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China Books & Literature

“The End of an Era”? – Beijing Bookworm Closes Its Doors

Manya Koetse

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As news of The Bookworm’s closing makes its rounds on social media, Beijingers have responded in shock, mourning the loss of an iconic and meaningful meeting place for book(worm) lovers around the city.

The Bookworm Beijing, at Nansanlitun Road, is a bookshop, library, bar, restaurant and events space that has become a center of cultural exchange for Beijing’s foreign community since 2005.

The location is a beating heart of Beijing’s literary world; a place where writers, journalists, students, diplomats, academics, and all kinds of people – both foreign and Chinese – come together to exchange knowledge, read, and sit down for a glass of wine.

Today, the Bookworm announced its sudden closure via WeChat, writing:

It is with heavy hearts that we are forced to announce the impending closure of The Bookworm Beijing after 14 wonderful years in Courtyard No. 4 off SouthSanlitun Road. Despite our best efforts, we appear to have fallen prey to the ongoing cleanup of “illegal structures”, and we have not been able to secure an extension of our lease.”

The announcement further says that the location will be forced to suspend operations “most probably” as of Monday, November 11, and that the Bookworm will attempt to reorganize and find a new location.

News of the Bookworm’s closing has been becoming a topic of conversation on various social media sites from WeChat to Twitter and Weibo.

Famous Chinese journalist and author Luo Changping (罗昌平) writes on Weibo: “The Bookworm is forced to close! It used to be next door to my former office, and it was once like my living room. Sigh.”

Shanghai comedian Storm Xu called the closure of the Beijing Bookworm “the end of an era,” saying he looks back on many good memories there.

“They had many events, good food, special books; I used to go there a few times per year,” one person writes. “This really is so sad,” other Weibo users respond.

There are also various Weibo commenters who also mention that news of Bookworm’s closing comes just a day after the news that publisher of magazine-books and online bookseller Duku Books (读库) is forced to close its Beijing warehouse for the sixth time.

Over the past decade, many popular venues in Beijing have been forced to close their doors or relocate. Beijing hangouts such as Bed Bar, Salud, Vineyard Cafe, 2 Kolegas, Jiangjinjiuba, Mao Livehouse, Hercules, Aperativo, The Bridge Cafe, Great Leap Brewery Sanlitun, Jing-A Taproom 1949, and many others have all been closed over the past years.

Nightlife hotspot Sanlitun bar street was demolished and bricked up in 2017 as part of the mission of the city management to gentrify the area.

Changing Sanlitun in 2017.

The demolishment of “illegal structures” in the city has been an ongoing effort of the local government for years. These efforts became especially visible in late 2017 when people in Beijing’s Daxing area faced a large-scale evacuation campaign after a big fire broke out there on November 18, killing 19 people.

The large-scale evacuation campaign was also expanded to other areas of Beijing in a campaign by the municipal authorities aimed at unlicensed developments to target “illegal structures” and “buildings with potential fire hazards.”

But many people on Weibo and WeChat questioned if the campaign was actually more about politics than about safety concerns – something that was strongly refuted by state media outlets at the time.

These questions will remain unanswered, also for the Bookworm. Is its closure really about closing down an “illegal structure,” or are there more politically-motivated considerations playing a role here? On Weibo, some commenters say the location is closed down for being a home of free discussions and “free thinking,” while others say that no matter what the place is, the building’s safety and legal status is what matters here.

Perhaps the future will tell. We surely hope the Bookworm will soon pop up and open its doors in another location very soon.

Those who are interested can support the Bookworm by coming by and buying books, which will be heavily discounted, until November 11.

By Manya Koetse

Images: Bookworm images by The Bookworm, edited by What’s on Weibo.
Sanlitun Image: Might have been taken by Manya in Beijing 2017, but we’re not 100% sure so let us know if we’re mistaken.

Spotted a mistake or want to add something? Please let us know in comments below or email us. First time commenters, please be patient – we will have to manually approve your comment before it appears.

©2019 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the founder and editor-in-chief of whatsonweibo.com. She is a writer, public speaker, and researcher (Sinologist, MPhil) on social trends, digital developments, and new media in an ever-changing China, with a focus on Chinese society, pop culture, and gender issues. She shares her love for hotpot on hotpotambassador.com. Contact at manya@whatsonweibo.com, or follow on Twitter.

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1 Comment

  1. Avatar

    Randy

    November 5, 2019 at 11:23 am

    Never been to the location in Beijing but loved their location in Chengdu. Sadly, it closed down earlier this year with no explanation.

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China Books & Literature

Why Chinese Publishers Are Boycotting the 618 Shopping Festival

Bookworms love to get a good deal on books, but when the deals are too good, it can actually harm the publishing industry.

Ruixin Zhang

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JD.com’s 618 shopping festival is driving down book prices to such an extent that it has prompted a boycott by Chinese publishers, who are concerned about the financial sustainability of their industry.

When June begins, promotional campaigns for China’s 618 Online Shopping Festival suddenly appear everywhere—it’s hard to ignore.

The 618 Festival is a product of China’s booming e-commerce culture. Taking place annually on June 18th, it is China’s largest mid-year shopping carnival. While Alibaba’s “Singles’ Day” shopping festival has been taking place on November 11th since 2009, the 618 Festival was launched by another Chinese e-commerce giant, JD.com (京东), to celebrate the company’s anniversary, boost its sales, and increase its brand value.

By now, other e-commerce platforms such as Taobao and Pinduoduo have joined the 618 Festival, and it has turned into another major nationwide shopping spree event.

For many book lovers in China, 618 has become the perfect opportunity to stock up on books. In previous years, e-commerce platforms like JD.com and Dangdang (当当) would roll out tempting offers during the festival, such as “300 RMB ($41) off for every 500 RMB ($69) spent” or “50 RMB ($7) off for every 100 RMB ($13.8) spent.”

Starting in May, about a month before 618, the largest bookworm community group on the Douban platform, nicknamed “Buying Like Landsliding, Reading Like Silk Spinning” (买书如山倒,看书如抽丝), would start buzzing with activity, discussing book sales, comparing shopping lists, or sharing views about different issues.

Social media users share lists of which books to buy during the 618 shopping festivities.

This year, however, the mood within the group was different. Many members posted that before the 618 season began, books from various publishers were suddenly taken down from e-commerce platforms, disappearing from their online shopping carts. This unusual occurrence sparked discussions among book lovers, with speculations arising about a potential conflict between Chinese publishers and e-commerce platforms.

A joint statement posted in May provided clarity. According to Chinese media outlet The Paper (@澎湃新闻), eight publishers in Beijing and the Shanghai Publishing and Distribution Association, which represent 46 publishing units in Shanghai, issued a statement indicating they refuse to participate in this year’s 618 promotional campaign as proposed by JD.com.

The collective industry boycott has a clear motivation: during JD’s 618 promotional campaign, which offers all books at steep discounts (e.g., 60-70% off) for eight days, publishers lose money on each book sold. Meanwhile, JD.com continues to profit by forcing publishers to sell books at significantly reduced prices (e.g., 80% off). For many publishers, it is simply not sustainable to sell books at 20% of the original price.

One person who has openly spoken out against JD.com’s practices is Shen Haobo (沈浩波), founder and CEO of Chinese book publisher Motie Group (磨铁集团). Shen shared a post on WeChat Moments on May 31st, stating that Motie has completely stopped shipping to JD.com as it opposes the company’s low-price promotions. Shen said it felt like JD.com is “repeatedly rubbing our faces into the ground.”

Nevertheless, many netizens expressed confusion over the situation. Under the hashtag topic “Multiple Publishers Are Boycotting the 618 Book Promotions” (#多家出版社抵制618图书大促#), people complained about the relatively high cost of physical books.

With a single legitimate copy often costing 50-60 RMB ($7-$8.3), and children’s books often costing much more, many Chinese readers can only afford to buy books during big sales. They question the justification for these rising prices, as books used to be much more affordable.

Book blogger TaoLangGe (@陶朗歌) argues that for ordinary readers in China, the removal of discounted books is not good news. As consumers, most people are not concerned with the “life and death of the publishing industry” and naturally prefer cheaper books.

However, industry insiders argue that a “price war” on books may not truly benefit buyers in the end, as it is actually driving up the prices as a forced response to the frequent discount promotions by e-commerce platforms.

China News (@中国新闻网) interviewed publisher San Shi (三石), who noted that people’s expectations of book prices can be easily influenced by promotional activities, leading to a subconscious belief that purchasing books at such low prices is normal. Publishers, therefore, feel compelled to reduce costs and adopt price competition to attract buyers. However, the space for cost reduction in paper and printing is limited.

Eventually, this pressure could affect the quality and layout of books, including their binding, design, and editing. In the long run, if a vicious cycle develops, it would be detrimental to the production and publication of high-quality books, ultimately disappointing book lovers who will struggle to find the books they want, in the format they prefer.

This debate temporarily resolved with JD.com’s compromise. According to The Paper, JD.com has started to abandon its previous strategy of offering extreme discounts across all book categories. Publishers now have a certain degree of autonomy, able to decide the types of books and discount rates for platform promotions.

While most previously delisted books have returned for sale, JD.com’s silence on their official social media channels leaves people worried about the future of China’s publishing industry in an era dominated by e-commerce platforms, especially at a time when online shops and livestreamers keep competing over who has the best book deals, hyping up promotional campaigns like ‘9.9 RMB ($1.4) per book with free shipping’ to ‘1 RMB ($0.15) books.’

This year’s developments surrounding the publishing industry and 618 has led to some discussions that have created more awareness among Chinese consumers about the true price of books. “I was planning to bulk buy books this year,” one commenter wrote: “But then I looked at my bookshelf and saw that some of last year’s books haven’t even been unwrapped yet.”

Another commenter wrote: “Although I’m just an ordinary reader, I still feel very sad about this situation. It’s reasonable to say that lower prices are good for readers, but what I see is an unfavorable outlook for publishers and the book market. If this continues, no one will want to work in this industry, and for readers who do not like e-books and only prefer physical books, this is definitely not a good thing at all!”

By Ruixin Zhang, edited with further input by Manya Koetse

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China Books & Literature

The Many Books Lost in the China Floods: Catastrophic Flooding Hits Zhuozhou’s Publishing Industry

After Typhoon Doksuri, some major warehouses in Zhuozhou have seen their depots transform into a sea of floating books.

Manya Koetse

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Dozens of prominent Chinese publishing companies and book warehouses based in Hebei’s Zhuozhou, a major hub for the publishing industry, have witnessed their book depots destroyed as water levels surged as high as the second floor. Distribution will be at a standstill for at least 15 days.

Zhuozhou (涿州) is a county-level city in Baoding, Hebei Province, known as a major hub for the Chinese publishing industry. It is one of the areas that has been badly affected by the heavy rainfall and flash floodings China has seen this week, after Typhoon Doksuri moved from the Philippines to Taiwan toward Beijing and surrounding regions in mainland China.

In Zhuozhou, dozens of publishing warehouses were affected by floods and water damage due to the storm, resulting in losses amounting to hundreds of millions of yuan. Zhuozhou’s print media industry is closely linked with the center of China’s publishing industry in Beijing, just 25 miles away.

Some warehouses, such as that of Beijing China Media Times, are as large as 8000 square meters, housing over three million books. According to Sina News, one area that housed around 200 publishing companies was almost entirely flooded.

A Weibo post by the Hong Kong Ta Kung Wen Wei Media Group (HKTKWW, @大公文匯網) showed the status quo at some warehouses, which had changed into a sea of books.

Posted on Weibo by HKTKWW, @大公文匯網, the situation at the Beijing China Media Times book warehouse in Zhuozhou.

Posted on Weibo by HKTKWW, @大公文匯網, the situation at the Beijing China Media Times book warehouse in Zhuozhou.

Publisher Books China (中图网), known as an industry “outlet store” for selling discounted and out-of-print books, also saw its central Zhuozhou warehouse completely flooded.

Around 100 of their staff members remained trapped at the office on Tuesday night without any food, drinks, or blankets, while water levels continued to rise. An additional cause for concern was the strong odor emanating from a nearby adhesive tape factory. Some employees suspected that toxic gases might have leaked, leading to several of them feeling unwell and vomiting after exposure.

According to China News (@中国新闻网), all employees were safely evacuated on Wednesday.

Photo posted on Weibo by China News (@中国新闻网), showing how the Books China (中图网) major warehouse was severely impacted by the recent floods, with water levels rising up to the second floor.

In an interview with Chinese newspaper Southern Weekend (南方周末), Beijing China Media Times CEO Ran Zijian (冉子健) revealed that his company had not received any advance warning about the heavy rains and the possibility of flooding, despite the area being prone to floods due to its low-lying terrains. All of the company’s 3.6 million books are now submerged underwater.

Photos provided to Southern Weekend, Weibo.

The water levels rose so rapidly on Tuesday that there was hardly any time to rescue the books, making the evacuation of staff members the first priority. Bookseller Zou Bin (邹斌) told Southern Weekend that he saw the water levels rising so fast in his 5,000 square meter warehouse that he basically witnessed “25 million yuan [$3.5 million] disappear in an hour, powerless to do anything about it.”

According to several Chinese news outlets, the distribution and dispatching of books will be impossible for numerous publishing houses based in Zhuozhou for at least the next 15 days. As the local book industry continues to assess the damages, it remains uncertain how severely the companies have been affected at this stage. For some, it feels like they are starting from scratch all over again.

But most netizens emphasize that it’s more important that employees are safe, as people’s lives are more important than paper books. “Who cares about dispatching books at this time?” some commenters wonder, while others express grief about all the books lost, saying, “It’s just such a pity.”

By Manya Koetse 

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