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China’s Online ‘Baoman’ Community Shut Down: Behind Rage Comics (Baozou Manhua)

Why have China’s most popular Rage Comics (Baozou Manhua) channels been shut down?

Manya Koetse

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Rage Comics, known as Baozou Manhua in Chinese, have become a widespread phenomenon on Chinese social media over the past decade. Online censors are now targeting channels spreading these popular webcomics, which serve as a humorous weapon to China’s younger generations. What’s on Weibo explains.

Sixteen Weibo accounts relating to Rage Comics (暴走漫画) were shut down by Sina Weibo administrators this week for allegedly “insulting” and “slandering” the names of Chinese heroes and martyrs.

The official Weibo administrator account (@微博管理员) issued a statement in the evening of May 17, writing:

“In accordance with the Law on the Protection of Heroes and Martyrs (英雄烈士保护法), the Cybersecurity Law (网络安全法), and other legal guidelines, Weibo has fulfilled its corporate responsibility (..) and has focused on disposing of harmful information that insults, slanders, or in any other way infringes on the name, portrayal, or reputation of heroes.”

Among the banned Weibo accounts are @Baozoumanhua (@暴走漫画), @Baozoudashijian (@暴走大事件), @HuangJiguang (@黄继光砸缸) and @DongCunRuiattheoffice (@办公室的董存瑞) – all very popular channels through which China’s so-called ‘Rage Comics’ are created and spread.

The ban also goes beyond Weibo, affecting Rage Comics accounts on Q&A platform Zhihu.com, video-streaming sites Youku and iQIYI, and official Baozou Manhua websites.

 
China’s Online ‘Baoman’ Community
 

What are Rage Comics? Many internet users will be familiar with the online crude and simple online comics featuring various characters, often created with simple drawing software such as MS Paint, telling stories about everyday annoyances or personal embarrassments, and ending with a punchline. The jokes are often straightforward and politically incorrect (MacDonald 2016).

Random example of ‘rage comics’ genre.

Another random example of Rage Comics by ragebuilder.com

This genre of webcomics first surfaced in North America on the English-language website 4chan, after which it became more widespread in online communities such as Tumblr, Reddit, and beyond.

The Chinese translation of ‘Rage Comics’ is Bàozǒu Mànhuà (暴走漫画), with ‘baozou’ literally meaning ‘out of control’, and ‘manhua’ meaning ‘sketches’, popularized through the Japanese manga term. The term baozou manhua is also abbreviated as Baoman (暴漫).

Baoman became more popular in mainland China when ‘Wang Nima’ (@王尼玛 on Weibo) launched the website baozoumanhua.com (now offline) in 2008, inspired by the success of the webcomics on English-language online communities (Chen 2014, 690).

Screenshot of the baozou manhua website’s front page in 2018 (What’s on Weibo).

The website baozoumanhua.com became a thriving online community and media platform – allowing users to create their own Baoman through the creator’s tool (制作器), and to browse the popular comics of the day through its many channels, the ‘Baozou Daily’, an online forum, videos, and gif collection.

Various Baoman apps (source: https://36kr.com/p/5041049.html)

In 2012, the website officially registered the copyright of their Baoman products, as baozoumanhua.com started receiving 5000 to 8000 daily submissions of new comics (Chen 2014, 692-695); Chinese ‘rage comics’ then also became more widespread on platforms such as Weibo or Wechat, where these ‘rage faces’ are commonly sent as emoticon-like stickers during chat conversations.

Some of the popular Baoman characters are the same in China as in the US, such as ‘rage guy’ or ‘troll face’, or the ‘B*tch please’ meme – which is actually the face of Chinese retired professional basketball player Yao Ming responding to a journalist’s question during a post-game press conference.

The Yao Ming image is typically used as a ‘reaction face’ to convey a dismissive attitude towards comments in online discussions (Knowyourmeme 2018).

But there are also typically Chinese characters or biaoqing (表情 ‘expressions’), for example, those based on Chinese celebrities or referencing to Chinese pop culture (Chen 2014, 695; Xu 2016).

Chinese ‘biaoqing’ (via Motherboard).

As described by Christina Xu in the Field Guide to China’s Most Indispensible Meme; although Chinese ‘Baoman’ and/or ‘biaoqing’ all started as a Chinese response to the American Rage Comics, and still use some original characters, an “entirely separate pantheon has emerged” in the PRC (Xu 2016), in which Chinese netizens have collectively built a uniquely Chinese online ‘subculture’ and Baoman community.

A Baoman making fun of the challenges and ‘mindf*cks’ during multiple choice exams.

Baoman have been especially functional in China for urban Chinese youth to “vent their frustration about the inequalities they face on a daily basis,” as Chen (2014) points out in “Baozou Manhua, Internet Humour and Everyday Life.”

These issues go from rising unemployment to the high cost of living, or the difficulty of entering Chinese universities through the gaokao (national entrance exam) system.

Self-mockery and self-satire is an important part of China’s so-called “diaosi tribe”: a huge group of Chinese youths who’ve labeled themselves ‘diaosi’ (屌丝), basically meaning “losers”, as they struggle with the hardships of everyday life and growing social inequality. The ugly, amateuristic graphics of the Baozou manhua suit this youth culture, meeting their need for expression in a culture that focuses on ‘keeping face’ (Ma 2016, 20).

According to baozoumanhua.com founder Wang Nima, the Baoman genre provides Chinese gao gen (grassroots) netizens “a ‘lance’ to express themselves” (Chen 20154, 693); meaning this kind of humour can also serve as a frivolous way of resistance, using humor as a weapon to talk about daily frustrations.

 
No Disrepect for Chinese Heroes: A ‘Ban’ on Baoman
 

The recent ban on Baoman directly relates to a 2015 image and a 2014 short Baozou manhua video clip, which was reposted to online news app Jinri Toutiao earlier this month. Both the image and the clip joked about some of China’s renowned heroes, including Chinese civil war figures Ye Ting (叶挺, military leader) and Dong Cunrui (董存瑞, PLA soldier who destroyed an enemy bunker in a suicide bombing) (Lin 2018).


(The clip in question; some commenters say the words have been taken out of context.)

In the clip, Sixth Tone reports, video host Wang Nima – wearing a ‘rage face’ mask as always – narrates: “Dong Cunrui stared at the enemy’s bunker, his eyes bursting with rays of hate. He said resolutely, ‘Commander, let me blow up the bunker. I am an eight-point youth, and this is my eight-point bunker.’” The script, Qiqing Lin writes, was meant as a pun on a KFC sandwich that was broadcasted in 2014.

Although sarcasm and crudeness are very much inherent in the Baoman humor, this does not mix well with the new law that has recently been implemented in mainland China to ‘protect’ its national heroes.

The Law on the Protection of Heroes and Martyrs (yīngxióng lièshì bǎohùfǎ, 英雄烈士保护法), has been introduced in March of 2018, as China Daily writes, “so that the country and the people forever remember the sacrifices made by the nation’s heroes and martyrs for the good of the country.”

It has thus become illegal to make fun of Chinese heroes, and people who “defame” them can now face criminal punishment.

But is this law really the only reason for the shutdown of Baoman channels? Or is it the fact that the all too popular Rage Comics are a representation of an online subculture that goes against the government’s view of “healthy developments” of Chinese youth and cultural industries?

Baozoumahua.com founder ‘Wang Nima’, who now has over 16.6 million followers on Weibo, responded to the ban on the Baoman channels on Thursday, saying he offered his “profound apologies” for bringing an “unhealthy influence” into society. The 40,000 comments to his post were not available to view at time of writing.

 
The Future of China’s Baozou Comics
 

Over the past few days, the ban on Baozou Manhua has been a huge topic of discussion on Chinese social media, although most comment threads have become publicly unavailable.

Current bans on China’s most important online webcomics channels do not necessarily predict their existence and survival in the future. Over the past few months, various online (announced) bans were overturned or denied after triggering controversy (e.g. the ban on gay content or the alleged Douyin targeting of Peppa Pig).

Although channels and hashtags are easy to take offline for censors, the actual creation and spread of new and existing Baoman is virtually impossible to combat. No sources thus far have pointed towards a current ban on the actual comics themselves (just their channels).

Besides the shutdown of the various social media channels, the closure of the baozoumanhua.com media empire is a huge blow to its fans and creators. The website’s founder Wang Nima’s net worth is estimated to be around 4 billion yuan (±US$628 million), according to Daily Economic News (每日经济新闻).

Netflix recently paid $30 million for the Chinese animated film ‘Next Gen’, which is also based on the original webcomic ‘7723’ by Wang Nima. Baozou financed and produced the film, which Chinese majors Alibaba and Wanda will reportedly release in China this summer (Amidi 2018).

Whether or not that will happen, and whether or not baozoumanhua.com will be allowed to go online again, is something to be seen.

For many netizens on Weibo, the fact that Baozuo Manhua has been punished for things in the past with a new law that has just been introduced, is something they find unjust. But there are also those who say it serves them right and that the names of Chinese heroes can not be slandered.

“Why Baozuo Manhua?”, one netizen says: “Why not other programs with vulgar content? (..) It’s unfair!”

Another Weibo commenter says: “China is a big country with many people, and since their education levels are unequal we need a level of control, but it doesn’t mean we should control absolutely everything. If there’s a problem it gets blocked and deleted, but problems do not get solved at their root.”

“Wang Nima I love you, I wait for your return,” one fan writes.

By Manya Koetse

References

Amidi, Amid. 2018. “Why Did Netflix Pay $30 Million At Cannes For The Chinese Animated Film ‘Next Gen’?” Cartoon Brew, May 13. https://www.cartoonbrew.com/feature-film/why-did-netflix-pay-30-million-at-cannes-for-the-chinese-animated-film-next-gen-158348.html [20.5.18].

Chen, Shih-Wen. 2014. “Baozou manhua (rage comics), Internet humour and everyday life.” Continuum: Journal of Media & Cultural Studies 28(5): 690-708.

China Daily. 2018. “英雄烈士保护法(yīngxióng lièshì bǎohùfǎ): Law on the protection of heroes and martyrs.” China Daily, May 3. http://www.chinadaily.com.cn/a/201805/03/WS5aea50e6a3105cdcf651ba95.html [20.5.18]

Know Your Meme. 2018. “Yao Ming Face / Bitch Please.” Know your Meme. http://knowyourmeme.com/memes/yao-ming-face-bitch-please [20.5.18].

Lin, Qiqing. 2018. “Popular ‘Rage Comics’ Brand Gagged for Making Fun of Martyrs.” Sixth Tone, May 18. https://www.sixthtone.com/news/1002298/popular-rage-comics-brand-gagged-for-making-fun-of-martyrs [19.5.18].

Ma, Xiaojun. 2016. “From Internet Memes to Emoticon Engineering: Insights from the Baozou Comic Phenomenon in China.” HCI (3) 9733, Lecture Notes in Computer Science (Springer): 15-27.

Xu, Christina. 2016. “A Field Guide to China’s Most Indispensible Meme.” Motherboard, August 1. https://motherboard.vice.com/en_us/article/bmvd74/china-meme-face-a-biaoqing-field-guide [20.5.18].

MacDonalds, Sean. 2016. Animation in China: History, Aesthetics, Media. London: Routledge.

Spotted a mistake or want to add something? Please let us know in comments below or email us.


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©2018 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the editor-in-chief of www.whatsonweibo.com. She is a writer and consultant (Sinologist, MPhil) on social trends in China, with a focus on social media and digital developments, popular culture, and gender issues. Contact at manya@whatsonweibo.com, or follow on Twitter.

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3 Comments

3 Comments

  1. Avatar

    execute all online nerd geek meme losers by firing squad

    May 20, 2018 at 11:21 pm

    this is nerd geek childish online culture which should be banned. nothing is more repulsive than these childish online nerd geeks. the Chinese govt should execute all nerd n geek that create this childish online rubbish. even in the west, there is nothing positive to come out of 4chan or pepe, just pedophilia n Nazism. just execute them all by firing squad, problem solved.

  2. Avatar

    Frankie

    June 28, 2018 at 1:34 pm

    Hey, just want to let you know that ‘manhua’ doesn’t really translate to ‘sketches’, a closer translation is ‘cartoon’ (like political cartoon) and it generally refers to the exaggerated/stylized manner of drawing

  3. Pingback: Top 6 Chinese Heritage Brands: #4 Weilong (卫龙) spicy sticks - Chinessima

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China Arts & Entertainment

Chinese Anti-Bullying Movie “Better Days” Becomes Hit at Box Office and on Social Media

Chinese movie ‘Better Days’ is praised by online celebrities and experts for addressing the problem of campus bullying.

Chauncey Jung

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The Chinese movie Better Days (少年的你) is a hit; not just in Chinese cinemas, but also on social media, where campus bullying – one of the film’s main themes – is a recurring topic of debate.

Over the past week, Chinese movie Better Days (少年的你), by Hong Kong director Derek Kwok Cheung Tsang and produced by Jojo Hui, has continued its extraordinary performance in movie theaters across China.

The drama movie, starring two popular celebrities Jackson Yi (易烊千玺) and Zhou Dongyu (周冬雨), reached more than 1.4 billion CNY (almost 200 million US$) in box office revenue this week, already making it one of the most lucrative movies of this year.

Better Days is noteworthy for its narrative, which focuses on campus-bullying. In the film, high school student Chen Nian (Zhou Dongyu) is struggling with the stress of her gaokao exams when her best friend, who is bullied by a group of girls at school, commits suicide by jumping off a building.

While mourning over the loss of her friend and dealing with the aftermath of her suicide, Chen becomes a bullying target herself. The story takes a turn when she meets the small criminal Xiao Bei (Jackson Lee).

China’s bullying problem, central to this movie, has been an ongoing topic of discussion in online media over the past few years.

In 2016, a prominent elementary school in Beijing ended up at the center of controversy when various bullying incidents came to light. In that same year, a mother’s social media article on her son’s severe bullying at school went viral and triggered heated discussions.

In 2017, one bullying case became big news after a student from a Beijing-suburb area junior high school was reportedly forced to swallow feces from the restroom by his fellow classmates.

According to Chinese media outlet Caixin, China has yet to have specialized legislation against bullying. A 2016 study suggests that one-third of Chinese students experience school bullying on a frequent or occasional basis, and the bully problems are even more serious in rural areas, where more than 40% of the school-age children experienced some kind of bullying during their school life.

The heightened use of social media among China’s younger generations seems to have only aggravated the bullying problem, with campus violence and bullying being filmed and published online, making victims more vulnerable to further harassment. “Extreme bullying videos” even became a concerning online trend over the past years.

Some argue that China’s current legislation on protecting underage children is, in fact, protecting the bullies rather than those being bullied. A China News Service news report suggests that while most bullies are also individuals under 18 years old, penalties of bullying are also undermined because of the protective provisions in the current legal systems on minors.

In addition to calls to toughen related legislation, media commentaries are also calling for more resources to eradicate the bullying culture and toxic environment on campus. Chinese state media outlet Xinhua, for example, recently suggested the problem should be addressed through family education, counselling services, and more training for teachers and practitioners.

By addressing the issue of campus bullying in China, Better Days seems to have won the favor of moviegoing audiences in China. On the Chinese movie commentary site Douban, the film is receiving hundreds of positive comments and high ratings. The movie currently has a Douban score of 8.4 and a 98% “recommendation rate” on Weibo.

Better Days is also praised by online celebrities and experts. Renowned Chinese sociologist Li Yinhe (李银河), actress Ma Yili (马伊琍), and historian Yi Zhongtian (易中天) all complimented the great acting and the themes of the movie recently.

On Weibo, the movie has become tied to anti-bullying campaigns, with people sharing their own experiences and stories on school bullying and linking the film to hashtags such as “Unite in saying no to campus bullying” (#一起对校园欺凌说不#) or “How to combat campus violence” (#校园暴力到底该如何解决#).

By now, the movie’s hashtag (“Movie Better Days” #电影少年的你#) has seen over 540 million views on Weibo.

See the trailer of Better Days here (with English subtitles). Better Days is still airing in cinemas across China and is also played at various theaters in Europe, America, and Australia.

By Chauncey Jung

Edited by Manya Koetse
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China Arts & Entertainment

Top 10 of Popular Chinese Podcasts of 2019 (by What’s on Weibo)

What are Chinese podcast app users listening to? An overview.

Jialing Xie

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As the podcasting industry only seems to become more thriving around the world, What’s on Weibo tunes into China’s podcast market and selects ten of the most popular Chinese podcasts for you.

Ever since it first made its entrance into the entertainment industry, the podcast – a term coined in 2004 – has kept growing in listenership in most Western countries.

The same holds true for China, where podcasts are mainly concentrated on a couple of bigger online audio streaming platforms.

What are the most ear-catching podcast streaming services in China now? While various podcast apps have been competing with each other to attract users with their trending content, Ximalaya is one of the most popular ones as it offers the widest range of content of all major podcast apps in China. The app was first launched in 2013, and has been a top-scoring app ever since.

In terms of popularity, Ximalaya (喜马拉雅) is closely followed by DragonflyFM (蜻蜓FM), LycheeFM(荔枝FM), and a series of other podcast platforms with each implementing different business models.

How do we know what’s trending on these podcast apps? Based on user clicks and other metrics, Ximalaya has its own ranking lists of popular podcasts for five major categories: classics, audiobooks,crosstalk & storytelling, news, music, and entertainment.

DragonflyFM (蜻蜓FM) and other podcast apps also have their own rankings for even more narrowly defined categories, although these rankings often feature the same ‘most popular’ podcasts as Ximalaya and other apps.

To give you an impression and an overview of the kind of podcasts that are currently most popular in China, we have made a selection of trending podcasts across various audio apps, with some notes that might be useful for those tuning into these podcasts as learners of Mandarin (all of these popular podcasts use Mandarin).

Please note that this is not an ‘official’ top 10 list, but one that is compiled by What’s on Weibo based on various popular ranking lists in different categories. Guo Degang’s crosstalk and storytelling podcast, for instance, is ranked as a number one popular podcast on both Ximalaya and Dragonfly FM, which is why it comes in highest in our list, too.

What’s on Weibo is independent and is not affiliated with any of these audio platforms or podcasts.

 

#1 Guo Degang: Crosstalk Collection of 21 Years (郭德纲21年相声精选)

Link to podcast

Category: Crosstalk & Storytelling

Duration: 20-90 min/episode

About:

Guo Degang (郭德纲, Guō Dégāng) is one of the most successful crosstalk comedians in China. In 1995, he founded his own crosstalk society, Deyun Society (德云社, Dé Yún Shè), which aims to “bring crosstalk back to traditional theaters.” Guo Degang has succeeded in making the general public pay more attention to crosstalk (相声, xiàngsheng), a traditional Chinese art performance that started in the Qing Dynasty. Like many other traditional Chinese arts, crosstalk performers are expected to have had a solid foundation that is often referred to as “kung fu” (功夫, Gōngfū) before they can perform onstage. Among the many collections attempted to gather Guo Degang’s crosstalk and storytelling performance, this podcast is probably the most comprehensive attempt thus far to gather Guo’s crosstalk and storytelling – it lists Guo’s best performances throughout his nearly three-decade career.

Tips if you are a Mandarin learner:

This podcast contains a lot of word jokes, special idioms, and cultural and historical context, making it more suitable for advanced Mandarin learners. But beginners, don’t be discouraged! Get your feet wet with Guo’s sense of humor if you like a challenge. Accent Alert: you will hear the Tianjin accent in Guo’s performance, which is also encouraged by the crosstalk & storytelling art genre.

 

#2 King Fafa (发发大王)

Link to podcast

Category: Talkshow & Entertainment

Duration: 1 – 2 hr/episode

About:

This podcast provides a glimpse into Chinese society through the lens of ordinary people and their own stories. These stories range from a Chinese mother going through struggles to give birth to her child in the UK as an immigrant, to the love-and-hate relationship between Chinese youngsters and marriage brokers. Or how about Huawei employees’ personal anecdotes, or a self-made millionaire’s confession on his sudden realization of the true meaning of life? Looking beneath the surface of people’s lives with a compassionate and sometimes somewhat cynical attitude, the talk show podcast Fafa King has won over Chinese podcast listeners.

Tips if you are a Mandarin learner:

Enrich your vocabulary and phrases bank with this daily-conversation based podcast. Suitable for medium-level Mandarin learners.
Accent Alert: you will hear mostly Beijinger accents from the two hosts.

 

#3 Chasing Tech, Teasing Arts (追科技撩艺术)

Link to podcast

Category: Technology & Art / Business podcas

Duration: 30 min -1 hr/episode

About:

This Doko.com podcast allows listeners to get new perspectives on technology, art, environmental protection, and business through the voice of aspiring Chinese youths from within China and abroad. Doko.com used to be a digital marketing agency but now describes itself as a “group of people passionate about the internet, a diverse, interesting and exciting place.”

Tips if you are a Mandarin learner:

Doko’s podcast features interviews between the host and guests on topics mainly relating to art and technology in a semi-formal setting. Listen to learn how to discuss these topics in Mandarin. Accent Alert: you will hear the host speaking Mandarin with a slight accent and guest speakers with various accents of their origin.

 

#4 Let Jenny Tell You (潘吉Jenny告诉你)

Full title: Let Jenny Tell You – Learn English and Talk about America (潘吉Jenny告诉你-学英语聊美国), Link to podcast

Category: Education

Duration: 10 – 20 min/episode

About:

Let Jenny Tell You is one of the most popular podcasts around for Chinese listeners to learn English. Hosted by Jenny and Adam, the podcast offers quite rich and unique content, discussing various topics often relating to Chinese culture and news, and of course, diving deeper into the English language.

Tips if you are a Mandarin learner:

As a language learning podcast, this podcast is actually perfect for intermediate learners of Chinese; it works both ways for Chinese-English learners as well as for English speakers who are interested in learning Mandarin. Because Adam speaks English, you always know what the podcast is about. Accent Alert: Jenny (the host) speaks fairly standard Mandarin with minor accents.

 

#5 Stories Across the Globe (环球故事会)

Link to podcast

Category: Society & Culture

Duration: 20 min/episode (length differs on Podcasts App Store)

About:

A skillful narrator digs into stories behind the news, examining various topics involving cultures, history, politics, international relations. This podcast, by China’s state-owned international radio broadcaster, often comes up as a suggestion on various platforms, and also seems to be really popular because of its news-related stories.

Tips if you are a Mandarin learner:

Well-paced speech with an intimate tone, this podcast is a good source for learning new vocabulary and improving your pronunciation if you are already an advanced learner of Mandarin. Accent Alert: the host speaks fairly standard Mandarin with a Beijing accent.

 

#6 Watching Dreams Station (看理想电台)

Link to podcast

Category: Interviews & Culture

Duration: 20 – 40 min/episode

About:

A fun and informative podcast with varied content coverage, this podcast has a refreshing tone and smooth transitions between narratives and (expert) interview footage. A great source to learn more about what Chinese ‘hipsters,’ often referred to as literary and arty youth (文青, wén qīng) care about with regular mentions of social media stories.

Tips if you are a Mandarin learner:

This podcast has relatively slow-paced speech covering various topics, which helps to make you more familiar with new vocabulary and practice how to explain things in Mandarin. Accent Alert: you will hear hosts speak fairly standard Mandarin with minor accents.

 

#7 Black Water Park (黑水公园)

Link to podcast

Category: TV & Movies, Talkshow

Duration: 1 – 1.5 hr/episode

About:

Learn what’s commonly discussed among Chinese young adults about movies and TV shows through these entertaining conversations between the two good friends Ài Wén and Jīn Huā-er.

Tips if you are a Mandarin learner:

Suitable for medium-to-advanced-level Mandarin learners; highly engaging conversations involving lots of slang and colloquial expressions.
Accent Alert: the hosts speak with recognizable Beijinger accents, so be prepared.

 

#8 The Sketch is Here (段子来了)

Link to podcast

Category: Comedy

Duration: 45 min/episode

About:

With 5.426 billion user clicks on Ximalaya, this podcast featuring funny sketches is super popular and has become a household name in China’s podcast market. It offers a taste of humor appreciated by many Chinese, which is very different from what you’d get from a podcast in the West within the same category.

Tips if you are a Mandarin learner:

Great source to learn colloquial Mandarin and funny ice-breakers, but challenging as humor is intrinsically linked with inside jokes and word play. Accent Alert: the host has what’s considered a soothing voice and speaks fairly standard Mandarin.

 

#9 Ruixi’s Radio (蕊希电台)

Link to podcast

Category: Lifestyle & Bedtime

Duration: 10 min/episode

About:

One way to examine culture is to look at what people generally worry about the most. This podcast, that always starts with the soft voice of Ruixi (the host) asking listeners “Hey, are you ok today?”, focuses on a darker side of society and addresses the social and mental struggles that adults in China are facing. Ruixi’s Radio is one of those podcasts that enjoy equivalent popularity across several podcast platforms, which indicates strong branding. For many people, it’s a soothing podcast to listen just before bedtime.

Tips if you are a Mandarin learner:

The slow-paced monologue using language easy to understand makes a great learning material for beginning learners. Accent Alert: Ruixi (the host) speaks fairly standard Mandarin with insignificant accents.

 

#10 Stories FM (故事FM)

Link to podcast

Category: Stories & Bedtime

Duration: 20 – 30 min/episode

About:

Described by the New York Times as a “rarity in a media landscape full of state propaganda and escapist entertainment,” Gushi FM was launched with the idea “Your story, your voice.” As one of China’s popular audio programs, Gushi FM features stories told by ordinary Chinese of various backgrounds.

Tips if you are a Mandarin learner:

As a collection of monologues that detail stories, describe emotions, and argue ideas, this podcast suits advanced level learners. Accent Alert: in every episode, guests with speaking and telling stories in their own local dialects.

Want to understand more about podcasts in China? We’d recommend this insightful article on the Niemanlab website.

Because there are many more popular Chinese podcasts we would like to share with you, this probably will not be our only list. A follow-up list will also contain other favorites such as Two IT Uncles (两个IT大叔), BBPark (日坛公园), and One Day World ( 一天世界).

Want to recommend another Chinese podcast? Please leave a comment below this article or tweet us at @whatsonweibo, leave a message on Instagram or reach out via Facebook.

By Jialing Xie, with contributions by Manya Koetse

Spotted a mistake or want to add something? Please let us know in comments below or email us. First time commenters, please be patient – we will have to manually approve your comment before it appears.

©2019 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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