Connect with us

China Insight

10 State Media Cartoons on China’s Social Credit Implementation

This is how state media propagate the Social Credit System.

Published

on

Chinese state media roughly illustrate the country’s much-discussed Social Credit implementation in two ways; as punishing individuals and bringing harmony to the collective.

The growing importance of China’s Social Credit implementation is a hot topic in the media – both in- and outside of China.

Ever since the Chinese government announced its first plans in 2014 on the construction of a nationwide Social Credit System to be rolled out by 2020, media coverage on the issue has seemingly been growing month on month.

According to the official government website, the system (or policy) is meant to “assess individuals and government agencies on areas ranging from tax payment and local government bonds to judicial credibility,” and focuses on credit in the areas of (1) administrative affairs, (2) commercial activities, (3) social behavior, and (4) the judicial system.

Part of the Social Credit plan is the implementation of blacklist systems that punish the “untrustworthy” behavior of companies or individuals through various measures. Already in 2013, China’s Supreme Court launched its online publicly available ‘blacklist’ with the names of people that have an effective court order against them.

In 2017, there were more than a hundred regions in China where local governments worked with blacklists. Earlier this year, Chinese media published reports claiming that more than 9,5 million people were blacklisted nationwide in 2017. Those on these lists could face a hold on their loans or travel bans, and will have to deal with a range of other restrictions in their daily lives until they comply with court orders.

In foreign media, the system has been called “Black Mirror-like” or “Orwellian,” while Chinese state media generally emphasize “innovation” and “harmony” when discussing these new implementations.

The cartoons that are published together with news reports on social credit also clearly show the big differences in how the social credit implementation is perceived in foreign media versus in Chinese media.

Below, on the left, is Financial Times‘ Ingram Pinn’s illustration which was featured in a 2018 article  discussing both private credit scores (e.g. Sesame Credit) and the national social credit implementation (for the difference between them, please see our “Open Sesame” article). On the right is a cartoon by state media outlet Xinhua – the same illustration is regularly posted across dozens of news sites when featuring social credit-related stories.

While the cartoon on the left illustrates people as carrying the heavy burden of their ‘credit score’ (note that only commercial programmes such as Sesame Credit actually have these scores), the cartoon on the right shows the social credit as flying over a group of cheering people.

1: “Xinyong” (trustworthiness) flies above the happy people.

In general, the illustrations on Social Credit in Chinese state media roughly present China’s nascent Social Credit implementation in two ways; (1) as punishing individuals for bad behavior and (2) as benefiting the collective, which builds on a more harmonious society together.

 

2: Building “trust” together.

This cartoon above was used in a local government post about social credit and shows people dressed as construction workers literally ‘building’ on the characters for ‘honest’ and ‘trustworthy’ (诚信).

3. Xinhua cartoon: constructing the social credit system.

The idea of literally ‘building’ on a Social Credit System together is also illustrated in other cartoons used by Chinese state media, such as the one above by Xinhua that shows a person waving a flag that says “construction,” standing in front of a number of blocks that form the term “personal integrity system” (个人诚信体系).

4. Integrity above the people.

The applauding and cheering keeps coming back in other cartoons, such as the one above that is published across multiple news platforms. The characters in the flying heart say “chéngxìn” (诚信) , meaning ‘integrity.’

5. Blacklisted people can’t go anywhere.

Besides the illustrations propagating the benefits of the Social Credit system for the collective, there are also many which emphasize the downsides for individuals who get blacklisted. This illustration, published on on the Economic Weekly zhonghongwang.com, shows a person on the left that has a heart on his chest saying ‘keeping trust’ (or: ‘trustworthy’), and the text above his head says “I can go anywhere” (路路通). The person on the left has a ‘lose trust’ black heart on his chest; this ‘blacklisted’ individual sees “limits” on all the signs around him and the cloud text above his head says: “I’m blocked everywhere” (处处受限).

6. Lose your trust in some place, and there’s no place to go.

This illustration published on Party newspaper People’s Daily shows an individual being punished through a pillory which has the term for “blacklisted person” on it. The man’s thinking cloud says: “Lose your trust in one place, and there’s no place to go” (“一处失信、处处受限”), which is a slogan that is recently applied a lot by Chinese media writing about the Social Credit system.

7. Social credit as ball and chain.

To be fair, the illustration above was not published by state media outlet but by various commercial sites, but I still wanted to include it here; these illustrations travel from news article to news article and it is not always easy to detect their origin. This cartoon shows a big ball and chain, the ball says “Social Credit System,” which is tied to the chain which holds a “Resident Identification Card” (official ID of the PRC) and is then tied to the individual.

8. Tax evaders get caught.

This Xinhua illustration, also published on the official government Credit site, shows a man caught in a “black list name” confinement for tax evasion, with the cloud saying: “I can’t move a single step!” (寸不难行). On the flying carpet that says “honor list for paying tax” is another man who holds a “legal tax paper” in his hand and who says: “I can go wherever.”

9. Trust ranks.

This widely circulating illustration shows four individuals from A to D, standing on a block that says “Trust credit levels.” The A man holds a sign that says “special treatment” (or: “favored”), whereas the number D man is put a dunce on his head that says “constrained,” while he falls into a black whole.

10. Big credit is gonna get you.

The cartoon above, by state media outlet Xinhua, shows a computer that has the term “government information sharing” on it, and says: “[We] unite in taking disciplinary measures!” He holds a big net that is titled “Social Credit Web,” and captures a man with a briefcase who is “blacklisted,” and also says, as we’ve seen in previous illustration, that there is “no way to go” for him.

All in all, the message these various illustrations propagate is straight-forward: those who stay off the black lists and behave like good citizens are free to go wherever they want, those who do not will be caught and lose their freedom of movement. They further emphasize that the Social Credit System is a combined effort, that will, allegedly, benefit the collective and make China a safer and more harmonious place.

Want to understand more? Also read our previous articles explaining social credit in China here and here.

By Manya Koetse


Directly support Manya Koetse. By supporting this author you make future articles possible and help the maintenance and independence of this site. Donate directly through Paypal here. Also check out the What’s on Weibo donations page for donations through creditcard & WeChat and for more information.

 

Spotted a mistake or want to add something? Please let us know in comments below or email us.

©2018 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

image_print

Manya Koetse is the editor-in-chief of www.whatsonweibo.com. She is a writer and consultant (Sinologist, MPhil) on social trends in China, with a focus on social media and digital developments, popular culture, and gender issues. Contact at manya@whatsonweibo.com, or follow on Twitter.

Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

China Insight

Gamifying Propaganda: Everything You Need to Know about China’s ‘Study Xi’ App

Scoring points by doing Xi-focused quizzes and watching ‘Xi Time’ news: this app takes propaganda to a whole other level.

Published

on

First published

A new app that encourages China’s online population to study Xi Jinping Thought has made headlines, both in and outside of China. Here’s everything you need to know about this new interactive propaganda tool. An overview by What’s on Weibo.

On January 1st, the Xué Xí Qiáng Guó app was launched on various Chinese app stores. The app is an initiative by the Propaganda Department of the Central Committee of the Communist Party, and is linked to the xuexi.cn platform, which was first set up in 2018.

The app has been making headlines in Chinese and English-language media this week. The BBC referred to the app as a “little red book,” and reported that members of the ruling Communist Party, as well as state-owned company employees who are not Party members, have allegedly been required to download and use it on a daily basis (Feb 15).

The Guardian reported that government officials in Fujian province and Qingdao city held workshops last month stressing the political importance of the app, and directing local leaders to promote the app across government departments (Feb 15).

Although some reports claim that the app is making its way to top lists of most downloaded apps in China, it only scored a position 72 in the top 100 list of popular Chinese app store 360app at time of writing. The app store does state that the app has been downloaded 76.99 million times, with app users rating it with 2,5 stars out of 5. The app is only available in Chinese, and is not available from the Google Play store or Apple stores outside of China.

The app’s name (学习强国) is translated as the ‘Study Xi Strong Country’ app in various English-language media reports, but a more suitable translation would perhaps be ‘Study Xi, Strengthen China.’1 There’s a wordplay in the name, since the Mandarin word for ‘studying’ is ‘xuéxí’ which also incorporates the name of Xi, and in this context means both ‘Studying’ as well as ‘Study Xi.’

The main slogan of the ‘Study Xi’ app is one of Xi’s own sayings: “Dreams start with studying, careers start from doing” (“梦想从学习开始,事业从实践起步”, loose translation). Both the idea of ‘Dreams’ and of ‘Studying’ are concepts that are consistently promoted in the Xi era, with the idea that the common dream of the people is the ‘Chinese Dream’ of bringing about the “great rejuvenation of the Chinese nation.” Within this Chinese dream, studying is generally promoted as a “secret weapon” that will strengthen the Party and the nation (Xiao 2016).

 

A Multi-Functional Propaganda Tool

 

So what is the ‘Study Xi, Strengthen China’ app? It basically is a multi-functional educational platform that offers users various ways to study Xi Jinping Thought, Party history, Chinese culture, history, and much more. Once people are registered on the app, they can also access the platform via PC.

An important part of the app is its news feed: its home page features “recommended” reads that all focus on Xi Jinping and the Party. Another major feature is its ‘quiz’ page: every week, there are different quizzes that users can do, relating to all sorts of things, from Party ideology to famous Chinese poems.

We’ve listed some of the app’s functions below. It is much more than a media app alone; it also has a social function, that allows users to connect with friends, message them, call them, and even send them ‘red envelopes’ (money presents).


The ‘red envelope’ function is made possible through Alipay, the online payment platform that is owned by Ant Financial Services Group, an affiliate company of the Chinese Alibaba Group.

One way for users to verify their identity on the app is also by linking it to their Alipay account. Various media reports also claim that the app is linked to Alibaba’s Ding Ding platform, an enterprise chat app that has a multitude of functions, many of which are also incorparated in the ‘Study Xi’ app (for more about Ding Ding, see our article here).

Given the cooperation with Alibaba, it is perhaps not surprising that upon registering for the app with just my phone number, it already knew my nickname without me putting it in. The app also listed an old smartphone I used some two years ago as a “frequently used” device, although I had just downloaded the app the day before and had never registered for it before.

Twitter user @yanshitou12 also noted that, upon using a friend’s number to register for the app, her Ding Ding conversations were automatically loaded into the chat history, suggesting that Alibaba’s Ding Ding is indeed fully integrated with the app.

Like Ding Ding, the ‘Study Xi’ app also allows users to set up conference calls, send ‘self-deleting’ chats (like Snapchat), and use the app’s calendar function. Its many practical functions make this an app that is especially convenient for China’s 89,5 million Party members to stay close to the Party and its activities.

 

How to Score with Xi

 

The app’s most noteworthy and perhaps also most appealing feature is its scoring system, since it turns studying Party ideology and Xi Jinping Thought into a game.

Those who accumulate enough points can get an item from the app’s ‘prize shop.’ There are also contests which users can join to compete over a Huawei tablet or other items.

One Weibo user shared that she had just received her Modern Chinese Dictionary by mail through the app’s ‘gift shop,’ another person expressed her surprise that a delivery man came to deliver her prize at her door. “Thank you, Propaganda Department!”, she wrote.

The score system works as follows:

  • Upon registering for the app, you receive 1 point.
  • For every article or essay one reads, you get 1 point (one per article, does not work with articles that have already been viewed before).
  • For every video you watch you get 1 point (the same video won’t be credited with an extra point if you see it twice).
  • The time you spend on the app is also rewarded with points: for every 4 minutes of reading, you get 1 point (max 8 points per day).
  • For every 5 minutes of watching a video, you get 1 point (max 8 points per day).
  • You get 1 point for “subscribing” to a media account, which will then show up in your news feed.
  • If you share two articles with friends, you get 1 point.
  • You get 1 point for every two articles or essays you ‘save’ within the app.
  • If you score 100% on a quiz, you get 10 points.

What is quite remarkable about the app, is that it encourages users to ‘Study Xi’ at particular times of the day. The morning 6:00-8:30 timeframe, along with the 12:00-14:00 slot and evening 20:00-22:30 times, are designated as so-called “active time slots” during which users can score double points for their activities. Within these time slots, reading an article would, for example, grant a user 2 points instead of 1.

This signals that, in line with good working morale, people are supposed to look into the app during their morning commute, their lunch break, and before bedtime, and are indirectly discouraged from using it during (office) working hours.

The points that are scored on the app will be valid for two years.

On Weibo, some netizens are quite serious about the ‘gaming’ aspect of this app, and have already found ways to cheat the system. They share tips and tricks on how to score within the app: points are credited within 10 seconds of clicking an article, for example, and watching videos can be easily rewarded with a point if one immediately scrolls to the end.

Through the PC version of the app, it is easy to let certain videos play while scrolling the internet, basically earning points without actually watching the videos.

“Thanks,” many commenters reply to these cheating tricks: “Just what I was looking for.” “I already received 50 points in one day!”

 

A Library in Your Pocket: Media, Books, Movies

 

The ‘Study Xi’ app focuses on some dozen media outlets that users can subscribe to and which also show up in the ‘recommended’ homepage feed.

Incorporated in the app are state media outlets China Daily (中国日报网), People’s Daily (人民网), Xinhua (新华), Qiushi Journal (求是网), China Military Web (中国军网), Economic Daily (经济日报), and others.

The app also incorporates local ‘Study Xi’ platforms, from Hubei to Jiangxi, from Shandong to Fujian.

Besides these media, the app also has TV channels people can watch videos on, from CCTV News to a special ‘Xi Time’ news programme, to various TV dramas, including Turbulence of the Mu Clan (木府风云) and Romance of Our Parents (父母爱情).

“Xi Time” news clips focus on the activities of Xi Jinping.

There is also a movie section within the app, where users can watch classics such as The Long March (长征), The Founding Ceremony of the Nation (开国大典), films on Deng Xiaoping or Zhou Enlai, and various movies that focus on the Second Sino-Japanese War.

The ‘Study Xi’ library section grants users access to dozens of books. On the desktop version, the library is shown as an actual office, where you can click on the books that are displayed on the shelves and read them.

Some books are those by Xi Jinping, including The Governance of China (习近平谈治国理政), but there are also books by the famous Chinese author Lu Xun, or the 20th-century classic Rickshaw Boy by Lao She, and various works on calligraphy and poetry.

There is also an entire section of books available from a whole range of topics varying from astronomy to maths, biology, and geography. The books are available for online reading in pdf.

In general, you could say that the selection of media, videos, and books all fall into the categories of Chinese traditional culture and canonical literature, historical themes, science and technology, and the political themes of Party ideology and the Xi Jinping Thought that focuses on ‘socialism with Chinese characteristics’ (中国特色社会主义).

Those who read enough state media and Party articles will easily be able to do the quizzes and weekly questions in the app. Besides the standard ideological questions, it also draws from popular culture; I came across a question that used a trailer of China’s latest sci-fi movie The Wandering Earth that needed to be watched in order to complete the question.

 

Propaganda in the Xi Era

 

So how popular is the app, really? If the headlines in Chinese and non-Chinese media are to be believed, the majority of Chinese internet users are getting hooked on the app. That picture is perhaps the rose-colored one the Party would like to envision, but judging from social media comments and app ratings, reactions have been somewhat lukewarm.

On Weibo, there are some commenters who are sharing their 1000-point status on the app, or who say they enjoy looking into the app right before sleeping.

Dozens of commenters indicate that they have to assist their parents in using the app, or that it is not them, but their parents who are ‘hooked’ on the app – the majority of Weibo users are in the 20-35 years age group.

There are local trainings on making (older) Party members more familiar with the app, how to download it and how to use it. A local Chongqing community Weibo account recently posted the pictures below of their ‘Study Xi’ gathering.

On social media, some commenters complain about the fact that the Chinese Apple store has turned off the review comment sections on the app, despite the fact that it allegedly scored a number one spot in its “educational app” section.

Then there are also quite some commenters who say they often use the app: the score matters to them. In a time when everything is mobile, and online gaming is booming, it seems that ‘Study Xi, Strengthen China’ has made its app all the more relevant by adding the scoring element.

In doing so, the Propaganda Department of the Communist Party is continuing on the same route it has taken for the past couple of years, which shows a clear break with the propaganda machine before the Xi era.

Not only does the propaganda in the Xi era strengthen the idea of Xi as a political idol, it also fully embraces the Internet, the online media environment, and its related pop culture in doing so (also see Chang & Ren 2018).

Since 2017, various noteworthy propaganda moments, such as the 2017 Xi Clapping Game, the cartoonification of Xi, or the One Belt, One Road media publicity hype, all point in the same direction, namely that the Party propaganda will use the modes of communication and technology that are most popular among China’s (younger) online population to reach their audiences.

For now, I am still stuck below 50 points on the ‘Study Xi’ app. The scoring element is powerful: I feel triggered to get my score up. Maybe watch a few more videos, do better on the quiz, and read some more state media articles. I might just be tempted to go back for some more Xi-studies.

By Manya Koetse

1Translation suggested by Helen Wang @helanwanglondon.

References

Chang, J., & Ren, H. 2018. “The powerful image and the imagination of power: the ‘new visual turn’ of the CPC’s propaganda strategy since its 18th National Congress in 2012. Asian Journal of Communication, 28(1), 1–19.

Xiao Junhua 肖君华. 2016. “Dreams Start with Learning – Studying General Secretary Xi Jinping’s Important Discourse on Learning [梦想从学习开始——学习习近平总书记关于学习的重要论述]” Guangming Daily, via CPC News, 7 July http://theory.people.com.cn/n1/2016/0707/c376186-28531506.html [18.1.19].


Directly support Manya Koetse. By supporting this author you make future articles possible and help the maintenance and independence of this site. Donate directly through Paypal here. Also check out the What’s on Weibo donations page for donations through creditcard & WeChat and for more information.

 

Spotted a mistake or want to add something? Please let us know in comments below or email us.

©2019 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

image_print
Continue Reading

China Digital

Weibo’s Digital Graveyard: Remembering the Dead on Chinese Social Media

‘The Dead’ honors the deceased and tries to break existing taboos on death in China.

Brydon Brancart

Published

on

First published

With China’s rapid digitalization and flourishing online media environment, there’s one crucial societal topic that, although taboo, also now finds its place on Chinese social media: this Weibo account collects the stories of the dead and writes their online eulogies. In doing so, they are trying to break longstanding taboos around death in China.

“My grandmother passed away due to illness in 2016. She was 78 years old. My grandmother was a kind soul. She married my grandfather after his divorce. They had never even seen each other before [her] mother and father prepared the marriage, and yet she lovingly cared for him her entire life.” This eulogy was posted on Weibo on February 12th of this year.

Within hours after it was posted, over 100 people had replied with the most popular emoji for these type of posts: the candle.

Since 2011, thousands of these kinds of posts have appeared on Weibo, one of China’s biggest microblogs, thanks to “The Dead” (@逝者如斯夫dead), an account run by a small team dedicated to memorializing the deceased. Through their online memorials, they have encouraged conversation of a taboo topic.

 

HUNTING FOR THE DEAD ON WEIBO

“We wanted to provide a place for people to remember those who had passed away”

 

Starting small, ‘The Dead,’ which borrows its Chinese name from the Confucian phrase “All passes like a river” (逝者如斯夫 Shì zhě rú sī fū), has amassed over half a million followers. “We wanted to provide a place for people to remember those who had passed away,” a team member recently explained to What’s on Weibo.

Weibo users typically contact the account requesting eulogies about their deceased loved one, but such direct requests were rare just a few years ago. Instead, the account started by hunting for the dead among Weibo’s pages. They searched for signs of a user’s passing, like comments about mourning, and then monitoring the account for inactivity.

‘The Dead’ told What’s on Weibo that “while at present most of our information comes from Weibo users,” its team will still “go through the deceased’s page…looking through comments in the discussion section and asking about the user’s current condition” to confirm a death and glean facts for a memorial posting.

Few of its half a million followers personally know the people in the obituaries. But their reaction to its eulogies reveals a deep and often emotional connection to the topic of death.

“Every now and then I go to their page and scroll through the memorials,” one follower writes: “Those people, who were so full of life, passed away just like that. It’s so moving that sometimes I scroll until my eyes fill with tears.”

Another follower comments: “Whenever I’m feeling low I go and scroll through [the page], it always calms me down. I’ve been very inspired by it, thank you.” For many Chinese, such an open discussion of death would have been unthinkable in the past.

 

DEATH AS TABOO

“This taboo has an independent power in shaping human action”

 

Every culture confronts death differently and few do it well. Traditional Chinese culture shunned discussions of death, notes Cheris Shun-Ching Chan, professor of sociology at Hong Kong University.

Chan believes that Confucian silence on questions of death and folk Buddhist references to “a dark world (yinjian) and a cruel hell (diyue)” account for the topic’s avoidance. She also points to fears that a premature death could mark the end of one’s lineage (Chan 2012,37).

Chan’s survey research found that avoidance of any discussion about death was so widespread that it had become taboo. “The taboo manifests as an observable avoidance of the topic,” Chan writes, “particularly unexpected, accidental, or premature death, among not only the elderly but also the generation in their late 20s and 30s” (Chan 2012,36).

While religious belief waned during the tumult of the 20th century, the taboo persisted. “Today, this taboo has an independent power in shaping human action,” Chan argues: “In other words, one does not need to hold beliefs about hell, the dark world, ghosts, evils, and precipitating death in order to observe the taboo” (2012,38-40).

Stifling discussion about death has consequences, big and small. Individuals unwilling to acknowledge death are reluctant to write wills or register as organ donors. Respecting the death taboo, doctors avoid delivering a terminal diagnosis to patients, informing family members instead.

One news story from 1993 exemplifies this taboo on death; when residents near China’s first hospice care center protested the presence of death in their neighborhood, matters turned violent. They started shattering the center’s windows, driving doctors and their patients from the center in the middle of the night. As the health needs of China’s population evolves with its economic growth, the death taboo threatens much more.

In a rapidly aging China, people live longer and deaths cost more than ever before. The World Health Organization reports that eight of the top ten causes of death in China are now due to non-communicable diseases.

As deaths caused by accidents and communicable diseases have dropped, death by stroke, heart disease, Alzheimer’s, and cancer have jumped double digits and with that jump, a commensurate increase in the costly treatments of these diseases.

A 2013 study of the cost of non-communicable disease on the Chinese economy predicted that between 2012-2030, China will spend 27.6 trillion dollars remedying non-communicable disease. The death taboo threatens to leave China unprepared to care for a population living longer thanks to better medical care but dying at higher rates of chronic illness.

Health care in China is free, to a point. According to the Economist, China’s national health-insurance system caps reimbursements for treatment of serious chronic illness like heart disease and end of life care. The death taboo poses a risk to families in a country where it is still considered unfilial by many to pursue a course of treatment other than one meant to cure the patient.

Hospice care, which should be cheaper, is rarely considered and seldom available. While hospice care is now part of the standard course of treatment for end of life care in EU and North America, the death taboo undermines demand for the service. This, in turn, removes pressure on medical insurers to provide hospice coverage. Insurance coverage for hospice care is so limited that families are forced to pay out of pocket for most hospice care.

 

ADDRESSING DEATH

“Everyone ought to admit death’s existence and face up to its realities”

 

Addressing these challenges starts with acknowledging death as a part of life. “People have slowly become more willing to discuss death,” the Weibo ‘The Dead’ team observes: “You can see this in Weibo users openly posting about the passing of loved ones.”

Beyond Weibo, the account’s rejection of the death taboo has also found powerful allies elsewhere. In Beijing, Chen Yi and Luo Ruiqing, children of prominent CCP members, launched the Beijing Living Will Promotion Association, advocating for individuals and families to openly discuss and plan for end of life care.

Yi and Ruiqing explain to Caixin that watching the slow and painful death of their parents with few options for palliative care moved them to take action.

Their website provides information to help individuals decide about the kind of end of life care they want and how to ensure their wishes are followed through the use of a living will, a standard feature of Western health care but new to China.

In Shanghai, Wang Ying, a psychologist who now specializes in end-of-life, is taking a different approach to addressing the same problem. Ying founded Hand in Hand, an organization that encourages individuals to openly discuss their deaths as a form of preparation.

Like Yi and Ruiqing, Ying’s determination to challenge the death taboo stemmed from her conviction that repressing a discussion about end of life care and death causes his elder relatives needless suffering at the end of their lives.

Noting the rising interest in their Weibo account, ‘The Dead’ has recently started a Wechat mini app where users can send manage their own memorials and share them with others. The team believes that Weibo and Wechat allow them to reach out to a large audience all over the country.

They admit, however, that problems of economic disparity have limited their reach, and guess that most of their subjects and contributors are urban dwellers. Still, they are hopeful that their work can help change many people’s perspectives.

“Everyone ought to admit death’s existence and face up to its realities,” they say: “Working hard to live with an understanding of death is a lesson every Chinese person must learn.”

By Brydon Brancart

References (other sources in-text through hyperlinks)

Chan, Cheris Shun-Ching. 2012. Marketing Death: Culture and the Making of a Life Insurance Market in China. Oxford: Oxford University Press.

Spotted a mistake or want to add something? Please let us know in comments below or email us.

©2019 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

image_print
Continue Reading
Advertisement

Facebook

Advertisement

Follow on Twitter

Advertisement

About

What’s on Weibo provides social, cultural & historical insights into an ever-changing China. What’s on Weibo sheds light on China’s digital media landscape and brings the story behind the hashtag. This independent news site is managed by sinologist Manya Koetse. Contact info@whatsonweibo.com. ©2014-2018

Contribute

Got any tips? Or want to become a contributor? Email us as at info@whatsonweibo.com.
Advertisement

Trending This Week