a Chinese TV drama that a bank loan was used in order to make it possible (Bai 2007, 83); in other words, it also marks the start of a more commercialized TV drama environment. FYI: the bank loan that was used was a total of US$1.3 million.
#15 I Love My Family (我爱我家)
Directed by Ying Da (英达) et al
First episodes on Youtube here.
Noteworthy: “First Mandarin-language sitcom”
I Love My Family (Wǒ ài wǒjiā) is one of China’s first popular sitcoms, and the first Mandarin-language and multi-camera sitcom, that aired from 1993 to 1994. It has since been rerun on local channels countless of times.
One of the show’s central stars is Wen Xingyu (文兴宇), who was a popular comedian and director in mainland China.
At the time of I Love My Family, sitcoms were mostly characterized by their low production cost; three episodes were made within five working days (Di 2008, 122).
#16 Justice Pao (包青天)
Genre: Historical drama
Produced in Taiwan
Some episodes on Youtube here.
Noteworthy: “From 15 to 236 episodes”
This series is themed around Bao Zheng (包拯), a government official who lived during China’s Song Dynasty, from 999 to 1062, and who was known for his extreme honesty and uprightness. Award-winning Taiwanese actor Jin Chao-chun (金超群) plays this role.
The series was originally scheduled for just 15 episodes, but was received so well when it aired on Chinese Television System, that it was eventually expanded to 236 episodes.
The story of Justice Bao is still a recurring topic in the popular culture of mainland China, Hong Kong, and Taiwan. There was the 2008 Chinese series Justice Bao, and the 2010 New Justice Bao, that also starred Jin Chao-chun.
#17 Romance of the Three Kingdoms (三国演义)
Noteworthy: “400,000 people involved in the production”
This is another classic TV series produced by the CCTV, and that is also adapted from a classical novel (same title, written by Luo Guanzhong). Its director, Wang Fulin (王扶林), also directed the CCTV’s first TV drama Eighteen Years in the Enemy’s Camp, and A Dream of Red Mansions.
The production of Romance of the Three Kingdoms is especially noteworthy because the productions costs broke all kinds of records at the time; the production of the 84 one-hour episodes took four years, total costs were over 170 million RMB (±US$25 million), and around 400,000 people were involved – the larghest number of people involved in a production in the history of Chinese television. THe show has been watched by some 1,2 billion people around the world (Hongb 2007, 127).
#18 Heaven’s Above (苍天在上)
Genre: Corruption drama (or ‘anti-corruption drama’ 反腐剧)
Directed by: Zhou Huan (周寰)
Noteworthy: “First drama about high-level official corruption”
In late 1995, the CCTV drama Heaven Above (Cāngtiān zài shàng) debuted on Chinese TV as the first TV series about high-level official corruption in the PRC.
It would certainly not be the last, as ‘corruption dramas’ became wildly popular – it is the entire focus of the 2014 book Staging Corruption by scholar Ruoyun Bai.
#19 Foreign Babes in Beijing (洋妞在北京)
Genre: Urban drama
Noteworthy: “Foreign women in Chinese dramas”
Foreign Babes in Beijing (Yáng niū zài Běijīng) was one of the new kinds of dramas that featured foreigners in China. This series focues on two Chinese men and two American women, of which one seduces one of the Chinese (married) men. The show was a big hit in the mid-1990s.
One of the show’s actresses, Rachel Dewoskin, later wrote the recommended book Foreign Babes in Beijing: Behind the Scenes of a New China about her experiences of playing in the show and her life in China at the time.
#20 My Dear Motherland (我亲爱的祖国)
Noteworthy: “Rated with a 9.1”
This 1999 series is still rated with a 9.1 on Douban today. The series tells the experiences and hardships of three generations of Chinese intellectuals during the tumultuous (war)history of China’s 20th century, starting during the May Fourth Movement in 1919.
Chen Jianbin (陈建斌) is one of the famous actors starring in this TV drama as Fang Xuetong.
#21 Yongzheng’s Dynasty (雍正王朝)
Noteworthy: “Qing drama as export product”
Yongzheng Dynasty is one of many so-called “Qing dramas” – TV dramas that focus on palace life during the 1644-1911 Qing Dynasty. According to scholar Zhu (2008), one of the reasons that dynasty dramas such as these became so enormously popular in mainland China is that (1) certain social and political issues can be discussed in the shape of stories and settings that are very much removed from modern-day China, allowing for more relaxed censorship policies on storylines and dialogues, and (2) that the reconstruction of “history” allows room for artistic interventions (22).
This epic TV drama was loosely based on historical events in the reigns of the Kangxi and Yongzheng Emperors, and became one of the most watched television series in mainland China of the 1990s. Also outside of China the show became very popular, making the so-called ‘Qing dramas’ an export product.
#22 Towards the Republic (走向共和)
Noteworthy: “59 hours of historical drama”
This is one of the most important TV series in this list. On Sogou ratings, Towards the Republic, which is also known as For the Sake of the Republic (Zǒuxiàng gònghé), is one of netizens’ top all-time favorite series, rated with a 9.7.
The CCTV TV drama tells the story of the historical events in China from 1890 to 1917 – the time during which the Qing Dynasty collapsed, and the Republic of China (1912-1949) was founded. Important historical events such as the First Sino-Japanese War (1894–1895), the Hundred Days’ Reform (1898), the Boxer Rebellion (1900) and the Xinhai Revolution (1911) are all featured in this epic drama, that mainly focuses on the lives of Li Hongzhang (Chinese general in late Qing), Empress Dowager Cixi, Sun Yat-Sen, and Yuan Shikai.
The historical drama was not without controversy, and some parts of it have been censored in mainland China. The original series had 60 episodes, which was later brought down to 59. The TV drama has also been a fruitful topic for scholars for its representation of history. In the 2007 book Representing History in Chinese Media: The TV Drama Zou Xiang Gonghe (Towards the Republic) by Gotelind Mueller, the entire series is analyzed in how history is portrayed and narrated.
#23 Crimson Romance (血色浪漫)
Genre Youth drama
Directed by: Teng Wenji (滕文骥)
Watch on Youtube here.
Noteworthy: “Romantizing the Cultural Revolution”
There are almost 40,000 netizens ranking this 2004 TV drama on Douban, where it scores a 8.7.
The TV drama, which is also known as Romantic Life in English, dramatizes memories of the Cultural Revolution, focusing on a group of friends, their hopes and dreams, and their romantic life. It is set in Beijing in the late period of the Cultural Revolution (1966-1976).
#24 Fu Gui (福贵)
Noteworthy: “Based on the novel To Live“
The drama is based on the 1993 novel by Yu Hua (余华) To Live (活着), which focuses on the struggles of the son of a wealthy land-owner, Xu Fugui, amidst the tumultuous times of the Chinese Revolution. The story became well-known by the movie of the same title by Zhang Yimou, which became an international success.
#25 Ming Dynasty in 1566 (大明王朝1566)
Genre: Historical drama
Directed by: Zhang Li (张黎)
Available with English subtitles on Youtube
Noteworthy: “Scoring a 9.7 on Douban, rated by 55,000 users”
Ming Dynasty in 1566 (Dàmíng wángcháo), starring Chinese actor Chen Baoguo (陈宝国), is a Chinese television series based on historical events during the reign of the Jiajing Emperor (1507-1567) of the Ming dynasty. It was first broadcast on Hunan TV in China in 2007.
On Douban, more than 55000 people have reviewed this movie at time of writing, coming up with a score of 9.7, one of the highest in this list. The drama was also broadcasted in other countries, such as South Korea.
#26 Dwelling Narrowness (蜗居)
Genre: Urban Drama
Directed by: Teng Huatao (滕华涛)
Watch on Youtube here.
Noteworthy: “Focusing on China’s urban real estate bubble”
Also known as Snail House, this TV drama was all the rage back in 2009 for its focus on the crazy housing market in urban China and the lives of ordinary Chinese who are struggling to survive in the city while living in small spaces. Dwelling Narrowness, based on a novel by the same name, tells the story of two sisters with very different lifestyles who are looking to find a home in Shanghai (or actually, the fictional city of Jiangzhou, that basically represents Shanghai), and improve their quality of life, each in their own way.
The real estate bubble is a major theme throughout these series, and the TV drama was much-discussed within the frame of Chinese urban dwellers becoming “house slaves” (房奴). In the year of its broadcast, Wall Street Journal featured an article dedicated to the series and the discussions it triggered online.
#27 The Red (红色)
Genre: War drama
Directed by Yang Lei (杨磊)
Noteworthy: “Patriotism as its key theme”
War drama The Red (Hóngsè) receives a 9.2 on Sogou, showing its success over the last four years.
Edward Zhang (Zhang Luyi 张鲁一) stars in this drama as an ordinary worker in Shanghai who gets caught up in underground circles at the start of the Second Sino-Japanese War, and unexpectedly becomes part of a decisive moment in Chinese modern history. Perhaps unsurprinsginly, ‘Patriotism’ is a key theme throughout The Red.
#28 Moral Peanuts – Final Season (毛骗 终结篇)
Episodes: 10 (in this season)
Directed by: Li Hongchou (李洪绸)
Watch on Youtube here.
Noteworthy: “A gang of friends who con people out of their money”
Moral Peanuts is a multiple season series (started in 2010), that follows a gang of five young friends who live together and earn their living in a fraudulent way. The series is characterized by its cliffhanger endings and its ‘grey’ portrayals of its characters.
#29 In the Name of the People (人民的名义)
Genre: Corruption drama
Directed by: Li Lu
Available with English subtitles here.
Noteworthy: “The Chinese ‘House of Cards'”
In the Name of the People is a 2017 highly popular Chinese TV drama series based on the web novel of the same name by Zhou Meisen (周梅森). Its plot revolves around a prosecutor’s efforts to unearth corruption in a present-day fictional Chinese city by the name of Jingzhou.
In 2017, this TV drama became a true craze on Chinese social media and received a lot of coverage in (international) media for being comparable to the American political drama House of Cards. The BBC described it as “the latest piece of propaganda aimed at portraying the government’s victory in its anti-corruption campaign.”
#30 White Deer Plain (白鹿原)
Genre: Contemporary historical drama
Directed by: Liu Jin (刘进)
WAtch with English subs at New Asian TV here.
Noteworthy: “The epic TV drama took nearly 17 years to prepare and produce “
This TV drama has consistently been ranking number one in Baidu’s and Weibo’s popular drama charts last year, and is now ranked with an 8.8 score on sites such as Douban. Although it is somewhat tricky to call such a present-day drama a ‘classic’, we’ll take the chance.
White Deer Plain is based on the award-winning Chinese literary classic by Chen Zhongshi (陈忠实) from 1993. The preparation and production of this series reportedly took a staggering 17 years and a budget of 230 million yuan (US$33.39 million).
The success of the novel this TV drama is based on, has previously been compared to that of One Hundred Years of Solitude by Gabriel García Márquez. White Deer Plain follows the stories of people from several generations living on the ‘White Deer Plain,’ or North China Plain in Shanxi province, during the first half of the 20th century. This tumultuous period sees the Republican Period, the Japanese invasion, and the early days of the People’s Republic of China. The series is great in providing insights into how people used to live, from dress to daily life matter. The scenery and sets are beautiful.
Some Book Recommendations Based on This List:
Want to know more? Check out our various Top 10s of popular Chinese TV Dramas from 2013 to present here.
*1(We kindly ask not to reproduce this list without permission – please link back if referring to it).
Bai, Ruoyun. 2007. “TV Dramas in China – Implications of the Globalization.” In Manfred Kops and Stefan Ollig (eds), Internationalization of the Chinese TV sector, 75-99. Berlin: LIT Verlag.
Bai, Ruoyun. 2014. Staging Corruption: Chinese Television and Politics. Vancouver: University of British Columbia Press.
Barmé, Geremie. 2012. “Red Allure and the Crimson Blindfold.” China Perspectives, 2012/2, 29-40.
Di, Miao. 2008. “A Brief History of Chinese Situation Comedies.” In Ruoyun Bai, Ying Zhu, Michael Keane (eds), TV Drama in China, 117-129. Hong Kong: Hong Kong University Press.
Hong, Junhao. 2007. “The Historical Development of Program Exchange in the TV Sector.” In Manfred Kops and Stefan Ollig (eds), Internationalization of the Chinese TV sector, 25-40. Berlin: LIT Verlag.
–. 2007b. “From Three Kingdoms the Novel to Three Kingdoms the Television Series: Gains, Losses, and Implications.” In Kimberly Besio and Constantine Tung (eds), Three Kingdoms and Chinese Culture, 125-143. Albany: State University of New York Press.
Zhu, Ying. 2008. “Yongzheng Dynasty and Totalitarian Nostalgia.” In Bai R, Keane M, Zhu Y. (eds), TV Drama in China, 21-33. Hong Kong: Hong Kong University Press; 2008
Wang, Min and Arvind Singhal. 1992. “Kewang, A Chinese Television Soap Opera With A Message.” Gazette 49: 177-192.
Spotted a mistake or want to add something? Please let us know in comments below or email us.
©2018 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at firstname.lastname@example.org
Best 30 Books to Understand Modern China (Recommended by What’s on Weibo)
The best books to understand modern China – from society and history to gender and (online) language.
In the What’s on Weibo inbox, we often receive messages from readers who are looking for recommendations of what books to read on various China-related subjects.
It led to a compilation of this list on our resource page of recommendations that readers of What’s on Weibo may also appreciate.
This list was compiled based on own preference and that of many readers whom we asked about their favorite sources within this category. If you think certain books are not here that should be here within these categories, please let us know in the comments below and we might compile a second list in the future.
There are many great books out there on modern China, and a lot of them are written in Chinese, Japanese, French, Spanish, Dutch, and many other languages – but for the scope of this particular list, we have chosen just to focus on the books that have come out in the English language.
by Rana Mitter, 2014
Rana Mitter is a British historian and political scientist who specializes in China’s history, and we’re a huge fan of his refreshing perspectives and selection of topics. In Forgotten Ally, Mitter notes that “In the West, (..) the living, breathing legacy of China’s wartime experience continues to be poorly understood.” Mitter’s focus is essential because a proper understanding of China’s wartime experience is also key to understanding the development of modern China. Interestingly, outside of the USA, this same book is sold under a different title: China’s War with Japan, 1937-45: The Struggle for Survival. This book became an Economist Book of the Year and a Financial Times Book of the Year.
by Frank Dikötter, 2017 (2011)
It is estimated that more than 45 million lives were claimed during the Great Leap Forward (1958-1961) – a project that was meant to make China a greater nation than the United Kingdom within a time frame of 15 years. It is a dark and important period in the history of modern China that is written about with great detail in this work by Frank Dikötter, in which he explains how such an ambitious plan could have turned out so catastrophic. Dikötter’s research is impressive and not be missed for anyone searching for deeper insights into China’s modern history.
Get on Amazon: Mao’s Great Famine: The History of China’s Most Devastating Catastrophe, 1958-62
Get on iTunes: Mao’s Great Famine – Frank Dikötter
Get on Book Depository: Mao’s Great Famine
Audiobook: Mao’s Great Famine
by Rana Mitter, 2008
Oxford University Press has a series of short introductions to over 200 different subjects, from Globalization to Foucault and from Shakespeare to Nothing. Well-written, compact, light-weight, and affordable, these books are the perfect starting point to any topic – and this edition is a great and concise introduction to Modern China; especially since it’s been written by the acclaimed Rana Mitter. (BTW the Introduction to Modern Japan by the excellent Chris Goto-Jones is also to be recommended.)
Get on Amazon: Modern China: A Very Short Introduction (Very Short Introductions)
Get on iTunes: Modern China: A Very Short Introduction
Audiobook: Modern China: A Very Short Introduction (Unabridged) – Rana Mitter
Get on Book Depository: Modern China: A Very Short Introduction
This is one of the works many of our readers recommend as a book that really helps to understand China. This is not a classical work on Chinese history – we were doubting whether or not to put in the ‘Chinese society’ section; it belongs in both. Through personal and historical narratives, Peter Hessler moves between present and history in this work, telling stories that go from the ancient oracle bones to modern-day urbanization.
Get on Amazon: Oracle Bones: A Journey Between China’s Past and Present
Get on iTunes: Oracle Bones: A Journey Between China’s Past and Present
Audiobook: Oracle Bones: A Journey Through Time in China (Unabridged) – Peter Hessler
by R. Keith Schoppa, 2000
If the Columbia Guide to Modern Chinese History is not on your bookshelf yet – it should be. It is the to-go book on China’s modern history that is recommended to every student when first getting into the modern history of China. Schoppa has a very clear and no-nonsense approach to Chinese history, explaining the importance of crucial events over the past century and how they came to form modern China.
by Jonathan Spence, 1991
Although this work, more elaborate than the aforementioned by Schoppa, is one of the recommended essential works on Chinese modern history, we’d also recommend to consider Jonathan Spence’s Gate of Heavenly Peace as a book of choice for an introduction to modern China.
Get on Amazon: The Search for Modern China
Audiobook: The Search for Modern China (Unabridged) – Jonathan D. Spence
Get on Book Depository: The Search for Modern China
by Jung Chang, 2003 (1991)
Practically every garage sale or thrift shop nowadays has a copy of Wild Swans lying around since its immense success in the 1990s. The book is an account of the tumultuous Chinese 20th century from the perspective of three generations of women. It is a personal account of Jung Chang, the author, but offers a glimpse into an incredible time in the history of China in a personal and captivating way that more formal history books could never do. An absolute recommendation for anyone who wants to know more about how the Cultural Revolution and the period before and after affected Chinese women, families, and society at large.
by Ian Johnson, 2017
While many books on the transformation of Chinese modern society focus on the mushrooming of new companies, the rapid urbanization of China, or its staggering consumerism, Ian Johnson takes on an entirely different, yet so important, topic in this work; religion and spirituality in the post-Mao era. He does so in a way that sometimes reads like a novel, vividly writing about people’s attitudes on religion and how some have made it their life’s work to safeguard it. One person interviewed by Johnson for this book said: “We thought we were unhappy because we were poor. But now a lot of us aren’t poor anymore, and yet we’re still unhappy. We realize there’s something missing and that’s a spiritual life.” This work is quite essential for anyone who wants to understand more about what happened to China’s religious life after the end of the Cultural Revolution – it gives crucial perspectives on it and creates an understanding among readers that Chinese religions may not be what you thought they were.
Get on Amazon: The Souls of China: The Return of Religion After Mao
Get on iTunes: The Souls of China – Ian Johnson
Get on BookDepository: Souls of China
by Wade Shepard, 2015
Brand new skyscrapers and shopping malls, but silent streets and empty apartments. China’s so-called ‘ghost cities’ are a hot topic in the media nowadays. The city of Ordos, Inner Mongolia, is one of the most famous. In 2015, author Wade Shepard published this book about China’s ghost cities. Shepard’s account is refreshing in how he argues that the term ‘ghost cities’ is actually not that appropriate because rather than places that once lived and then died, these places are the future cities built by world luxury developers who are working on constructing new urban utopias all over China.
Get on Amazon: Ghost Cities of China: The Story of Cities without People in the World’s Most Populated Country (Asian Arguments)
Get on iTunes: Ghost Cities of China
Get on BookDepository: Ghost Cities of China
by Evan Osnos, 2014
Like Peter Hessler, whose work is also in this list, Evan Osnos is one of the names that recurringly comes up when asking people about their favorite books to understand China. In Age of Ambition, Osnos focuses on ‘aspiration’ as being one of the most important ‘fevers’ that characterizes the transformation of China – a country where, besides this force of aspiration, there is also that of a strong authoritarian rule. Through the themes of ‘fortune’, ‘truth’, and ‘faith’ – all of which were not accessible to China’s older generations due to poverty and the political climate – Osnos captures the country’s current situation through the stories of men and women who took the risks to change their lives.
Get on Amazon: Age of Ambition: Chasing Fortune, Truth, and Faith in the New China
Get on iTunes: Age of Ambition: Chasing Fortune, Truth, and Faith in the New China
Get on BookDepository: Age of Ambition
Tom Miller, 2012
The phrase “the biggest human migration the world” has almost become a cliche now when media talk about China’s urbanization. But in this work, Miller goes behind that phrase to explain China’s transformation from poor country to economic superpower, and gives insights into how China’s so-called ‘urbanization’ is actually “bogus”, because many of those living in the cities have no access to urban services and facilities due to China’s hukou household registration system. The situation of China’s ‘floating population’ is essential to understand; it plays a huge role in the everyday topics being discussed on Chinese social media, too.
by Florian Schneider, 2012
Florian Schneider, lecturer at Leiden University, is an expert in taking popular phenomena or events in China and analyzing the greater discourse behind them. In this work, that was awarded with the 2014 EastAsiaNet Award, Schneider focuses on Chinese TV drama series; with China being one of the largest producer and consumer of TV drama in the world, this form of entertainment plays a significant role in the popular culture of China and is a powerful tool to guide public opinion. Schneider gives a nuanced overview of the complicated processes involved in producing TV dramas in China, examining important and highly interesting questions relating to the major players in the TV drama market and how they influence drama discourses, the political-ideological frameworks of television series, and the role of TV entertainment in regulating Chinese society. There’s just one downside to this publication – which that it is not cheap. However, it is very worthwhile for any student of China Studies or anyone interested in popular culture and (media) politics in China, so if you can’t purchase yourself you could ask your library to do so.
by Yu Hua, 2011 (translated from the Chinese by Allan H. Barr)
“If I were to try to attend each and every aspect of modern China, there would be no end to this endeavour, and the book would go on longer than The Thousand and One Nights,” Yu Hua writes: “So I limit myself to just ten words.” By taking on ten different words and concepts, such as People (人民), Leader (领袖), or Revolution (革命), Yu takes readers through the social complexities and contrasts of modern China – its politics, history, society, and culture.
edited by Louise Edwards, Elaine Jeffreys, 2010
China has a booming celebrity culture, which plays an enormous role in the social media environment and popular culture in general. This is also the reason why this book in this list; it is the first book-length exploration of celebrities in contemporary China. In a collection of academic studies, this book goes explores a wide range of ‘celebrities’ in China, such as literary celebrities or online celebrities (who remembers Furong Jiejie, the first social media superstar?!).
by Daniel Bell, 2010 (2008)
What is it like to be a Westerner teaching political philosophy in an officially Marxist state? Why do Chinese sex workers sing karaoke with their customers? And why do some Communist Party cadres get promoted if they care for their elderly parents? These are some of the questions addressed in this book by Daniel Bell, drawing on personal experiences to explain how Chinese society is transforming so quickly while still sticking to old traditions – of which Confucianism is one of the most important ones.
by Kevin Latham, 2007
Pop culture in China changes faster than the chef’s special of the day, but nevertheless, this work is still very relevant; it might miss some of the more contemporary forms of popular culture, but goes deep into the roots of pop culture in China back to the early days of the 20th century, the Cultural Revolution, and the early years of radio and television. Anyone interested in pop culture in China cannot understand the current environment without understanding where it came from – and this book provides a full overview of that environment from 1919 to 2007.
Edited by Jacques deLisle, Avery Goldstein, and Guobin Yang, 2016
It is somewhat difficult to recommend any book on China’s online developments; the changes are happening so fast that any book on the topic is bound to be outdated from the moment it is published. This academic publication, however, is an insightful work that consists of a total of nine chapters in which the authors make sense of China’s online environment. Both Chapter 2, in which Marina Svensson explains the idea of connectivity and Weibo’s ‘micro-community,’ and Chapter 2, in which Zhengshi Shi and Guobin Yang write about new media empowerment in China, are especially relevant in this publication.
In this 2016 publication, Eileen Le Han looks at the development of microblogging platform Sina Weibo from the perspective of collective memory. The author notes that there is a strong desire to remember what is happening and an anxiety over forgetting on this platform. What is remembered for what reasons, and what is forgotten? This book gives a profound insight into how collective memory is made on Weibo, and the role of Chinese media and journalism in this process.
Edited by Stefania Travagnin, 2016
Okay, okay, there is some bias in recommending this book – as editor-in-chief of What’s on Weibo, I personally wrote one of the chapters in this book about the Confucian influences on the portrayal of women in China’s television drama (which actually all started with one of these very first articles ever published on What’s on Weibo). But the 15 different chapters in this book each give unique insights into the world of media and religion in China, such as that on Buddhism online or digital Islam, which will be helpful and refreshing to anyone interested in modern China and how it deals with religion and the media.
Get on Amazon: Religion and Media in China
By Michel Hockx, 2015
Chinese internet literature, wangluo wenxue (网络文学), is a unique and fascinating part of China’s online culture, and Hockx is the first one to provide such a comprehensive and well-written survey in English of this phenomenon. Not only does he describe and explain the (short) history of Internet literature in China, especially focusing on the 2000-2013 period, he also provides examples of the innovative nature of online literature and analyzes how it pushes the boundaries of China’s highly controlled publishing system.
By Liz Carter, 2015
Besides that Carter is a really fun and interesting person to follow on Twitter (@withoutdoing), she is also the author of this 2015 book that sheds light on China’s internet, censorship, government, and society in the Weibo era – with a focus on those years in which social media really flourished in mainland China.
Get on Amazon: Let 100 Voices Speak: How the Internet Is Transforming China and Changing Everything
Get on iTunes: Let 100 Voices Speak : How the Internet is Transforming China and Changing Everything
by Daniela Stockman, 2014 (2012)
Daniela Stockman is a Professor of Digital Politics and Media at the Hertie School of Governance in Berlin. In this book, she offers an in-depth introduction and exploration of the various market forces in Chinese media, going deeper into the existing polarisation in discourses on media marketizing in China – which is that they either emphasize growing liberalization or growing control. She argues that in the case of the PRC, market-based media promote regime stability rather than destabilizing authoritarianism. This is not a light read but a very well-researched and elucidating work on China’s marketized media relevant to anyone studying Media or China’s media environment in specific.
Get on Amazon: Media Commercialization and Authoritarian Rule in China
Get on BookDepository: Media Commercialization and Authoritarian Rule in China
by Duncan Clark, 2016
If you ever have been to a Chinese bookstore, you’ll know that there’s always an entire shelf or section dedication to Alibaba founder Jack Ma, the hero of post-socialist China. Hundreds of books have been written about him and his company. Because he plays such an important role in the business (and celebrity) culture of China today, we had to include at least one book about Ma in this list. According to Dutch China tech blogger Ed Sander, this book is worth reading for those who want to know more about the business side of how Ma created his empire. The initial chapters also focus on Jack Ma as a person, but generally dives deeper into the power of Alibaba and how the company was built, also creating more understanding on the scale and speed of China’s economic transformation in general.
By Clay Shirky, 2015
Little Rice is an easy-to-read case study that tells the story of the rise of one of the world’s largest mobile manufacturers – yet its name is still unknown to those less familiar with Chinese brand names: Xiaomi (literally meaning: ‘little rice’). So many books have already been written in the English language about the success of companies such as Apple or Samsung; Xiaomi does deserve more attention, and this account of the rise of this tech giant also shines a light on Chinese political power and how Chinese tech brands are shaping present-day economy in China.
Get on Amazon: Little Rice: Smartphones, Xiaomi, and the Chinese Dream
Get on iTunes: Little Rice: Smartphones, Xiaomi, and the Chinese Dream
Book Depository: Little Rice : Smartphones, Xiaomi, and the Chinese Dream
by Edward Tse, 2015
Tse’s book on some of China’s biggest and most relevant companies has become a very popular one within its category over the past few years. Tse does not just provide an oversight of the companies that are really changing the Chinese market and are impacting the world, but tells the story behind them and their motivations, with a focus on business strategies and China’s economic environment.
by Roseann Lake, 2018
What’s on Weibo already featured an article on Leftover in China: The Women Shaping the World’s Next Superpower and the author when it just came out earlier this year. Lake brings a deeply insightful and captivating account of China’s so-called ‘leftover women’ – the unmarried females who are shaping the future of the PRC. She does so in a playful way, telling the stories of China’s young, single females through the various women she has encountered during the years of living and working in China. For those familiar with the controversy about this book when it just came out with regards to Leftover Women by Leta Hong Fincher (also in this list), we recommend reading both books so readers can form their own opinion based on the texts at hand.
Get on Amazon: Leftover in China: The Women Shaping the World’s Next Superpower
Get on iTunes: Leftover in China: The Women Shaping the World’s Next Superpower
Get on Bookdepository: Leftover in China: The Women Shaping the World’s Next Superpower
Audiobook: Leftover in China: The Women Shaping the World’s Next Superpower
by Leta Hong Fincher, 2014
Fincher’s book on Leftover Women is a refreshing work within the topic of China and gender, which argues that the labeling of women as being “leftover” is part of a state-sponsored media campaign that has created a greater disparity between men and women in China today – contrary to a popular assumption that women have benefited from the market reforms in post-socialist China. Fincher explores and explains the challenges women in China face when it comes to issues such as real estate, economic well-being, and gender inequality within marriage. In doing so, this book has become an important work for anyone studying gender relations in China today.
Get on Amazon: Leftover Women: The Resurgence of Gender Inequality in China
Get on iTunes: Leftover Women – Leta Hong Fincher
Get on Bookdepository: Leftover Women: The Resurgence of Gender Inequality in China
by Richard Burger, 2012
Burger, who once ran Peking Duck, one of the first English-language blogs on China, offers a colorful and different perspective on Chinese culture and society through the lens of how it deals with sex. As the author points out, there are some dramatic contradictions when it comes to sex in China; on the one hand, society seems to be very liberal on sexuality, on the other hand, it is extremely repressed. Burger discusses a variety of topics, from marriage, views on premarital sex and virginity to prostitution and homosexuality.
by Leslie T. Chang, 2010 (2008)
Chang’s work has become a classic within its field, not just because of the highly relevant topic of this book, but also because of the captive narrative voice of the author. With the book being divided into two parts of The City and The Village, Chang describes how the economic rise of China has transformed the lives of many women, who have come from the countryside to spend days on end working in one of China’s many factories. This book focuses on the factory life of various women in Dongguan, southern China, and the hardships and hierarchy they face in everyday factory life.
Get on Amazon: Factory Girls: Voices from the Heart of Modern China
Get on iTunes: Factory Girls: Voices from the Heart of Modern China
Get on Bookdepository: Factory Girls: Voices from the Heart of Modern China
by David Moser, 2017
Besides the fact that Moser’s writing style makes this a delight to read, A Billion Voices is just a work that any serious student of Chinese language should read as it provides great insights in how putonghua or standard Chinese came to be the common language of the PRC – even if approximately one third of the population does not even speak it. With so many languages and dialects alive in China today, Moser provides an essential and accessible linguistic history of China.
Get on Amazon: A Billion Voices: China’s Search for a Common Language
Get on iTunes: A Billion Voices: China’s Search for a Common Language
Get on Bookdepository: A Billion Voices: China’s Search for a Common Language
● (Bonus Mention -#31-) China Online: Netspeak and Wordplay Used by over 700 Million Chinese Internet Users
by Véronique Michel, 2015
As an extra mention on this list, for a fun and light work – China Online is a concise book by translator and multilingual netizen Véronique Michel, that offers an exploration into China’s rapidly changing society and its flourishing Internet environment, where new expressions emerge every day. Although any book on a topic such as this will inescapably be outdated from the moment it is published, Michels has nevertheless created an informative and entertaining introduction to China’s online language that will still be relevant as a reference to the popular expressions that once were (and some still are) – although it’s just a short and really light read, it does help to understand the environment and the ‘feel’ of this online culture where new Chinese expressions come from.
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