🗞️ QUICK SCROLLS

📈 Is China’s AI price war over? After a period of offering as much as possible to users at relatively low prices, Chinese AI (LLM) companies are now raising their prices. Last week, DeepSeek – known as the cheapest LLM model around – announced a raise in its API prices, showing that LLM models in China, like food delivery platforms, follow a clear strategy of first attracting users and subsidizing growth, then monetizing once users are locked in.

🐸 “Antibiotic bullfrogs” are a new cause for concern. Bullfrogs sold through e-commerce channels, popularly used in various dishes (like bullfrog hotpot), have been found to contain excessive antibiotic residues after being tested by an independent Shanghai investigation team. Antibiotics are widely used in bullfrog farming.

🌾 A 67-year-old farmer from Anhui ruined 25 acres of crops after following a chatbot’s advice on which pesticides to use. The AI tool recommended a strategy including fomesafen, which killed the farmer’s entire sesame plant crop. Chinese state media highlighted the story as a warning to the growing number of senior citizens who are relying on AI a bit too much.

👁️ A Chinese ad campaign for contact lenses has been taken offline because it starred an AI actress who doesn’t actually have eyes. Last week, I reported on the success of this AI actress, Fang Taozi (方桃子), in the AI micro drama “Laid-Off Girl” (被裁掉的女孩). After a Chinese cosmetic contact-lens brand paid a large sum to feature the actress in its commercial, regulators flagged it because the virtual actress claimed the contact lenses were “comfortable.” Because she doesn’t physically have eyes, this suggests false advertising, and the company could face an additional fine.

🎭 The famous Chinese actor Qin Yan (秦焰) has passed away at the age of 72. The veteran actor was a familiar face on Chinese TV since 1991 and was known for his many roles in TV series like Ruyi’s Royal Love in the Palace, The Knockout, and Joy of Life 2. While fans and colleagues are posting tributes online, the actor’s Baidu (Baike) page has turned black-and-white to mourn his death. The actor suffered from an illness that hasn’t been specified.

Images via Weibo, showing Qin Yan’s press photo on the left and on the right him portraying the role of Eunuch Dai, the corrupt director of the vegetable and food supply department in the popular historical drama series Joy of Life Season 2 (2024).

🏆 China’s animated film Ne Zha 2 was the biggest winner at the 38th Hundred Flower Awards, China’s most prestigious film awards. The movie grossed 15.9 billion yuan ($2.35 billion) and currently ranks as the world’s fifth highest-grossing film, right in between Titanic and Star Wars. Notably, director Jiaozi (real name Yang Yu 杨宇, b. 1980) was absent from the ceremony, as he always is. The director has a strong dislike for pointless socializing. 😂

🕯️ Remembered as a “Communist Warrior” (共产主义战士), the passing of former Chinese Premier and electrical engineer Zhu Rongji (朱镕基) became a top trending topic on Wednesday after an official obituary announced his death. Zhu is mostly remembered for his efforts to help transition from a planned economy to a socialist market economy, including his tax reform implementations, restructuring of state-owned enterprises, and creation of the mass home-ownership market. Zhu died of an illness in Beijing. He was 98 years old.

👁️ ZOOMING IN

1. Typhoon Baihaitun Brings Record Rainfall to Shanghai

Image via Weibo user @粗茶大白饭

Typhoon Baihaitun (白海豚 “White Dolphin”) has been one of the biggest keywords dominating Chinese social media this week as severe weather affected eastern China.

In Shanghai and surrounding areas, the typhoon caused major disruptions on August 9–10 due to strong winds and extreme rainfall. In Xujiahui, nearly 316 mm of rain fell within 24 hours, the highest amount recorded in Shanghai since observations began over 150 years ago. (The highest total was recorded at Lantian Station in Linhai, Taizhou, where rainfall surpassed a staggering 630 mm; that’s like buckets of water simply being poured down from the sky.)

Many roads, homes, and entire parking lots were completely flooded (video on X / Bluesky). Thousands of people were evacuated, flights were canceled, and metro lines were suspended. In some neighborhoods, residents reported that the water had reached all the way up the stairs.

The typhoon coincided with the Monday morning rush. Despite official guidance encouraging working from home, online complaints made it clear that many companies still expected their employees to show up at the office.

Shanghai Disneyland also remained open despite the severe weather. Videos show park visitors riding attractions in the pouring rain, and cast members in costumes needing help to navigate the rain and wind. The happiest place on earth has never looked so sad (see various videos in my thread here on X / Bluesky).

The impact of the typhoon is expected to last until at least Sunday.

2. Streisand Effect: Huawei Gets Bugged by Bamboo Cicada Toy

If the past week had one soundbite, it would be the rasping, buzzing cicada-like sound you get by spinning the traditional handmade “bamboo cicada” (竹知了 zhúzhīliǎo) wooden toy.

It became a viral sensation after netizens used its sounds to accompany videos of a Huawei event where Chairman Richard Yu (余承东) announced a new car. He described the AITO M9 as “the best SUV under 10 million yuan” (一千万以内最好，没有之一), prompting “wawaa” sounds and cheers from the audience. Soon, a meme was born in which social media users mixed the footage with the toy’s sound – not just because of the audience, but also because of Yu’s distinctive way of speaking.

That cicada toy meme would never have become as big if Huawei’s legal department hadn’t intervened. The company submitted complaints to social media platforms, and videos were removed. But this triggered a chain reaction – when people found the sound was being censored, it blew up in popularity. By now, not only is the sound used everywhere, but the toy itself has become a summer must-have (even though its origins are contested – some say it’s traditionally Japanese and not Chinese at all).

The American term “Streisand Effect” (in Chinese: 史翠珊效应 Shǐcuìshān xiàoyìng) has been used online to describe how Huawei’s reaction backfired.

The response by Huawei – or, more precisely, HIMA, the company’s smart-vehicle alliance brand – was criticized not only by netizens but also by official voices. The official account of Zhejiang Province was among many posting critiques, saying that “the stronger a company is, the greater its capacity to accept discussion” – in other words, calling Huawei weak for its reaction.

This makes it one of those rare moments when, especially when it’s about censorship, official and grassroots voices seem to agree, for once, on the limits of the kind of content that should and should not be controlled. In this way, the cicada sound has come to represent something much more than mocking Huawei, with netizens protecting their rights to criticize & ridicule China’s most powerful business players.

3. Japanese K-Pop Fan’s Death Shows Dark Side of Fan Culture

Miki Chan on the right, posing together with ENHYPEN group member NI-KI. Image via Weibo.

A tragic suicide livestreamed on TikTok became a trending topic across Chinese platforms over the past week, sparking discussions about toxic fan cultures and online bullying.

The 26-year-old Japanese K-pop influencer Mina Chan experienced an acute mental health crisis while livestreaming from her home in Seoul on August 5. This happened after she suffered weeks of severe online bullying stemming from an incident at the US concert of her favorite pop group, the boy band ENHYPEN.

During the concert, Mina tried to give sunflowers to her favorite singer, Nishimura Riki, better known as NI-KI, by throwing them onto the stage. When another group member picked them up instead, she appeared upset. When NI-KI later criticized fans for seeking personal attention rather than enjoying the concert, many fans felt he was referring to Mina.

In the following weeks, Mina received so much online harassment, doxxing, and hate that she first apologized on X and withdrew from the fan club before eventually broadcasting her final livestream, in which she died by hanging. Mean comments continued throughout the livestream.

Online discussions in China have largely framed the incident in terms of online aggression (网暴, wǎngbào) and problematic fan circles (饭圈, fànquān). Although Mina was a Japanese fan of a South Korean band, K-pop fandom is also enormous in China.

Both online aggression and toxic fan culture have been repeatedly targeted by Chinese cyberspace authorities in recent years, undoubtedly contributing to greater public awareness of these problems. Against this backdrop, Mina’s death has prompted widespread calls to end online bullying, while thousands of Chinese netizens have expressed their sorrow over the young woman’s death.

Notably, just one day before Mina’s livestream, American celebrity blogger Perez Hilton became a global trending topic after self-harming during a TikTok livestream that remained online for approximately fifteen minutes, allowing a large audience to watch the disturbing events unfold – similar to what happened with Mina’s livestream. In the United States, the incident sparked further discussion about platform moderation and TikTok’s failure to end livestreams quickly when signs of self-harm or an acute mental health crisis emerge.

📱ON MY FEED

This post reads:

“China Southern, what on earth are you doing? I gulped it all down, only to realize it wasn’t grape juice, it was prune juice!!! This is the first time I’ve seen such a long, never-ending line of people waiting to use the restroom on a plane; the prize pool just kept growing.
Do you have any idea how much I suffered? #InFlightMeal #ChinaSouthern #PruneJuice”

After passengers on a China Southern Airlines flight from Wuhan to Urumqi were served prune juice with their meal, the queues for the plane’s only two toilets kept growing as dozens of passengers felt the high urge to go.

One other review said:

“What were you thinking, serving prune juice? China Southern, please answer me. You nearly made me shit myself.”

🔗 SEEN ELSEWHERE

🔹 “Grandma Economy” (“姥姥经济”) fills a void for urban Chinese Gen Z and millennial consumers who are increasingly projecting their nostalgia for the warmth of grandmothers onto the brands they buy, the content they consume, and the creators they follow. Read at Baiguan / by Amber Zhang.

🔹 Toddler twins are at the center of a very messy custody case involving a surrogate mother from Florida and a Chinese father who might never be allowed to enter the US. Born in November 2024, the twins are biologically not connected to the surrogate mother, but after the Chinese legal father never came to collect them, she and her husband want to adopt them. A new Florida law has now placed the case at the center of conservative outrage over Chinese parents allegedly exploiting the state’s lax surrogacy rules. Read at Wall Street Journal / by Katherine Long.

🔹 A Chinese state media correspondent has been accused of being a spy by the Czech Security Information Service, which identified Yang as an operative of China’s Ministry of State Security, alleging he used his cover as a journalist to collect compromising information on Czech politicians, particularly those supportive of closer ties with Taiwan. Read at Reporters Without Borders.

🔹 “What I feared to be my lifelong search has unexpectedly come to an end. Yesterday, I got a message from my family searcher in China on WeChat that I have a positive DNA match with my biological parents.” In late 2024, I wrote about how the Dutch adoptee Fengli Bottema had come to China in search of her biological family after she was left in front of an Anhui police station as a baby back in 2001. There’s now an update to her story, which echoes that of thousands of Chinese girls adopted abroad. Her search has finally come to an end. Read Fengli’s Instagram post here.

Thanks to Miranda Barnes for helping me curate topics for this edition.

Over the past few weeks, a noteworthy amount of AI-related news has been trending on Chinese social media, which is reflected in this week’s edition.

Now that AI has entered every corner of media consumption and online life, related discussions seem to be reaching a new peak. While well-produced AI dramas are receiving more praise, low-effort AI slop is flooding video feeds and increasingly being used to stir controversy and generate clicks, fueling prejudice, hate, and cyber-nationalism. More about that further down in this newsletter.

🗞️ QUICK SCROLLS

🎬 A new AI-generated micro-drama has become all the rage on Chinese social media. While earlier AI dramas were criticized for being sloppy and repetitive, Laid-Off Girl (被裁掉的女孩) is praised for its quality and appealing protagonist, Fang Taozi (方桃子), a small-town woman pursuing her dream of becoming a model in Paris. She is so believable that viewers almost forget they are not watching a live-action production. This marks a real step up in quality for the industry, raising the bar for others. (If you want to get a taste of what it looks like, here’s a YouTube link).

Stills from the popular micro AI drama Laid-Off Girl (被裁掉的女孩).

📺 China’s national TV has now also aired its very first AI drama. While AI dramas mostly belonged to the realm of unofficial short-form online productions, the phenomenon has now made the leap to longer productions broadcast on national satellite television. Anhui TV is airing the Ming-dynasty drama The Tale of Peach Blossom Pool (桃花潭记), promoted as China’s first fully AI-produced medium-length drama centered on cultural heritage.

📱 China’s cheap & easy SIM-card era has ended. There was a time when you could get a SIM at any street corner in a Chinese city. That changed over a decade ago when real-name registration became strictly enforced. Now, as of 1 August, China Mobile, China Telecom and China Unicom will sell cards online only through their own apps and websites, cutting off all third-party internet sellers who have been the go-to source for cheap data plans. The move is meant to curb third-party SIM cards ending up in grey-market chains, being used for bulk account registration and telecom fraud. But most people just fear that plans are becoming less affordable.

🚇 “Half an hour queuing for a ten-minute ride” was a common complaint after Shenzhen Metro tightened its security checks on July 20. Much to the dismay of commuters, the stricter checks led to long lines, as all carry-on items must now pass through an X-ray machine, while every passenger is also subject to a handheld body scan. Some wondered why, in an era of AI-powered image screening, security couldn’t be handled more efficiently. Shenzhen is hosting the APEC Economic Leaders’ Meeting later this year, in November.

☀️ Summer childcare worries have been trending, as even dual-income families are reportedly struggling to arrange childcare during the school holidays. Summer programs often last only a month and still require pick-ups during hot afternoons, while private tutors sometimes charge around 200 yuan per hour ($30). More Chinese parents have therefore turned to hiring university students, offering 3,500 to 4,000 yuan per month ($520–$590) to look after their children during the summer break.

👁️ EXPLAINER

How Chinese AI Videos Turn Foreigners Into Villains

“I’m American! You can’t do anything to me!” says a young white man, moments before a strong Chinese man kicks him and throws him to the ground in a single move. A crowd of Chinese aunties standing nearby applauds as the foreigner hits the ground. “Don’t think we’re still the Chinese people of the past,” the Chinese man says. “You don’t want to mess with the Chinese people of today.”

This is just one example among hundreds of similar short videos flooding Chinese social media these days. Featuring various kinds of anti-foreign and racist content, they depict foreigners as threats to China’s social, moral, and national order. Strong, confident Chinese people confront, violently beat, and humiliate them in defense of their country.

Stills from AI videos showing Chinese men beating up misbehaving foreigners.

These videos, which often last between ten seconds and half a minute, are posted by online creators across platforms such as WeChat, Kuaishou, and Douyin. Many of these creators run content-farming accounts devoted entirely to this type of content, which attracts many likes and reactions: the videos are short, visually striking, emotionally powerful, and play into existing prejudices and racialized thinking.

Racist and anti-foreign content is nothing new on Chinese social media and dates back to the earliest days of China’s online video platforms. But the age of AI has brought new dynamics to such content. Last fall, Joshua Dummer reported in Foreign Policy on the growing popularity of AI-generated anti-Black videos presented as cautionary tales about Chinese women becoming involved with African men.

This time, it’s different.

The latest wave of anti-foreign content goes beyond gender dynamics and focuses more broadly on the negative influence foreigners supposedly have on Chinese people and society. Foreigners disrupt orderly Chinese public spaces or threaten the safety of Chinese women, security personnel, or lower-status workers, after which a morally upright Chinese person restores order through violence.

Four Types of Videos

In the dozens of AI videos I’ve analyzed, roughly four categories can be discerned, with different groups of foreigners performing different “narrative jobs.”
(See examples of these videos on my X here, or find them on Bluesky)

1️⃣ The Uncivilized Outsider
Roughly 40% of the videos show foreigners engaging in “uncivilized” behavior and disrupting China’s cleanliness, etiquette, and public order. In these scenes, foreigners are portrayed as dirty, smelly, and disorderly.

One example shows an entire plane of Chinese passengers holding handkerchiefs over their noses because of the smell from an Indian man’s bare feet. He refuses to comply with the flight attendant’s instructions, after which a strong Chinese man approaches and slaps him in the face.

AI video: An Indian passenger disrupts a Chinese flight with smelly feet.

Other examples include foreigners attempting to urinate in the street, occupying multiple seats on public transport, putting their bare feet up on a high-speed train, or otherwise disregarding public etiquette.

These videos predominantly feature Indian characters, but to a lesser extent also white/Western and Filipino characters.

2️⃣ The Entitled Foreign Bully
Roughly 30% of the videos depict foreigners as arrogant, entitled, and aggressive bullies who believe their nationality places them above Chinese rules.

Examples include foreign men and women skipping queues by invoking their foreign status or showing disrespect toward China’s vulnerable elderly or lower-status workers, until a Chinese person teaches them to “respect China’s rules.”

AI video: A Western woman is hit by a shop owner for using her foreign status as a reason to cut the line.

These videos mostly feature white people, but sometimes also Black, Indian, or Japanese characters.

AI video: entitled Indian man gets curry thrown in the face by waiter.

One scene shows an Indian man demanding that the Chinese waiter serving him curry kneel before him, after which the waiter scolds him and throws the curry in his face.

3️⃣ The Sexual and Demographic Threat
Roughly 20% of the videos fall into the category described in Foreign Policy last October, in which foreign men are portrayed as sexual and demographic intruders.

These videos often show Chinese women following foreign partners to Africa or India, only to end up living a nightmare of poverty, abuse, or infidelity. Some explicitly warn Chinese women not to marry foreigners.

AI video: A Chinese woman is first shown in a happy relationship with her African partner, and then shown in a state of desperation after she moved to Africa with him.

There are also many videos showing Chinese men as heroic protectors of women being harassed by foreign men. One recurring scenario shows a Black man harassing a Chinese woman in a shopping street before being beaten by a Chinese man who comes to her defense.

AI video: Chinese man saves Chinese woman from getting harassed by a foreigner.

Although these videos mainly feature Black African men, with Africa portrayed as a kind of dystopia, some also include white or Indian men.

4️⃣ The Undesirable/Dangerous Migrant
About 10% of the videos take place at airport immigration or border control, showing foreigners arriving without money, carrying drugs, or seeking to exploit Chinese hospitality.

One example shows Indian men arriving at the Chinese border and claiming that they want to “enjoy Chinese women.” They are refused entry after an official questions them about their finances.

AI video: Indians denied at the border.

The endgame is always the same: they are denied entry and sent back to their country. These stories predominantly feature Indian characters.

💡 To get a rough idea of which racialized groups appear most often, I analyzed a sample of 35 videos collected from my timeline: approximately 39% featured Indian characters, 28% White/Western characters, 24% Black/African characters, 6% Filipino characters, and 3% Japanese characters.

Reversed Humiliation

The xenophobic AI slop that we’re seeing is about more than just “foreigners behaving badly.” Besides the videos showing Chinese women moving to Africa, the basic formula running through most of them is:

Foreigners cross moral or social boundaries and violate rules → they victimize Chinese people or otherwise bring humiliation or inconvenience to others → forceful intervention by a morally upright Chinese person → punishment and restored order.

These videos do two things.

➡️ One important effect is that they produce a sense of “Chineseness” by constructing a threatening “Other” that is never Chinese (even though the foreigners all look different, they are never ethnically Chinese). In doing so, Chinese national identity is defined through contrast with how bad the Other is.

The foreign villain is deceptive, uncivilized, backward, and disruptive—a threat to women, public order, and social stability—whereas the Chinese characters are morally superior, embodying loyalty, civility, modernity, collective responsibility, and the protection of social and historical continuity. The foreigner therefore does more than play the villain: his imagined identity helps define who the Chinese are and what contemporary China is.

➡️ Another effect is that these videos offer a form of catharsis in China’s “new era.” They coincide with increasingly prominent narratives about China’s exceptional rise, its emerging superpower status, and the “decline of the West.” At the same time, they evoke the painful history of 19th China and the “century of humiliation”—a period portrayed in contemporary education as one in which foreign powers aggressively and violently imposed their rules on a weak China.

These AI fantasies symbolically reverse that history. The videos show that Chinese people are no longer passive victims, but strong and assertive defenders who fight back against foreigners who disrespect them or exploit Chinese hospitality. Through violence presented as morally justified, historical humiliation is transformed into national victory: China is no longer subjected to rules imposed by outsiders, but has become the country that sets the rules and possesses the strength to enforce them.

The Many Faces of Chinese Digital Nationalism

This recent trend shows that digital nationalism in China has many faces, and that this one in particular is not actively boosted by state media nor supported by official voices.

The timing of these videos does not just mark a new era of Chinese digital nationalism; it also coincides with a new wave of China tourism and a travel boom, with trips to China by foreign nationals rising sharply since the Covid era amid more lenient visa policies. This includes an increase in visas issued to Indians at a time when Indian and Chinese authorities have been working to normalize bilateral relations.

Earlier in July, Chinese newspaper The Paper published an article pushing back against growing online hostility toward Indians in China, arguing that individual misconduct should be addressed without stereotyping an entire nationality or turning it into xenophobic outrage. In a noteworthy move, the full article was republished on the website of the Chinese embassy in New Delhi—showing Chinese authorities pushing back against these trends and defending Indians to Chinese netizens.

At the same time, this is perhaps also a case of lead by example. An AI-animated video released by state media outlet China Daily which depicted the Philippines as a “ragged monkey” has also made international headlines recently, with the imagery called racist and unacceptable.

Even though the authorities might not be happy about the flood of racist or xenophobic AI videos at a time when state media are promoting just how welcoming China is to foreigners, official videos such as these can also fan the flames and provide examples for grassroots creators to draw on.