Featured
Weibo Watch: Frogs in Wells
Taiwan elections discussions remained relatively muted on Weibo, with limited hashtags and controlled narratives. Read more about what’s trending, from Harbin to Xinjiang, in this 22nd edition of Weibo Watch.
Published
2 years agoon
PREMIUM NEWSLETTER | ISSUE #22
This week’s newsletter:
◼︎ 1. Editor’s Note – Frogs in wells
◼︎ 2. What’s Been Trending – A closer look at the featured stories
◼︎ 3. What More to Know – Five bit-sized trends
◼︎ 4. What’s the Drama – Top TV to watch
◼︎ 5. What Lies Behind – Xinjiang as copy cat
◼︎ 6. What’s Noteworthy – Balloons up in the air
◼︎ 7. What’s Popular – Jia Ling’s back in the spotlight
◼︎ 8. What’s Memorable – Gu, the controversial snow princess
◼︎ 9. Weibo Word of the Week – “Southern Little Potatoes”
Dear Reader,
While the Taiwan elections have been making headlines in international media for the past two weeks, discussions about the topic haven’t been as buzzing on Chinese social media.
As voters across Taiwan headed to the polls to elect a new president, the world watched closely as the three-way race between Kuomintang’s Hou Yu-ih, Taiwan People’s Party’s Ko Wen-je, and Lai Ching-te of the Democratic Progressive Party unfolded. Meanwhile, Weibo’s trending topic lists were predominantly filled with entertainment and travel news.
In the hours following the news that Lai Ching-te (赖清德) was elected to be Taiwan’s president, you could almost hear the crickets on the social media platform, where the only news accounts posting about the election’s outcome on Saturday evening were the Russian state-owned Ruptly and RT. Hashtags that had been active earlier in the day suddenly disappeared during the night, including the “Taiwan elections” (#台湾选举#) hashtag, and new ones like “Lai Ching-te wins the 2024 Taiwan regional leadership election” (#赖清德赢得2024年台湾地区领导人选举#).
Since the Democratic Progressive Party (DPP) came to power in 2016, Chinese official media have described the ruling party as collaborating with “external forces” to seek independence and pursuing policies hostile to the mainland. Lai Ching-te, also known as William Lai, has stated that he is determined to safeguard Taiwan from threats and intimidation from Beijing and to maintain the cross-strait status quo.
“We can only wait for the mainland media to announce the results,” one prominent Taiwan-focused blogging account remarked on Saturday night, awaiting Chinese state media to come up with the ‘correct’ headlines and hashtags needed to facilitate further discussions on the platform.
By 22:45 Beijing time, about three hours after the election results made international headlines, Chinese official media channels such as Xinhua and Global Times finally reported about Lai’s win, citing spokesperson Chen Binhua of the Taiwan Affairs Office. He stated that the DPP win does not represent the Taiwanese mainstream; that Taiwan is a part of China; and that the island’s future reunification with the motherland will not be affected. Comment sections were switched off.
Some bloggers wondered why Weibo had seemingly blocked the election results from the hot search lists and why the topic was so controlled. After all, they said, isn’t this just about “the new governor of Taiwan province”? Some commenters jumped on other popular hashtags, mainly related to the super popular ‘Weibo Night’ event, to express views on the elections or how underreported they were. Weibo commenters also used phrases such as “poison frogs,” “Tai[wan] frogs,” or “the frog village has elected its new chief” to discuss the election results.
On Chinese social media, people from Taiwan are often referred to as frogs, inevitably leading to other frog-related phrases to talk about the island. The ‘Taiwan frog’ meme, which has become especially widespread during Tsai’s rule, is a reference to the well-known fable by philosopher Zhuangzi about a frog in a well who does not believe it when a turtle tells him that the world is bigger than the view from the well. The frog stubbornly denies the existence of the wider world and asserts that nothing lies beyond what he can see. The idiom ‘frog in the well’ (井底之蛙 jǐngdǐzhīwā) thus refers to people who are narrow-minded and who have a limited outlook on their life and surroundings.
The frog meme is used to describe Taiwanese who are thought to be confined to their island’s perspective and unable to see beyond it. It’s a play on words, as Tai-wan 台湾 and Tai-wa 台蛙 (= Tai-frog) sound similar. Mainlanders started calling Taiwanese ‘little frogs’ (蛙蛙) when they encountered Taiwanese commentators talking about the mainland as if it were underdeveloped and backward, seemingly unaware of China’s rapid progress over the past decades. A notable example is a Taiwanese TV host who, years ago, claimed that people in China couldn’t even afford boiled tea eggs and packaged pickled vegetables, sparking many jokes on Chinese social media.
Of course, there is some irony in Chinese netizens referring to Taiwanese as if they’re stuck in a well when Chinese narratives about Taiwan are so controlled and are mostly focused on cross-strait relations alone. On Sunday morning, the election result finally showed up in Weibo’s top trending lists with the hashtag “Taiwan is part of China, this basic fact won’t change” (#台湾是中国一部分的基本事实不会改变#). The hashtag had received over 260 million views by afternoon. Its main post by CCTV accumulated over 6329 replies. However, only 17 of them were visible, each and every single one reaffirming: “There is only one China.”
In this social media age, both in China and globally, it’s all too easy to find ourselves in echo chambers and filter bubbles, where we’re exposed only to voices that echo our existing beliefs — aren’t we all ‘frogs in the well’ at some point? Observing discussions about Taiwan on Western social media platforms, most commenters tend to narrow their focus to the elections, framing them as purely geopolitical. This perspective can create the impression that Taiwanese voters only express views that can be labeled as ‘pro-US,’ ‘anti-mainland,’ or ‘pro-China.’
“It’s not war with China that Taiwan’s young voters worry about, it’s jobs, housing, wages,” BBC’s Tessa Wong posted on X, where political scientist Sheena Chestnut Greitens added: “Important reminder: outside observers view Taiwan’s election primarily through the lens of geopolitical tensions and the threat of conflict, but many Taiwan voters also prioritize more bread-and-butter issues.”
Not everything is about great power struggles; not everything is about China vs the US; and not everything is a competition. This reminds me of something else I’d like to briefly share with you here. When The Guardian reached out to me a few weeks ago and asked if there was a topic I found particularly noteworthy in 2023 when it comes to China’s online environment, I immediately knew I wanted to write about the exploding popularity of ChatGPT, which also became a major topic of discussion across Chinese social media channels at that time: why was ChatGPT not “made in China”? You can read my debut piece for The Guardian, “In the Race for AI Supremacy, China and the US Are Traveling on Entirely Different Tracks,” through this link here.
Miranda Barnes and Ruixin Zhang contributed to this Weibo Watch newsletter, which I hope you find useful.
Best,
Manya
(PS You can also find me on Instagram and Threads nowadays but I’m still most active on X here.)
What’s Been Trending

1: A Snowball Effect | Harbin has been trending every 👏 single 👏 day 👏 on Chinese social media over the past two weeks. The hype surrounding the city and its Snow and Ice Festival is similar to the buzz surrounding Shandong’s Zibo in 2023, and it shows that Chinese tourism boards are seriously stepping up their game in the post-Covid travel era. But although the Harbin hype is the result of a well-coordinated marketing campaign that has been in the making for a year, there is also that special something, the organic buzz, that has snowballed the city’s success this season ✨ . Read all about it here 👇🏼

2: Show-Inspired Journeys | The Chinese TV series Meet Yourself has significantly boosted the popularity of Dali in Yunnan. The series’ success, coupled with the official funding behind it, not only underscores the impactful role of Chinese television dramas in tourism but also illustrates how Chinese travel destination promotional strategies are being reshaped in a competitive post-Covid era.

3: From Avant-Garde Writer to Scruffy Pup | On Chinese social media, Yu Hua has transcended his status as one of China’s most renowned contemporary writers. Surrounded by memes, online jokes, and fans born after 2000, he has emerged as a cultural icon for China’s younger generations. His rise as an online celebrity highlights that Chinese youth value relatability and likability over literary prestige.
What More to Know
Besides the bigger international news topics such as the Taiwan elections, Japan earthquake, Middle East crisis, or the Epstein list, these bite-sized topics also went trending on Chinese social media 👇
◼︎ 🌟 Weibo Night | As every year, Weibo Night, unsurprisingly, managed to become the no 1 entertainment topic of the week. It is the much-anticipated live-broadcasted ceremony that looks back on Sina Weibo’s hottest celebrities, entertainment productions, and happenings of the past year. Hosted by the Sina media company, the night has been a recurring event since 2003 – long before the Sina Weibo platform was launched. The night was initially known as the ‘Sina Grand Ceremony’ (新浪网络盛典) until it turned into the ‘Weibo Night’ (微博之夜) in 2010. This year’s edition took place on January 13 – check in on What’s on Weibo later for the highlights. For last year’s list of winners, check here. (Weibo Hashtag “Weibo Night” ##微博之夜##, billions of views, 970 million views on Friday alone and a staggering 7.6 billion views on Saturday!).
◼︎ 🍎 Homeless Chinese PhD graduate in NYC | The story of a Chinese academic who turned from a “genius student” in physics at Fudan University to a homeless man in the US has gone viral recently. The man named Sun (孙) first attracted attention due a Chinese vlogger spotting him sleeping on the streets in New York. After graduating, doing his PhD in the US and obtaining a green card, the man dealt with mental issues and started wandering the streets for 16 years. With help coming from all directions, the 54-year-old Sun is now off the streets and will possibly get help in returning to his family in China (Weibo hashtag “Homeless Fudan Doctor Gets In Touch with Hometown” ##复旦流浪博士已与家乡取得联系##, 180 million views; “Family Members Already Know Fudan Doctor Who Stayed in US Is Wandering NY Streets” #家属已知复旦留美博士流浪纽约街头#, 290 million views).

◼︎ 💍 One-third of 30-Something Urbanites Are Single | Some remarkable social trends found in China’s 2023 Population and Employment Statistics Yearbook (中国人口和就业统计年鉴2023) have recently triggered online discussions. According to the statistics, the unmarried rate among the 30-year-old population in China’s urban areas now exceeds 30%. Experts explain that this is mostly related to Chinese younger generations postponing marriage due to spending longer time in education and also because of the relatively high cost of living. At the same time, China’s rural areas have also seen a staggering decrease in marriage rates (in 25-29 age group over 47% is unmarried), which can mostly be explained due to a gender imbalance in marriageable age groups. (Weibo hashtags “30% of 30-Somethings in Chinese Cities are Single” #全国城市30岁人群未婚率超30%#, 27+ million views; “Late Marriage Trend Has Spread from Cities to Villages” #晚婚已从城市蔓延到农村#, hashtag page taken offline).
◼︎ 🍣 Fukushima Food Poisoning | Lots of Japan news went trending on Chinese social media this month, from the devastating earthquake along Japan’s western coast to the Japan Airlines jet collision. Smaller Japan news that went trending this week is a collective food poisoning incident that took place in Fukushima earlier this month. Among many guests who stayed and dined at a local Fukushima hotel, 101 people fell ill after eating raw fish. Last year, Japan also saw several other large-scale food poisoning incidents. This Fukushima incident especially went trending on Chinese social media within the context of the release of treated radioactive water from the ruined Fukushima nuclear plant, which became one of the biggest social media topics in 2023. Although unrelated, netizens link the food poisoning incident to the dangers of radioactive water (Weibo hashtag “100 people in Japan’s Fukushima Get Food Poisoning from Eating Raw Fish” ##日本福岛百人因吃生鱼片食物中毒##, 160 million views).

◼︎ 🐼 Yaya’s Weight Gain | Panda Yaya became one of the most discussed pandas of 2023. This female panda resided in the Memphis Zoo in the United States for most of her life and attracted significant attention on Chinese social media platforms after netizens expressed concern about her seemingly thin and unhealthy appearance. When the beloved panda finally returned to Beijing after two decades, her arrival became a true social media spectacle. Now, living in the Beijing Zoo, Yaya is often spotted enjoying her bamboo dinners and she clearly gained a lot of weight, much to the delight of netizens who see this as a sign that the panda is doing much better in China than in the US. (Weibo hashtag “Yaya Became A-Letter Chubby Panda”” ##丫丫胖成了A字熊##, 120 million views).
What’s the Drama

We’re introducing this new short Weibo Watch segment to keep you in the loop about some of the most-discussed TV dramas and series in China, as they’re a significant part of China’s online environment. While the South Korean TV drama Death’s Game (#死期将至#), of which Part 2 was released on Jan 5, has been popular on Chinese social media recently, it’s Wong Kar-wai’s Blossoms Shanghai (繁花) that is among the top trending Chinese TV dramas at the moment. The series first started airing on CCTV-8 and Tencent Video on December 27.
Adapted from Jin Yucheng’s award-winning novel, Blossoms Shanghai is set in 1990s Shanghai and tells the story of the young man A Bao (played by the ‘Weibo King’ Hu Ge 胡歌) who aims to become a successful businessman and self-made millionaire during China’s booming economic reform period. The series portrays a sharp contrast between the man’s troubled past and the city’s vibrant present. Noteworthy:
▶️ This is the first TV drama produced by Hong Kong film director Wong Kar-Wai, internationally acclaimed for movies such as Chungking Express and In the Mood for Love.
▶️ Particularly noteworthy is the inclusion of the now 91-year-old renowned Chinese actor You Benchang (游本昌), famous for his iconic role as the legendary monk Ji Gong in the 1980s. Despite his age, the actor spent entire days on set with his much younger colleagues, enduring ten-hour working days.
▶️ Due to the success of the series, locations featured in it are experiencing an influx of visitors, especially Shanghai’s Huanghe Road (黄河路). Shanghai’s Fairmont Peace Hotel on Nanjing East Road, also featured in Blossoms Shanghai, has even introduced a new menu featuring various dishes that also come up in the series.
An international/subtitled online release is expected soon, but if you’re in China, you can watch via Tencent here.
What Lies Behind

Similar to Zibo in 2023, it’s the city of Harbin that has successfully generated a significant social media buzz this season, attracting hordes of winter tourists. On the other side of Northern China, Xinjiang Province is also eager to step into the spotlight.
While the Harbin International Ice and Snow Festival celebrated its official opening ceremony on January 5th, Xinjiang’s Ili Prefecture hosted an event to promote its first Tianma Ice and Snow Tourism Festival. The Snow Festival, scheduled to open on January 14th at Zhaosu County’s Wetland Park, will feature various winter activities and ice & snow sculpture exhibitions. By incorporating folk culture elements and highlighting its numerous ski resorts, local authorities aim to position Xinjiang as the third trending tourist destination after Zibo and Harbin.
However, the ‘online buzz’ surrounding Xinjiang hasn’t unfolded exactly as they had hoped. Local Xinjiang residents began expressing their opinions on social media, including on promotional videos on Douyin, cautioning tourists about high prices. For example, they pointed out that their popular spicy fried chicken dish (辣子鸡) could cost over 200 RMB (US$28), more than double the price elsewhere in China. A well-known Xinjiang vlogger suggested that budget-conscious tourists might find visiting the region in the summer more economical, while others criticized Xinjiang for the overcharging of tourists. Following the flood of online comments, the Xinjiang Culture and Tourism Department (新疆文旅) closed several Douyin comment sections.
Xinjiang’s efforts to go viral as a tourist destination show that it takes more than official propaganda to create a buzz – people are looking for genuineness, value, and that one special thing that makes it all worthwhile. During the summer of 2023, Xinjiang actually had an initial strong moment of domestic tourism recovery. After the pandemic years and strict zero Covid policies, many Chinese travelers were eager to experience something new and prioritized unique locations over a low budget. Now that the initial travel craze phase has passed, travelers are back to focusing on getting value for money and won’t accept being overcharged.
One definite upside of this marketing fail is that Chinese netizens very much appreciate how local Xinjiang residents gave travelers the heads up about the status quo. One commenter said, “After reading all the comments, I find Xinjiangers are so honest and lovely; this made me want to go visit! Maybe next time, they [local authorities] should promote their people instead.”
What’s Noteworthy

Tens of thousands of balloons were released into the sky during New Year’s Eve in Nanjing’s city center. While the scene created a spectacular count-down moment that went viral on social media, the aftermath wasn’t so pretty. In the week after the celebration, numerous balloons littered Nanjing’s commercial district — caught in trees, entangled in bushes, and even stuck on traffic lights.
To clean up this post-celebration mess, a local landscaping company was mobilized, with hundred workers utilizing multiple aerial work platforms and working around the clock for seven days to clear the Nanjing streets of the lingering balloons.
But the impact went well beyond Nanjing’s city center. Days after the event, balloons that were released in Nanjing were found as far as Hangzhou (#在杭州发现南京跨年夜气球#). Beyond the environmental impact and the extensive cleanup efforts, the use of hydrogen balloons also poses safety risks.
Hydrogen is highly flammable, and balloon encounters with high-voltage lines or open flames can result in explosions and significant damage. This actually also happened this New Year’s, creating hazardous situations for the crowds standing below the small, local explosions in the air (#跨年夜集体放飞气球引爆响#) – this is something that Chinese fire departments have also been warning about through online channels.
Nanjing is just one of the cities where thousands of balloons were released for New Year’s Eve; there were also major balloon release events in cities such as Chongqing, Chengdu, Xi’an, and Wuhan. On Weibo, numerous users have been vocal about highlighting the downsides and negative impact of these kinds of balloon releasing events.
What’s Popular

The Spring Festival holiday is known for its peak box office performances in China, with audiences eagerly anticipating the films released during this period. Last Lunar New Year, blockbuster hits like Wandering Earth II, Full River Red, and Hidden Blade made waves. This year, there’s considerable buzz around YOLO (热辣滚烫), the latest film from Chinese comedian and director Jia Ling.
Recently, Jia Ling emerged back into the spotlight after a year-long break from the public eye. On Weibo, the acclaimed actress shared that during this year, she directed her second film while also portraying the lead character. In this role, she plays a woman who drastically changes her life after being withdrawn from social life and who takes up boxing, for which Jia Ling shed approximately 100 pounds (50 kg).
Jia Ling’s remarkable weight loss for her upcoming film quickly became a trending topic, with her Weibo announcement garnering nearly 60,000 responses in just one day. Many view this dramatic change as a testament to Jia Ling’s incredible dedication to her work. After her successful and award-winning director’s debut Hi, Mom in 2021, this upcoming film is also expected to do very well during the holiday. YOLO (热辣滚烫) is set to premiere in Chinese theaters on February 10. Read more here👇.
What’s Memorable

As we’re back in the snow season, we’ve picked this article from our archive from one year ago which explores how and why Eileen Gu, the American-born freestyle skier and gold medallist, became an absolute viral sensation in China. Gu represented China in the 2022 Beijing Olympics and received praise for her excellent halfpipe World Cup performance during the 2023 Chinese New Year.
At the same time, Gu’s success also generated many discussions about her alleged privileged status, especially within the context of her being praised as a role model for Chinese (female) younger generations. Read here 👇
Weibo Word of the Week

“Southern Little Potatoes” | Our Weibo Word of the Week is “Southern Little Potatoes” (nánfāng xiǎo tǔdòu 南方小土豆).
The term “Southern Little Potatoes” (南方小土豆) is all the rage recently in the context of the hype surrounding Harbin. This ice-and-snow tourism season has seen a huge influx of tourists from the warmer southern regions who are heading north to the snow-blanketed Harbin or other destinations in the Three Northeastern Provinces (东北三省).
The southern tourists visiting China’s cold northeast tend to stand out due to their smaller stature, light-colored down jackets, and newly-bought winter hats. Their appearance not only contrasts with that of the typically taller and darker-dressed locals, but some people also think it makes them look like little potatoes. After the term ‘southern little potato’ became popular due to a viral video, some southern tourists, especially women, also adopted this term to humorously describe themselves.
The playful term quickly caught on, and locals started using it as a humorous marketing strategy to attract more southern visitors. Harbin street sellers are now selling plush keychains of “southern little potatoes,” and even local taxis are inviting the “baby potatoes” to get on board (土豆宝宝请上车) for complimentary rides. Through jokes, memes, and media stories about these ‘potatoes,’ a narrative has been constructed about the city of Harbin taking care of and pampering these ‘naive,’ ‘little’ visitors.

Although the term is meant to be affectionate, not everyone appreciates it. As the term predominantly refers to smaller women, some critics feel that by making “Southern Little Potatoes” (南方小土豆) part of its Ice and Snow economy promotion, Harbin is actually being somewhat chauvinistic and is contributing to sexism while reinforcing stereotypical perceptions of southern women.
While some critical bloggers are arguing that the term is harmful and derogatory, the majority of netizens are still using the term for light-hearted banter about the enthusiasm of southern visitors and the hospitality of the northerners welcoming them.
This is an on-site version of the Weibo Watch newsletter by What’s on Weibo. Missed last week’s newsletter? Find it here. If you are already subscribed to What’s on Weibo but are not yet receiving this newsletter in your inbox, please contact us directly to let us know.
Stories that are authored by the What's on Weibo Team are the stories that multiple authors contributed to. Please check the names at the end of the articles to see who the authors are.
Featured
Quick Eye: XChat, Orbán, and a Very Questionable Tripe-Strawberry Hotpot
Published
29 minutes agoon
April 14, 2026
🔥 Quick Eye: What’s Trending in China in 2 Minutes (April 14 | week 16 | 2026) Part of Eye on Digital China by Manya Koetse, this is a quick catch-up on what’s trending and being discussed on Chinese social media right now. Subscribe here to receive the next issue in your inbox.
The Big Stories
📌 Evergrande trial China’s fallen property giant Evergrande, once the world’s most indebted developer, and its founder Xu Jiayin (许家印) are at the center of a much-anticipated public trial in Shenzhen on April 13-14. Xu pleaded guilty to charges including fundraising fraud, illegal deposit-taking, and corporate bribery. A verdict will be announced at a later date.
📌 Lululemon investigated over “forever chemicals” American brand Lululemon is under investigation in Texas over the potential use of PFAS chemicals in its athletic apparel, which have been linked to health risks such as cancer and fertility issues. Chinese netizens and media are closely following this story: mainland China is Lululemon’s second-largest market.
📌 Diplomatic line-up in Beijing While Spanish Prime Minister Sánchez is still in Beijing, UAE Crown Prince of Abu Dhabi Khaled also arrived in China on Tuesday. Vietnamese President Tô Lâm is meeting Xi Jinping, while Russia’s foreign minister Sergey Lavrov has also arrived, and the President of Mozambique is expected later this week. Chinese newspaper Yangcheng Evening News described it as “foreign leaders lining up to visit China” (“外国政要排队访华”). The framing presents world leaders as turning to China in a turbulent time, amid tensions around Iran and the Strait of Hormuz, and declining trust in the US.
The Quick Eye
👁
XChat, Musk’s “Western WeChat” opens pre-registration in mainland China app store
Musk has long said he wanted X to become a WeChat-like “super app,” and now he’s finally launching XChat, already dubbed the “Western version of WeChat” (西方微信) in China. The app is set to launch on April 17 on the Apple App Store, with pre-registration available to users in mainland China. It features end-to-end encryption, no phone number requirement, no advertising, anti-screenshot and disappearing-message functions, and integrated Grok AI.
Zhihu discussions note that while XChat’s “pre-order” function is visible to Chinese iOS users, the app will likely remain inaccessible. Beyond China’s stringent platform regulations, XChat requires an X account to log in, meaning users cannot get past registration. The irony of a privacy-focused app opening pre-registration in a market where X itself is blocked has not gone unnoticed, with many commenters treating it as something of a joke.
👁
Hungary’s Orbán defeated: Chinese netizens react to pro-EU shift
The Hungarian elections and Viktor Orbán’s defeat drew unusual attention on Chinese social media, where European politics usually aren’t a big deal. Beyond the historic loss, much of the discussion framed the outcome through a China–EU lens, especially in relation to the Russia–Ukraine war.
While state media stayed relatively neutral, some commentators emphasized that Orbán had been one of the EU’s most China-friendly leaders. Others, including Hu Xijin, pointed to more practical reasons — arguing that in the end, elections are decided by “bread and butter.”
👁
Audio recording: Shanxi judge accused of sexual harassment during divorce hearing
A judge at Lüliang Intermediate Court in Shanxi has come under fire after a woman accused him of molestation during her divorce proceedings. She says Judge Lü Yunsuo (吕云锁) summoned her under false pretenses and then groped, embraced, and kissed her in his office — an incident she secretly recorded on her smartwatch, capturing 16 minutes of audio.
Although she reported the case for months, no action was taken until news of the case and the recording circulated online, after which Lü was suspended. The case has sparked widespread anger, with many questioning why action was only taken after the situation drew public attention.
A Different Note
⭐
Tianjin University Library Q&A: Children Solve Existential Problems
A Q&A message board at Tianjin University Library (天津大学图书馆) went viral after primary school children visiting the campus answered questions left by university students. Some exchanges:

“How do you slow down growing up?”
— Child: “Enjoy the present.”
“What should I do if I’m unhappy?”
— Child: “Do something that makes you happy.”
“How can I get into Tianjin University?”
— Child: “I just came in on Open Day.”
“How do I find happiness again?”
— Child: “Watch Peppa Pig.”
“What is happiness?”
— Child: “Having an apple and thinking only about the apple.”
On My Feed
Bizarre Tripe & Strawberry Fusion Hotpot
Perhaps this needs a trigger warning for Sichuan foodies and hotpot purists, given the rather bizarre hotpot trend currently circulating on Chinese social media:
It’s Tripe-Strawberry Hotpot (毛肚草莓火锅), where you wrap fresh strawberries in organ meat (beef tripe 毛肚, máodǔ) — a somewhat sacred ingredient within Sichuan hotpot culture — before dipping them into spicy, simmering broth and eating them with your regular dipping sauce.

I’ve seen this pop up before, but it’s now gaining more traction—and not just as rage bait, since some people seem to genuinely enjoy it. Others, however, are shocked by how far hotpot food trends are going. One Weibo user wrote:
“First, I apologize to the tripe, then to the strawberries, to the hotpot, and fourth, to myself”😅
That’s it for today — more soon!
Best, Manya
P.S. If you find this useful and aren’t a paying subscriber yet, you can support my work and receive more updates by subscribing. You can do so here.)
Chapter Dive
Cancel-Proof: The Rise of China’s AI Actors
China’s AI actors are on the rise, and not everyone is buying it. The country’s microdrama industry offers a glimpse of what’s to come for the broader film and TV sector.
Published
5 days agoon
April 10, 2026By
Ruixin Zhang
Is this the real life? Is this just fantasy? In the fast-growing world of China’s AI microdramas, even virtual actors can’t escape reality. As production companies turn them into idols, audiences are voicing discomfort, while the future for human actors looks increasingly uncertain.
– By Ruixin Zhang and Manya Koetse
For Chinese audiences, AI in film and television is nothing new. In the fall of 2023, the first fully AI digital performer in a Chinese domestic drama, the character Erzhuang (二壮) in I Am Nobody (异人之下) sparked debate on Chinese social media.
Some fans, due to Erzhuang’s convincing northeastern Chinese dialect and natural expressions, almost couldn’t believe she wasn’t a real actress.

Erzhuang in I Am Nobody (异人之下) in 2023.
But Erzhuang was just the beginning.
In 2024, China Mythology (中国神话) was promoted by state media as China’s first fully AI-produced short drama series.
A year later, In My Heart, You Are One of a Kind (在我心中,你是独一无二) premiered as Hong Kong’s very first AI-generated short drama, a youth campus romance that sparked further discussion about whether AI actors could actually replace human actors.

From the two AI dramas from 2024 and 2025: China Mythology and In My Heart, You Are One of a Kind.
Those discussions were reignited in late March of this year when Shanghai-based production company Yaoke Media (耀客传媒) introduced two newly signed AI actors, Qin Lingyue (秦凌岳) and Lin Xiyan (林汐颜), who’ll be starring in the fantasy short drama Qinling (秦岭).

Qin Lingyue (秦凌岳) and Lin Xiyan (林汐颜)
Unlike earlier AI figures in microdramas, this high-profile ‘signing’ marks a shift: the company plans to develop these characters as independent IPs, much like human actors. In other words, they are to attract fans both through their on-screen performances and their off-screen ‘personalities.’
Soon after, the two AI actors created their own social media accounts on Douyin and Xiaohongshu, and began cultivating a sense of authenticity and ‘liveness’ (活人感).

A real-looking social media profile.
But as these digital performers and real actors become harder to distinguish, audience discomfort is growing, too.
The Rise of AI Microdramas
In China’s microdrama market, AI is already playing a dominant role, with “AI dramas” (AI剧 or AI短剧) standing out as a distinct creative category within the broader industry.
Microdramas, also simply known as short dramas, have been around in China for at least a decade, but have become especially popular in recent years due to their vertical, ultra-short formats, designed for quick mobile viewing and easy ‘binge watching.’ Microdramas typically run for 60 to 100 episodes, but with each episode lasting just one to three minutes, an entire season can be watched in an hour or two.
That format also makes the industry particularly well-suited to AI. It is large, fast-moving, and often operates on limited budgets, with productions turning around quickly. In this environment, using AI-generated effects and AI actors simply makes sense. This is very different from traditional drama production, which typically involves longer timelines, higher budgets, well-known actors, and less room for experimentation.
“AI is no longer just an add-on in China’s drama sector—it is an integral part of the production process”
As a result, AI is no longer just an add-on in China’s short drama sector—it is becoming an integral part of the production process, with digital actors helping to improve efficiency and reduce costs. With the launch of Bytedance’s Seedance 2.0, production costs for AI-generated videos have dropped significantly, further boosting the growth of AI microdramas.
The scale of this shift is already clear: AI microdramas are now often outpacing live-action productions on trending charts. In 2025 alone, one Zhejiang-based production company (刚刚好影视) released 229 AI micro-dramas, generating over 513 million views.
According to Sixth Tone, short dramas featuring AI actors already represented approximately 40% of the top 100 animated short dramas in January 2026.
Turning AI Actors into Real Idols
With AI and microdramas entering a kind of symbiosis, virtual actors are no longer disposable, one-off creations. They are evolving into continuous, persona-driven figures, often designed to resemble real celebrities—much like “fandom-driven actors” (流量演员), whose core function is to monetize fan attachment and sell fantasies rather than just act.
According to Yaoke Media, their plans for Qin Lingyue and Lin Xiyan are similar to those of idol models: they are expected to interact with fans, appear in multiple productions, and eventually become monetizable assets through brand endorsements and image licensing.
This also means they will likely take on the full spectrum of idol labor, including promotional events, fan service, and carefully manufactured on-screen chemistry—sometimes even “queerbaiting” (卖腐). (There’s no perfect English equivalent, but the term refers to deliberately staging romantic interactions between two male characters aimed in particular at a female “danmei” fans or “rotten girls” audiences who like indulging in such fantasies.)
In one AI costume drama, behind-the-scenes clips showed the lead actor and actress “live-streaming” together, answering fan questions, and deliberately hyping up their on-screen chemistry.

“Behind the scenes” livestream screenshots by AI actors.
Such human-coded content is now increasingly becoming an important part of the AI microdrama industry.
Some of these online videos also show the supposed perspective of “fans” and “staff” watching the actors walk around or interacting with them, creating a simulated world that some netizens feel is pushing a sense of “realness,” with comments like: “Please don’t force AI to act so human-like.”
“AI actors featuring in AI dramas that are watched by AI audiences, it’s the perfect closed loop”
For the same AI costume drama, some clips even mimic the perspective of ‘fansite admins’ (站姐)—dedicated fan photographers who typically capture and share candid, off-stage footage of real stars.

In one vlog by a supposed prop assistant, she appears as an overworked but witty crew member, taking viewers around the set, chatting with the leads, buying them coffee, and even stepping in as an extra.

“Behind the scenes” of an AI microdrama.
These glimpses of everyday, behind-the-scenes life all feel oddly real, but everything is AI-generated: the actors, the sets, the audience interactions, the staff, even the paparazzi (see example videos here and here).
For ordinary audiences, it is striking how deeply AI has already penetrated the film & television industry. Beyond criticisms of stiff expressions and rigid aesthetics, many netizens describe the new phenomenon as “uncanny” or “just too real😨.”
With AI actors now realistic enough to pass as human at a glance, but with small details like emotional expression still being off, that gap between being almost human but not quite creates a sense of discomfort among viewers, who dub these AI actors ‘stuffed monsters’ (缝合怪) or ‘stitched-together corpses’ (尸块).
More than the actors, it’s the entire ecosystem around them that makes us believe we’re watching “candid moments” of something that is not even alive. Screenwriter Wang Hailin (汪海林) was sarcastically commented on Weibo: “AI actors featuring in AI dramas that are watched by AI audiences 👍, it’s a perfect closed loop.”
‘Borrowing’ Facial Features
Besides the simulated “aliveness” of digital performers, another controversial issue surrounding the recent rise of China’s AI actors is whether these creations infringe on portrait rights. Since the debut of Qin Lingyue and Lin Xiyan, these AI figures have been criticized for appearing to use facial features from multiple real actors.
As online discussions intensify, more AI actors in microdramas have been found to resemble real celebrities. Fans of beloved Chinese celebrities such as Dilraba Dilmurat (迪丽热巴) and Xiao Zhan (肖战) have taken to Weibo to protest this kind of “face swapping” (AI换脸) and demand protection of their idols’ likenesses.

An “AI face swap” (AI换脸): an AI actor on the left, Xiao Zhan on the right.
Yaoke responded that these images were “derived from massive datasets on the internet” and did not replicate any specific individual’s features.
This only fueled further backlash. To many, the use of “massive data” suggests that anyone, celebrity or ordinary person, could potentially have their image appropriated.
“The vlogger discovered the face swap infringement after a friend recognized his face while watching the AI drama”
In related recent trending news, a Chinese content creator (白菜汉服妆造), who typically wears traditional Chinese clothing in his videos, accused Hongguo (红果短剧), ByteDance’s short drama platform, of using his likeness without authorization to create a greedy villain in the AI-generated drama Taohua Zan (桃花簪).

On the left: greedy villain in the AI-generated drama Taohua Zan. On the right: Chinese content creator (白菜汉服妆造).
The vlogger discovered the face swap infringement after a friend recognized his face while watching the drama. The series was later taken offline.
One problem is that legal frameworks around AI lag behind technological development: by the time victims try to fight back legally, the technology has already moved on, making enforcement almost impossible.
Better Than the Real Thing?
Despite the backlash against the AI-fication of China’s short drama industry, some netizens are more optimistic about its development.
One blogger recently noted that as many people have already formed near friendship-like emotional dependencies on chatbots like ChatGPT—initially seen as cold technological tools—it is entirely possible that audiences will also develop genuine attachment to AI actors.
Current limitations that still make AI actors feel stiff, such as robotic voices or unnatural expressions, will likely diminish as the technology continues to improve.
Some call binging on AI short dramas their “guilty pleasure,” just to watch the AI actors perform. As one Weibo user wrote: “The female characters are just so beautiful—seriously, unbelievably beautiful. And they’re becoming more and more realistic: their facial expressions, especially the way their mouths move, are incredibly precise. Even the makeup looks stylish, and the hair feels very real. I honestly find myself wondering what eyeshadow and mascara they’re using.”
But support for AI performers in China’s drama industry is not limited to guilty pleasures and tech enthusiasts. For some, it also reflects a broader weariness with the perceived lack of quality among human actors.
“If the performances of real actors are already no better than AI, why not use AI actors instead?”
China’s film and television industry’s strong focus on fandom culture and good-looking idols, combined with limited budgets and a lack of formal training, has produced a wave of actors who are widely criticized for poor acting and a lack of professionalism. They are also frequently caught up in controversies, from refusing to memorize lines to relying heavily on green-screen acting.
These criticisms intensified during the 2021 major scandal involving former drama actress Zheng Shuang (郑爽), who had long faced criticism over her acting. A leaked recording at the time revealed she was earning a staggering 2.08 million RMB per day (roughly $320,000 then). Since then, “2.08 million” (208万) has become a derogatory label for fandom-driven actors who get high pays despite low-quality performances.
Amid weak acting and a distorted pay structure, many viewers have been calling for change. A common sentiment is: if their performances are already no better than AI, why not use AI actors, and give real actors a sense of crisis?
From Cancel Culture to AI Actors
But will the use of AI actors actually push the industry to improve human actors, or simply replace them?
Some Chinese industry insiders remain optimistic, arguing that AI can never fully replicate the nuance of human emotion. Among those who have spoken out are A-list actors such as Zhang Ruoyun (张若昀) and Feng Yuanzheng (冯远征), president of the Beijing People’s Art Theatre.
Others, however, are less optimistic.
“China’s “cancel culture” will eventually make AI actors an increasingly attractive bet for industry investors”
Agan Jackie (阿甘Jackie), a streamer working in the film industry, pointed out in a recent podcast that China’s “cancel culture” will eventually make AI actors an increasingly attractive bet for industry investors.
Although there’s “cancel culture” in the Western entertainment industry as well, the moral bar for Chinese celebrities is exceptionally high: anything from tax evasion to littering, simply being rude to fans could destroy an actor’s commercial value. The superstar Fan Bingbing (范冰冰), for example, disappeared from public view after a tax evasion scandal. Even after repaying her debts, she is still effectively banned from mainland productions.
China’s cancel culture is also closely tied to political red lines. One remark or move – intended or not – could end a career overnight. Zhang Zhehan (张哲瀚), an actor who quickly rose to fame a few years ago, vanished from the industry after photos surfaced of him posing near the Japanese Yasukuni Shrine.
For production companies and streaming platforms, such unpredictability creates a high-investment, high-risk environment. “Scandal-proof” AI actors offer a low-risk substitute.
This perhaps also plays a major role in why major streaming platforms such as Tencent and iQiyi are now promoting or encouraging the use of AI actors through AI feature film experiments, with the first fully AI-generated commercial blockbusters expected to be released later this year.
A Glimpse into the Future
At the recent China TV Drama Production Industry Conference, it became clear that the industry is undergoing something of an earthquake, with major changes ahead: while top actors will continue to function as traffic drivers, demand for human actors is expected to decline, and much of the mid- and lower-tier acting segment (such as extras and body doubles, but also voice actors) could largely disappear as it becomes replaceable by AI.
The microdrama industry, already heavily infiltrated by AI, offers a glimpse of the future of the broader TV and film industry when it comes to digital performers.
Microdrama actress Zhou Ye (周野) recently said that her pay has been slashed by 50% since AI-driven microdramas flooded the market, leaving many more actors jobless. For the 140,000 registered extras at Hengdian World Studios, China’s largest filming base, these developments could have far-reaching consequences.
Sometimes, these actors even sign away their fate—quite literally—as some companies now require “AI authorization” clauses as a condition of employment, effectively selling their digital likeness just to get a job. Companies can then create AI actors based on real individuals. Chinese talent management company Yuxiao Media (聿潇传媒) has introduced six such AI actors, directly modeled on real performers.
“The microdrama industry, already heavily infiltrated by AI, offers a glimpse of the future of the broader TV and film industry when it comes to digital performers”
One of these, influencer Han Anran (韩安冉), openly stated during a livestream that she had sold her likeness rights for AI creation. Playing into public criticism of her acting and heavily altered appearance, she said this was the best way to monetize her image. She even wondered that if her AI doppelganger were ever to win an award, whether she or the AI should go on stage to accept it.

Han Anran (韩安冉) on the left and the AI actress modeled after her on the right.
Perhaps nobody likes to see ordinary actors’ livelihoods being taken over by AI. But despite concerns about shrinking job opportunities, China is unlikely to see Hollywood-like strikes, as it lacks unions or organizations comparable to SAG-AFTRA or the AFL-CIO, which focus on labor representation beyond awards and industry guidelines.
For now, the only collective pushback against the full “AI-fication” of the industry comes from Chinese netizens themselves: boycotting platforms and production companies using AI actors, and voting with their views. Ultimately, only when public demand for realness becomes strong enough to threaten profits—or when laws finally catch up—will there be a sense of security for the people behind the screen—the real ones.
By Ruixin Zhang, with editing and additional context by Manya Koetse
©2026 Eye on Digital China/Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.
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