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Gu’s Year: How Eileen Gu Became a Beloved Icon and Controversial Role Model in China

Patriotic, privileged, perfect? A year after Eileen Gu became an online sensation in China, she is still generating discussions.

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Eileen Gu, the American-born freestyle skier and gold medallist who represented China in the 2022 Beijing Olympics, has made headlines again for her excellent halfpipe World Cup performance during the Chinese New Year. One year after Gu first became an internet sensation, she is, once again, receiving praise and triggering discussions on Chinese social media.

This Chinese Lunar New Year, the three Chinese Winter Olympic athletes Wu Dajing, Xu Mengtao, and Gao Tingyu, were widely discussed on Chinese social media after their debut at the CGM Spring Festival Gala.

Over 8000 kilometers away, another Winter Olympic athlete, Eileen Gu – better known as Gu Ailing 谷爱凌 in China, – also garnered huge attention for her excellent performance at the Calgary halfpipe World Cup. Just as people were celebrating the Chinese New Year, Eileen Gu claimed her second gold medal at the FIS Freeski World Cup.

It has almost been a year since the then-18-year-old Chinese-American freestyle skier grabbed gold at the Olympics and became front-page news in China.

Although Gu already garnered attention online when she announced in June of 2019 that she would switch national affiliation and compete for China, it wasn’t until the Olympics that she appeared all over social media, was featured in dozens of ad campaigns, and practically became a household name in China.

Now, in light of the FIS Snowboard World Cup and the X Games in Aspen, Gu is back in the limelight.

On January 21st, the first day of the Year of the Rabbit, Chinese state broadcaster CCTV celebrated Gu’s victory on social media using the hashtag “Eileen Gu Claims Two Golds within Three Days during the New Year Celebrations” (#谷爱凌过年3天2金#), with a two- minute video clip recording the highlights of her recent race. The hashtag has since received over 180 million views.

Gu herself also shared her victory on Weibo and wished people a prosperous New Year. That post attracted over 110,000 likes.

Many Chinese people celebrated Gu’s new achievements with words of admiration, praising her capabilities and determination. One Weibo user commented: “I have to say, Gu Ailing is truly excellent. Three days, two medals. She has an indisputable talent.”

Another user posted a video of Gu practicing while waiting for her flight and commented: “A healthy, energetic, diligent, excellent Gu Ailing who even continues training while waiting for boarding. Success doesn’t come overnight.”

Others also view Gu as a national icon for her gold medal wins for China. The phrase “wèi guó zhēngguāng” (“为国争光”), “winning glory for the country,” appeared in many posts under the hashtag related to Gu’s win.

But over the past year, since Gu’s Olympic success, she has not always merely been viewed as a patriotic hero. Despite her popularity, Gu also triggered controversy and sometimes came under fire, with some wondering if she truly was patriotic and others blaming her for being privileged.

 

PATRIOTIC

Everybody knows Eileen Gu is Chinese

 

During the 2022 Winter Olympics in Beijing, the fact that Gu had switched her international allegiance and represented China instead of the US instilled pride among many Chinese. Chinese media flooded with stories on Gu that focused on the narrative of the multi-talented “mixed kid” who gave up her United States citizenship to represent the People’s Republic of China.

However, when being asked about her citizenship in interviews, Gu’s replies left many people wondering about the facts of the matter; they wanted to know whether or not Gu actually gave up her American passport, as China does not recognize dual nationality. Gu’s response “I’m American when in the US and Chinese when in China” triggered dissatisfaction among Chinese audiences.

“I have stopped liking her since she said that,” one Weibo user reflected in December 2022, and the post received 35,000 likes. To this day, there are many social media comments bringing up Gu’s comment: “You’re in America, so now you’re American, right?”

Others also attacked Gu after Forbes listed her as the third highest-paid female athlete in the world in 2022 (#谷爱凌年收入1.4亿#). Some commenters argued that she had earned her money in China and was spending it in the US, and that she was unpatriotic for doing so.

However, some netizens defended Gu by stressing what she had done for China. In Weibo posts and comment threads, users supporting Gu wrote: “She won two gold medals and more for China, what did your patriotism contribute to China?” Others also said Gu had shown her love for China through her performances, and that it would be impossible to expect her to distance herself from the country she grew up in.

Meanwhile, Western media outlets described how the bi-lingual Gu had been “dodging” explicit questions about her US citizenship status. This also led to Gu getting attacked by Americans. When Gu returned to the US and enrolled in Stanford University, there was even an online petition about getting Gu’s admittance to Stanford revoked due to Gu’s supposed “lack of integrity about her nationality” and indifference to “the human rights violations” in China.

Among Chinese netizens, questions also rose about whether Gu had only represented China during the Olympics and if her return to the US might mean that she would give up her Chinese nationality and play for the US team instead.

But with Gu’s debut at the FIS Freeski World Cup in the Year of the Rabbit, Chinese bloggers pointed out that Gu’s nationality was still listed as Chinese.

“No matter where she is, Gu Ailing still has the Chinese nationality,” one Weibo blogger wrote, with others also saying: “She is still representing China, we should all support her! The rumors about her changing nationalities are false!”

“Everybody knows Eileen Gu is Chinese,” another social media user wrote.

But not everybody is convinced: “Don’t fool yourself. I’m happy she helped China win gold, but dual citizenship is dual citizenship, there’s no point in covering it up.”

 

PRIVILEGED

Gu’s success is unrelated to normal people

 

Another discussion that has flared up during Eileen Gu’s past year of success is focused on her alleged privileged status, especially within the context of her being praised as a role model for Chinese (female) younger generations.

In February of 2022, an Instagram comment made by Gu regarding the use of VPNs in China caused some controversy. At the time, one person asked Gu about “internet freedom” in China and how it was possible for her to use Instagram while she was in China, where the platform is blocked. Gu then replied: “Anyone can download a vpn its literally free on the App Store [thumbs up]”

A screenshot of the exchange then circulated on Weibo, where many netizens were surprised about Gu’s statement. VPNs are generally not available on app stores in mainland China, as there are numerous restrictions on virtual private networks (VPNs) which are commonly used to browse websites or apps that are otherwise blocked in China.

Gu was then criticized over the fact that she seemed unaware of the restrictions on VPNs along with her suggestion that ‘internet freedom’ only referred to the accessibility of foreign platforms, allegedly showing her privileged position.

After Gu enrolled in Stanford University and posted her all-A transcript of the first semester at the end of 2022, many praised her hard work but there was also criticism about her “showing off” and strategically choosing a supposedly easier curriculum.

“She posted it to impress Chinese people who do not understand the system,” one person commented, with others replying that an “S” grade does not equal full points and that she had no A+ grades. Others claimed that Gu probably received help with her schoolwork.

Gu’s Weibo post at the end of 2022 reviewing her achievement of the year, including her transcript of the first semester at Stanford University.

As online discussions intensified (#谷爱凌斯坦福所有课程全部满分#), Gu herself responded to online criticism, stressing that she – without anybody’s help – had worked hard for her grades and that only 5% of students can get an A at Stanford.

The idea that Gu comes from a very privileged background and that it is not just her diligence that brought her success is a recurring one on social media.

Gu was raised by her Chinese mother, a molecular biology graduate who studied at Peking University and Stanford University and who used to be a speed skating athlete as well as a part-time coach at Peking University. She allegedly worked at Wall Street and later became a CEO of a risk investment company. Her grandmother, a former official at China’s Ministry of Transport, was a university basketball player, while her grandfather was a soccer player at school who was also good at swimming, skiing, and skating. Her family members’ background is exceptional. University students were rare among Gu’s grandparents’ generation, and studying abroad was also uncommon for her mother’s generation.

As people believe that this family background has largely contributed to Gu’s success, Gu’s position as a “role model” is questioned.

“Gu’s success is unrelated to normal people,” one Weibo user wrote. “What is the meaning of having this kind of role model? I have no parents from the Ivy League, no pretty face of mixed race, no elite education from the mix of Chinese and American cultures, no exceptional family background, and even no talent,” one Zhihu user wrote.

“Gu started skiing at three years old, and practiced running, basketball, piano, and ballet soon after; I started playing in the mud at three years old and I can still only play in the mud,” another user wrote. “Gu’s mother meticulously planned Gu’s life, but my mother could hardly spare any time for me while she was working.”

 

PERFECT

Congratulations, Little Gu, you’re the greatest!

 

Amid all the online discussions surrounding Eileen Gu, there is the view that people have not necessarily grown tired of Gu herself but of the (online) media narratives surrounding her which present her as the perfect daughter, the perfect athlete, or the perfect role model.

Some people admit that they feel jealous or say that they feel it is unfair because they feel they could never reach that standard.

One article published by The Paper in 2022 reiterated the popular view that Gu’s success “has nothing to do with ordinary people” (“谷爱凌的成功与普通人没啥关系”), but argued that people should draw inspiration from her story rather than focusing on all the aspects of her life that are unattainable to them.

A commentary by PLA Daily also argued that Olympic athletes should not be turned into “gods” for their overnight success; neither should they be vilified because of their shortcomings. It’s not about the pursuit of perfection, the author wrote, but about facing up to one’s own shortcomings.

There are also those who remind others that Gu is still a teenager. Not only have some of the controversies over the past year shown that Gu is not “perfect,” they also showed that fame is a double-edged sword.

As one netizen put it: “Success can be magnified to an extreme, and mistakes can be enlarged without boundaries (..) She’ll be carefully walking on the sharp edge of the sword because if she does something that does not conform to what people expect of her, the same people who praise you today will step on you tomorrow.”

Meanwhile, many Chinese fans of Eileen Gu have had it with those leaving “sour comments.” “She is representing China, she snatched gold, your empty ‘patriotism’ is contributing nothing!”

“Congratulations, Little Gu, you’re the greatest!” some say: “You did a good job, and we’re proud of you.”

By Zilan Qian and Manya Koetse

 

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Stories that are authored by the What's on Weibo Team are the stories that multiple authors contributed to. Please check the names at the end of the articles to see who the authors are.

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China Arts & Entertainment

The Rising Influence of Fandom Culture in Chinese Table Tennis

The match between Sun Yingsha and Chen Meng in Paris highlighted how the fan culture surrounding Chinese table tennis can clash with the Olympic spirit.

Ruixin Zhang

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During the Paris Olympics, not a day went by without table tennis making its way onto Weibo’s trending lists. The Chinese table tennis team achieved great success, winning five gold medals and one silver.

However, the women’s singles final on August 3rd, between Chinese champions Chen Meng (陈梦) and Sun Yingsha (孙颖莎), took viewers by surprise due to the unsettling atmosphere. The crowd overwhelmingly supported Sun Yingsha, with little applause for Chen Meng, and some hurled insults at her. Even the coaching staff had stern expressions after Chen’s win.

This bizarre scene sparked heated discussions on Chinese social media, exposing the broader audience to the chaotic and sometimes absurd dynamics within China’s table tennis fandom.

 

“I welcome fans but reject fandom culture.”

 

When Sun Yingsha and Chen Meng faced off in the women’s singles final, the medal was destined for ‘Team China’ regardless of the outcome; the match should have been a celebration of Chinese table tennis.

However, the match held significant importance for both Sun and Chen individually. Chen Meng, the defending champion from the previous Olympics, was on the verge of making history by retaining her title. Meanwhile, Sun Yingsha, an emerging star who had already claimed singles titles at the World Cup and World Championships, was aiming to complete a career Grand Slam (World Championships, World Cup, and Olympics).

[center] Announcement of the Chen (L) vs Sun (R) match by People’s Daily on social media.[/center]

Sun Yingsha has clearly become a public favorite. On Weibo, the table tennis star ranked among the most beloved athletes in popularity lists.

This favoritism among Chinese table tennis fans was evident at the venue. According to reports from a Chinese audience member, anyone shouting “Go Chen Meng!” (“陈梦加油”) was quickly silenced or booed, while even cheering “Come on China!” (“中国队加油”) was met with ridicule. After Chen Meng’s 4-2 victory, many in the audience expressed their frustration and chanted “refund” during the award ceremony. Meanwhile, social media was flooded with hateful posts cursing Chen for winning the match.

For many who were unfamiliar with the off-court drama, the influence of fandom culture on the Olympics was shocking. However, in the world of Chinese table tennis, such extreme fan behavior has been brewing for some time. Even during the eras of Ma Long (马龙) and Zhang Jike (张继科), there were already fans who would turn against each other and others.

This year’s men’s singles champion, Fan Zhendong (樊振东), had long noticed the growing influence of fandom culture. In recent years, he has repeatedly voiced his discomfort with fan activities like “airport send-offs” and “fan meet-and-greets.” Earlier this year, he took to social media to reveal that he and his loved ones were being harassed by both overzealous fans and haters, and that he was considering legal action. He made it clear: “I welcome fans but reject fandom culture.” His consistent stance against fandom has helped cultivate a relatively rational fan base.

 

“What has happened to Chinese table tennis fans over the years?”

 

On Weibo, a blogger (@3号厅检票员工) posed a question that struck a chord with many, garnering over 30,000 likes: “What has happened to Chinese table tennis fans over the years?”

In the comments, many blamed Liu Guoliang (刘国梁) for fueling the fan culture around table tennis. Liu, the first Chinese male player to achieve the Grand Slam, retired in 2002 and then became a coach for the Chinese table tennis team. His coaching career has been highly successful, leading players like Ma Long and Xu Xin (许昕) to numerous championships.

Beyond coaching, Liu has been dedicated to commercializing table tennis. Compared to international tournaments in sports like tennis or golf, the prize money for Chinese table tennis players is only about one-tenth of those sports. Fan Zhendong has publicly stated on Weibo that the prize money for their competitions is too low compared to badminton. Liu believes table tennis has significant untapped commercial potential that has yet to be fully realized.

Under Liu’s leadership, the commercialization of the Chinese table tennis team began after the Rio Olympics, where China won all four gold medals. Viral internet memes like “Zhang Jike, wake up!” (继科你醒醒啊) and “The chubby guy who doesn’t understand the game” (不懂球的胖子) made both the sport and its athletes wildly popular in China.

Seeing the opportunity, Liu quickly increased the team’s exposure, encouraging players to create Weibo accounts, do live streams, star in films, and participate in variety shows. This approach rapidly turned the Chinese table tennis team into a “super influencer” in the Chinese sports world.

While this move has certainly increased the athletes’ visibility, it has also drawn criticism: is this kind of commercialization and celebrity status the right path for China’s table tennis? Successful commercialization requires a mature system for talent selection, team building, and athlete management. However, the selection process in Chinese table tennis remains opaque, the current team-building system shows little promise, and young athletes struggle to break through.

Additionally, athlete management appears amateurish. After watching an interview with Chinese tennis player Zheng Qinwen (郑钦文), a Douban netizen commented that Liu Guoliang’s plan for commercializing athletes is highly unprofessional—relying mainly on their personal charisma to attract attention. The most common criticism is that Liu and the Table Tennis Association should let professionals handle the professional work. Without a solid foundation for commercialization, the current focus on hype and marketing in Chinese table tennis may temporarily boost ticket sales but could ultimately backfire.

 

“Didn’t you say you want to crack down on fan culture?”

 

In response to the controversy surrounding the Chen vs. Sun match, the Beijing Daily published an article titled “How Can We Allow Fandom Violence to Disturb the World of Table Tennis?” The article addressed the growing problem of “fandom culture” infiltrating table tennis, a trend that originated in the entertainment world. It highlighted how extreme fan behavior, including online abuse and disruptive actions during matches, harms both the sport and the mental well-being of athletes. While fan enthusiasm is important, the article stressed that it must remain within rational limits.

This article foreshadowed actions taken shortly after. On August 7th, China’s Ministry of Public Security announced an online crackdown on chaotic sports-related fan circles. Social media platforms responded swiftly: Weibo deleted over 12,000 posts and banned more than 300 accounts, while Xiaohongshu, Bilibili, and Migu Video removed over 840,000 posts and banned or muted more than 5,300 accounts.

The campaign against fan culture sparked online debate. Some netizens criticized the official stance on “fandom” as overly simplistic. The Chinese term for “fandom,” 饭圈 (fànquān), contains a homophone for “fan,” referring to enthusiastic supporters of celebrities. In contemporary Chinese discourse, the term is often linked to the idol industry and carries negative, gender-biased connotations, particularly towards “irrational female fans chasing male idols.”

One Weibo post argued that commercialized sports, like football, are inherently tied to fan loyalty, belonging, and exclusivity. Disruptions among fans are not solely due to “fandom” but are often influenced by larger forces, such as capital or authorities. In the table tennis final, even the coaching team’s dissatisfaction with Chen Meng’s victory points to underlying problems beyond fan behavior.

While public backlash against “fandom” in sports often stems from concerns over its toxicity and violence, as blogger Yuyu noted, internal conflicts and power struggles have always existed in competitive sports. Framing these issues solely as “fandom problems” risks oversimplifying the situation and overlooks challenges such as commercialization failures, poor youth development, and internal factionalism within sports teams. The simplistic blame on “fandom culture” is seen by some as a distraction from these real issues, further fueling public frustration.

This public frustration is evident in a 2019 Weibo post and hashtag from People’s Daily. The five-year-old post personified China as a young male idol, promoting patriotism through fandom culture with the slogan “We all have an idol named ‘A Zhong’ (#我们都有一个爱豆名字叫阿中#)” [‘A Zhong’ was used as a nickname to refer to a personified China]. This promotion of ‘China’ as an idol with a 1.4 billion ‘fandom’ resurfaced during the Hong Kong protests.

Hashtag: “We all have an idol named Azhong” [nickname for China]

Now, after state media harshly criticized fandom culture, netizens have revisited the post, bringing it back into the spotlight. Recent comments on the post are filled with sarcasm, highlighting how fandom is apparently embraced when convenient and scapegoated when problems arise.

Post by People’s Daily promoting China as an “idol.”

“Didn’t you say you wanted to crack down on fan culture?” one commenter wondered.

Chen Meng, the Olympic table tennis champion, has also addressed the fan culture surrounding the 2024 Paris matches. She expressed her hope that, in the future, fans will focus more on the athletes’ “fighting spirit” on the field. True sports fans, she suggested, should be able to celebrate when their favorite athlete wins and accept it when they lose. “Because that’s precisely what competitive sports are all about,” she said.

By Ruixin Zhang

edited for clarity by Manya Koetse

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China Arts & Entertainment

Jia Ling Returns to the Limelight with New “YOLO” Movie and 110-Pound Weight Loss Announcement

After a year away from the spotlight, Chinese actress and director Jia Ling is back, announcing both a new film and slimmer figure.

Manya Koetse

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Chinese actress and director Jia Ling (贾玲) has been trending on Weibo thanks to her upcoming film YOLO (热辣滚烫) and her remarkable weight loss transformation.

Jia Ling is a famous Chinese comedian actress, known for her annual Spring Festival Gala performances. She has been especially successful in the previous years as she made her directorial debut in 2021 with the award-winning box office hit Hi, Mom (Chinese title Hi, Li Huanying 你好,李焕英), in which she also stars as the female protagonist. That same year, audiences saw her as Wu Ge in Embrace Again (穿过寒冬拥抱你).

It has been a while since we’ve heard from Jia Ling, but on January 11, she resurfaced with a Weibo post in which she explained her absence from the limelight.

In her post, Jia wrote that she has spent the entire year working on the YOLO (热辣滚烫) movie, for which she lost a staggering 100 jin (斤) (110 lbs/50 kg). Just as with Hi, Mum, Jia is both the director of YOLO and the lead actress.

According to Jia, it was a tiring and “hungry” year, during which she ended up “looking like a boxer.” She added that the movie, set to premiere during the Spring Festival, is not necessarily about weight loss at all, but about learning to love yourself.

Within a single day, Jia Ling’s post received nearly 60,000 replies and over 855,000 likes.

Jia Ling’s post on Weibo.

The topic became top trending due to various reasons. It is because fans are excited to see Jia Ling back in the limelight and are anticipating the upcoming movie, but also because they are eager to see Jia Ling’s transformation.

From fans on Weibo: Jia Ling fanart and a meme from one of her well-known Spring Festival performances.

A short scene from the movie showed Jia Ling’s slimmer appearance, and a screenshot of it went viral, with Weibo users saying they hardly recognized Jia anymore.

One hashtag related to Jia Ling’s weight loss, about expert views on losing so much weight in such a relatively short time, received over 450 million on Weibo on Thursday (#医生谈贾玲整容式暴瘦#).

Perhaps unsurprisingly, medical experts quoted by Chinese media outlets caution against rapid weight loss methods, recommending a more gradual approach instead.

Nevertheless, there is great interest in the extreme diets of Chinese celebrities. As discussed in an earlier article about China’s celebrity weight craze, the weight loss journey of Chines actors or influencers often capture widespread attention as people are keen to adopt diet plans promoted by celebrities.

YOLO (热辣滚烫), which will hit Chinese theaters on February 10, tells the story of Le Ying (乐莹), who has withdrawn from social life and isolated herself at home ever since graduation. Trying to get her life back on track, Le Ying meets a boxing coach. The meeting proves to be just the beginning of a new journey in life filled with unforeseen challenges.

The Spring Festival holiday typically sees peak box office numbers in China, making this movie highly anticipated, particularly after the success of Hi, Mum three years ago. On Weibo, many view Jia Ling’s weight loss as a testament to her dedication and are eager to see the results of her year-long efforts in the cinema next month.

By Manya Koetse

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