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China’s Top TV Dramas to Watch This Winter 2017/2018

China’s top television dramas to binge on this winter – by What’s on Weibo.

Manya Koetse

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From historical dramas to military series – a list of the latest, most-watched television dramas in China shows that Chinese television dramas are not just hot & happening – they are also diverse when it comes to themes and genres.

It has been over 27 years since China’s first television drama aired and caused a national craze. Although China’s media industry has greatly changed through the times, one thing has remained the same: Chinese TV viewers still love watching television dramas – a dominant form of media entertainment. In fact, the Chinese TV drama industry is booming and among the most vibrant in the world, with no signs of slowing down.

As the days are getting colder and darker, it is time to curl up on the couch to do some tv drama (binge) watching. China has seen a myriad of new television dramas this year, with some of the more popular ones airing this winter.

This is a top 10 of most popular new dramas according to Weibo’s charts and the Sohu hot charts at the time of writing. We have added various links on where to watch these series, but they might change overtime – please post relevant links in the comment section below.

Some dramas are only licensed for certain regions. For those who wish to switch between regions on their desktop or mobile, you can use a VPN. Our friends at NordVPN offer excellent services (check out here).

From the Game of Hunting (l) and The Legendary Tycoon.

For weekly updates on the top online ratings of Chinese television series, check out Cdramabase.com, an excellent website run by Alice Craciun providing insights into the world of Chinese drama.

#10. Peacekeeping Infantry Battalion #维和步兵营#

Genre: Military drama
Release date: October 10, 2017 (35 episodes)
Network: Jiangsu TV
Directed by: Ning Haiqiang (宁海强), Yi Xiang (翌翔)

‘Peacekeeping Infantry Battalion’ is a different military drama than the mainstream series within this genre; it is not focused on Sino-Japanese War, but on modern-day conflicts. This drama has received much praise from Chinese experts.

Its airing comes at a time when China’s role in UN peacekeeping is becoming increasingly crucial, not just as a contributor of troops, but also as a financial provider. The drama, attracting large audiences across China, plays an important role in the current shaping of the image of China’s peacekeeping troops.

The drama was co-directed by director Ning Haiqiang, who is also known for multiple military productions such as The Hundred Regiments Offensive (百团大战), and aims to show how Chinese peacekeeping forces are selected, trained, and go abroad. The drama mainly focuses on the tumultuous story of people in the Peacekeeping Infantry Battalion, who are risking their own lives to evacuate citizens from Libya during a dangerous mission. And, of course, it would not be a proper Chinese drama without some romance amidst all the military developments.

To check out the drama (in Chinese) see this YouTube channel.

Starring: Du Chen (杜淳), Jia Qing (贾青), Xu Honghao (徐洪浩), He Da (何达), Liu Runnan (刘润南), Shen Hao (沈浩).

#9. Detective Dee #通天狄仁杰#

Genre: Costume drama, detective
Release date: August 21 2017 (46 episodes)
Network: Beijing TV, Anhui TV
Directed by: Xie Zhaoyi (叶昭仪)

This is a large-scale costume drama that was already produced back in 2014. It focuses on the main character Di Renjie, which is played by actor Ren Jialun, who also starred in the drama Noble Aspirations (青云志).

Drama blog DramaPanda describes Detective Dee as a “Chinese equivalent to Sherlock Holmes” who actually lived during the reign of Empress Wu Zetian (624-705). He’s become a widely fictionalized character.

The drama shows the trials and tribulations of Di Renjie, as he is falsely accused of a crime he did not commit and then discovers he has special talents for solving cases.

Watch it on CCAsian here.

Starring: Ren Jialun (任嘉伦, also known as Allen Ren), Kan Qingzi (阚清子), Jiao Junyan (焦俊艳), Chen Yi (陈奕), Miao Junjie (缪俊杰).

#8. Green Love 青恋

Genre: Romance, family, rural
Release date: October 18, 2017 (26 episodes)
Network: CCTV-1, Zhejiang TV (where it started airing October 31st)
Directed by: Ma Jin (马进)

‘Green Love’ (Qinglian) is the only tv drama in this list that is themed around rural life in China – although it is about urban youth at the same time. It tells the story of the 28-year-old man Lin Shen (starring Guo Jingfei) who returns to his hometown of Yunshe village after establishing his own company in Shanghai.

As described by Cdramabase, he is not the only one turning to this village after building on a career in the big city. Investor Chen Ling (by Che Xiao) wants to escape the busy city and visits Lin Shen’s village, where she learns to appreciate Chinese village life.

Starring: Guo Jingfei (郭京飞), Che Xiao (车晓), Una You (尤靖茹).

#7. The Legendary Tycoon #传奇大亨#

Genre: Period drama
Release date: October 9, 2017
Network: Zhejiang TV, Tencent, iQiYi, Youku
Directed by: Zhuang Xunxin (庄训鑫)

With 110 million views on Weibo #传奇大亨#, this is a popular Chinese drama and a quite original one because it is based on a real-life story.

This drama takes place in Shanghai during the 1930s, when the brothers of the ‘Gu family’ join the movie industry. Gu Yanmei, played by actor Zhang Han, is the youngest brother, who follows his older brother Gu Ruoxia to Singapore to start their own film business there. When war breaks out, the brothers decide to move their film production base to Hong Kong – the start of a tumultuous and flourishing career.

The Legendary Tycoon is based on the story of the Shaw Brothers, of whom the youngest, Run Shaw, passed away in 2014, at the age of 107 (Find a short history of the Shaw Brothers & Chinese cinema here).

See the first episode of this drama here (in Chinese), or through Viki with English subtitles here.

Starring: Zhang Han (张翰), Jia Qing (贾青), Chen Qiao’en (陈乔恩), Song Yi (宋轶) Tan Kai (谭凯), Liu Changde (刘长德) Guo Ziqian (郭子千) Yao Zhuojun (姚卓君) Sun Wei (孙玮).

#6. Xuan Yuan Sword: Legend of the Han Clouds #轩辕剑之汉之云#

Genre: Fantasy, sci-fi, costume
Release date: August 8 2017 (58 episodes)
Network: Dragon TV
Directed by: Pan Wenjie (潘文杰), Jin Sha (金沙)

‘Xuan Yuan Sword: Legend of the Han Clouds’ is set during a fantasy era and revolves around three opposing kingdoms and the heroic accomplishments of the young protagonists. That these kinds of fantasy spectacles are still very popular amongst netizens can be viewed on this drama’s Weibo hashtag page, which had received 2,2 billion views by the time of writing.

The show can be viewed with English subs on Youtube here or through Viki.

Starring: Zhang Yunlong (张云龙), Yu Menglong (于朦胧), Guan Xiaotong (关晓彤), Zhang Jiazhu (张佳宁).

#5. My! Physical Education Teacher #我的!体育老师#

Genre: Romance, comedy
Release date: 11 November 2017 (38 episodes)
Network: Hunan TV
Directed by: Lin Yan (林妍)

The pretty Wang Xiaomi had always dreamed of being treated like a princess by her future husband. The much older Mark (Zhang Jiayi), who is facing a mid-life crisis, is her ideal candidate. But dealing with her new stepdaughter and restless husband is not the pampered life Wang had hoped for.

The drama comically features the generational differences between those born in the post-70s, post-80s, post-90s, and those born after 2000.

The drama can be watched online through CCAsian here.

Starring: Zhang Jiayi (张嘉译), Wang Xiaochen (王晓晨), Wang Weiwei (王维维), Zhang Zijian (张子健), Zhao Jinmai (赵今麦)

#4. Ordinary Person #凡人的品格#

Genre: Urban drama, workplace
Release date: October 28, (45 episodes)
Alternative title: Ordinary Person Character
Network: Jiangsu TV, Zhejiang TV
Directed by: Xu Zongzheng (徐宗政)

This drama’s narrative follows the story of several people who work together at a media company. While war reporter-turned-producer Zhan Dapeng (played by Lin Yongjian) is facing a crisis both in his working and personal life, the pretty industry newbie Chang Ge (Jiang Xin) is an admirer of Zhan. The two encounter many challenges while working on a new program together – they’re both partners and enemies at the same time.

Check it out (in Chinese) on Youtube here.

Starring: Lin Yongjian (林永健), Jiang Xin (蒋欣), Tong Lei (童蕾), Liang Zhenlun (梁振伦), Bai Zhidi (白志迪).

#3. The Endless Love #路从今夜白#

Genre: Romance
Release date: 11 November 2017 (32 episodes)
Alternative title: The Journey from Tonight is White
Network: Hunan TV, Mango TV
Directed by: Gu Yunyun (顾贇贇)

This drama, that is based on a novel by Mo Wu Bi Ge, revolves around the love story of the talented painter Gu Yebai (played by Chen Ruoxuan) and the amiable Lu Youyan (An Yuexi). When Gu is getting ready to prepare for a major art competition, psychological problems are challenging his journey. A new love blossoms when Lu Youyan helps him overcome his problems, but their relationship faces more obstacles as the drama unfolds.

This drama can be watched through Viki.com with subtitles (if it is licensed for your region).

Starring: Chen Ruoxuan (陈若轩), An Yuexi (安悦溪), Wei Miles (魏哲鸣), Luo Yutong (罗玉通), Clinton Kuang (匡牧野).

#2. ER Doctors ##急诊科医生##

Genre: Hospital drama
Release date: October 30, 2017 (43 episodes)
Network: Dragon TV, Beijing TV
Directed by: Zheng Xiaolong (郑晓龙), Liu Xuesong (刘雪松)

The television drama ‘ER Doctors’ (#急诊科医生#) is not just one of the highest-ranking tv dramas this winter, but also one of the most viewed and discussed topics on Weibo.

ER Doctors is a realistic drama that centers around a group of doctors at a hospital’s emergency department.

It tells the story of the ER room head doctor of the emergency department He Jian Yi (Zhang Jiayi) and the new Ph.D. advisor, who just returned from America, Jiang Xiaoqi (by Wang Luodan). At first, these two are wary of each other, but they come to understand each other and rescue not only patients side by side but also themselves in the end (Cdramabase).

According to Shanghai Daily, director Zheng attached great importance to the details in every scene, which is why he visited a Shanghai hospital with the drama’s cast to learn basic ER training.

Starring: Zhang Jiayi (张嘉译), Wang Luodan (王珞丹), Jiang Shan (江珊)

#1. Game of Hunting #猎场#

Genre: Romance, workplace
Release date: November 6, 2017 (52 episodes)
Alternative title: Hunting Ground
Network: Hunan TV, Youku, LeTv and more.
Directed by: Jiang Wei (姜伟) (also screenplay)

The Game of Hunting is the absolute number 1 of this list, currently topping the top lists of most popular dramas on Weibo and Sogu, and receiving a 9.0 rating from viewers.

The drama’s narrative revolves around headhunter Zheng Qiudong (played by Hu Ge) as he struggles to climb up in the financial world – a “hunting ground” full of enemies and immoral characters. When his business falls apart, he has to start anew with the help of this new alliances.

The show is heavily sponsored by One Plus (一加手机), one of China’s most popular domestic smartphone brands.

Game of Hunting can be watched online through multiple channels, including YouTube.

Starring: Hu Ge 胡歌, Chen Long 陈龙, Sun Honglei 孙红雷, Zhang Jiayi 张嘉译, Zu Feng 祖峰.

Want to know more? Also see
Top 5 Chinese TV Dramas of Summer 2017
Top 10 Chinese Television Dramas Early 2017
Top 10 TV dramas in China 2016

By Manya Koetse

Spotted a mistake or want to add something? Please let us know in comments below or email us.

©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the editor-in-chief of www.whatsonweibo.com. She is a writer and consultant (Sinologist, MPhil) on social trends in China, with a focus on social media and digital developments, popular culture, and gender issues. Contact at manya@whatsonweibo.com, or follow on Twitter.

1 Comment

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    Linda Carr

    May 24, 2018 at 6:03 pm

    The Endless love is just a lovely series that I love to watch. In the beginning, I was just thinking that Chinese just rely on K-dramas and their shows are not as good as Koreans but now, I can understand they have a good drama industry. I am also watching some Chinese dramas here ( http://drama3sonline.com/ ).

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China Celebs

Chinese Social Media Users Stand up Against Body Shaming

Manya Koetse

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Recent photos of famous actress Gong Li that showed her curvier figure have gone viral on Sina Weibo, receiving over 850 million clicks. With Gong Li’s weight gain becoming all the talk on Weibo, the public’s focus on her appearance has sparked an online wave of body positivity posts, with web users rejecting the all-too-common phenomenon of body shaming on Chinese social media.

First, there was the ‘A4 Waist‘ hype, then there was the ‘iPhone6 Legs‘ trend, the ‘belly button backhand,’ and the online challenge of putting coins in your collarbone to show off how thin you are (锁骨放硬币). Over the past five years, China has seen multiple social media trends that propagated a thin figure as the ruling beauty standard.

But now a different kind of trend is hitting Weibo’s hotlists: one that rejects body shaming and promotes the acceptance of a greater diversity in body sizes and shapes in China.

On August 26, Weibo user @_HYIII_ from Shanghai posted several pictures, writing:

Reject body shaming! Why should we all have the same figure? Tall or short, thin or fat, all have their own characteristics. Embrace yourself, and show off your own unique beauty!

The post was soon shared over 900 times, receiving more than 32,000 likes, with the “body shame” phrase soon reaching the top keyword trending list of Sina Weibo.

 

Gong Li Weight Gain

 

The body positivity post by ‘_HYIII_’ is going viral on the same day that the apparent weight gain of Chinese actress Gong Li (巩俐) is attracting major attention on Chinese social media platforms such as Weibo and Douyin.

The 54-year-old actress, who is known for starring in famous movies such as Farewell My Concubine, To Live, and Memoirs of a Geisha, was spotted taking a walk with her husband in France on August 24. The photos went viral, with media outlets such as Sina Entertainment noting how Gong Li had become “much rounder” and had put on some “happy fat” (幸福肥).

By now, the hashtag page “Gong Li’s Figure” (#巩俐身材#) has received more than 850 million (!) views on Weibo, with thousands of people commenting on the appearance of the actress. In the comment sections, there were many who lashed out against the focus on Gong Li’s weight gain.

“She just has a regular female body shape. Stop using ‘white / skinny / young’ as the main beauty standard to assess other people,” one commenter said, with another person writing: “Why do you all keep focusing on her figure, did she steal your rice and eat it?!”

 

“Why do you all keep focusing on her figure, did she steal your rice and eat it?”

 

Some people suggested that the COVID19 pandemic might have to do with Gong Li’s weight gain, with others writing: “If she is healthy is what matters, skinny or fat is not the way to assess her beauty.”

What stands out from the discussions flooding social media at this time, is that a majority of web users seem to be fed up with the fact that a skinny body is the common standard of women’s beauty in China today – and that accomplished and talented women such as Gong Li are still judged by the size of their waist.

 

Say No to Body Shaming

 

In light of the controversy surrounding Gong Li’s recent photos and the following discussions, posts on ‘body shaming’ (身材羞辱) are now flooding Weibo, with many Weibo users calling on people to “reject body shaming” (拒绝#body shame#) and to stop imposing strict beauty standards upon Chinese women.

The pressure to be thin, whether it comes from the media or from others within one’s social circle, is very real and can seriously affect one’s self-esteem. Various studies have found an association between body dissatisfaction and social pressure to be thin and body shaming in Chinese adolescents and young adults (Yan et al 2018).

The main message in this recent Weibo grassroots campaign against body shaming, is that there are many ways in which women can be beautiful and that their beauty should not be merely defined by limited views on the ideal weight, height, or skin color.

Over the past decades, women’s beauty ideals have undergone drastic changes in China, where there has been a traditional preference for “round faces” and “plump bodies.” In today’s society, thin bodies, sharp faces, and a pointy chin are usually regarded as the standard of female ideal beauty (Jung 2018, 68). China’s most popular photo apps, such as Meitu or Pitu, often also include features to make one’s face pointier or one’s legs more skinny.

This is not the first time Weibo sees a growing trend of women opposing strict beauty standards. Although the word ‘body shaming’ has not often been included in previous trends, there have been major trends of women opposing popular skinny challenges and even one social media campaign in which young women showed their hairy armpits to trigger discussions on China’s female aesthetics.

Especially in times of a pandemic, many netizens now stress the importance of health: “Skinny or fat, it really doesn’t matter how much you weigh, as long as you’re healthy – that’s what counts.”

Also read:

 

By Manya Koetse

 

References

Jung, Jaehee. 2018. “Young Women’s Perceptions of Traditional and Contemporary Female Beauty Ideals in China.” Family and Consumer Sciences Research Journal 47 (1): 56-72.

Yan, Hanyi ; Wu, Yingru ; Oniffrey, Theresa ; Brinkley, Jason ; Zhang, Rui ; Zhang, Xinge ; Wang, Yueqiao ; Chen, Guoxun ; Li, Rui ; Moore, Justin. 2018. “Body Weight Misperception and Its Association with Unhealthy Eating Behaviors among Adolescents in China.” International Journal of Environmental Research and Public Health 15 (5): 936.

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China Arts & Entertainment

China’s New Hit Drama ‘Nothing But Thirty’ Thrives in the “She Era”

Chinese latest hit drama ‘Nothing but Thirty’ has 20 billion views on its Weibo hashtag page.

Yin Lin Tan

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China’s latest TV drama hit Nothing But Thirty is flooding Weibo discussions. With over 20 billion views on its hashtag page, the show is one of the most popular shows of the season and demonstrates that China’s ‘she era’ (ta shidai 她时代) dramas are all the rage. What’s on Weibo’s Yin Lin Tan explains.

“Have you heard of ‘independent at the age of thirty’ (sān shí ér lì 三十而立)?” Wang Manni asks, her hair pulled back neatly and white shirt cleanly pressed. “I hope that, before I’m thirty, I’ll be promoted to supervisor.”

Riding on the wave of female protagonist (‘heroine’ 大女主) shows that have been taking over China’s entertainment scene, Nothing But Thirty (三十而已) is a 43-episode drama by Dragon Television that follows the challenges of three different women who have reached the ever-important age of thirty.

In a society where women are often expected to be married by their late twenties, a show like this, which tackles women’s present-day struggles, both in their personal and professional lives, has resonated with many.

In fact, the show is so popular that at the time of writing, the show’s hashtag (“Nothing But Thirty”, #三十而已#) has over 20 billion (!) views on Weibo.

 

Depicting the struggles of China’s thirty-something women

 

Nothing But Thirty revolves around the lives of three female leads from different walks of life. Gu Jia (Tong Yao) is a capable businesswoman turned full-time housewife; Wang Manni (Jiang Shuying) is an independent, career-oriented sales assistant; and Zhong Xiaoqin (Mao Xiaotong) is your run-of-the-mill office lady.

For Gu Jia, the birth of her son was what truly transformed her into a full-fledged housewife. In many ways, she seems like a perfect wife and mother: well-educated, capable, and thoughtful. But, eventually, she too has to face life’s challenges.

Driven and hardworking, Wang Manni is confident in both her looks and abilities. Her immediate goal, at least at the start of the show, is to achieve professional success. Throughout the show, her resilience is put to the test, personally and professionally.

Zhong Xiaoqin is described by many netizens as the most “average” or “normal” character. She is kind-hearted -sometimes to the point of being a pushover -, and has spent years at the same company without rising the ranks. Though her story might seem mundane at first, this peace is disrupted when her marriage takes a turn for the worse.

 

A story that resonates with the masses

 

“The show attracted wide attention, and it strongly resonated with female audiences. Many thirty-something working women saw their own lives reflected in the show,” Xinhua recently wrote about the show.

Nothing but Thirty currently carries a 7.6 out of 10 rating on Douban, an online reviewing platform.

Though some reviewers criticized how the later episodes of the show were unnecessarily draggy, most praised it for its portrayal of strong female characters, good acting, and largely realistic depiction of women above the age of thirty.

“I saw myself, and also saw the friends beside me,” a reviewer notes.

In China, women are, more often than not, burdened with expectations of getting married and settling down by the time they are in their late twenties. If you’re single and thirty, that’s made even worse.

Those who fall into this category carry the derogatory label of “leftover women” (剩女), a term that reflects how single women above the age of thirty are seen as consolation prizes or even unwanted goods.

Thirty is thus an incredibly important number, especially for women — something that’s clearly reflected in the show’s concept trailer.

Aside from societal expectations of starting a family, some women now also take it upon themselves to build their careers. In fact, you can chase after professional success without burdening yourself with the idea that you must be married – a notion exemplified by the character of Wang Manni.

Nothing But Thirty also showcases the sheer diversity of experiences for women above thirty: you don’t have to be married, you don’t have to be super capable, and you don’t have to be thinking about having children. Each woman goes through her own unique struggles and isn’t necessarily endowed with the so-called “protagonist’s halo.”

Ultimately, the popularity of the show is driven by the three female leads and the actresses who bring these strong characters to life.

By telling a story that is relatable and touches on relevant social issues, namely on expectations of women in society, Nothing But Thirty was able to achieve widespread popularity and is adding another notch on the trend of China’s ta shidai (她时代) dramas. 

 

The rise of ta shidai shows

 

Ta shidai literally translates to “her era” or “the ‘she’ era.”

Ta shidai shows explore what it’s like to be a woman in China today. The female characters are diverse when it comes to both their backgrounds and character arcs; they might have different jobs, different levels of education, or different personalities. These shows mostly center around a strong female lead and/or a main cast that is primarily female.

More importantly, they often feature capable women and how these women overcame the odds to achieve success.

Recent shows like The Romance of Tiger and Rose (传闻中的陈芊芊) and Sisters Who Make Waves (乘风破浪的姐姐) also fall under this category, as do somewhat older hit shows such as Ode to Joy (欢乐颂) and Women in Beijing (北京女子图鉴).

The Romance of Tiger and Rose is set in a society in which women are in charge and men are subordinate, in a daring reversal of gender roles. Though the show has been criticized for using social issues to attract attention, it gained a decent following for tackling topics like gender inequality and women’s rights.

The Romance of Tiger and Rose (传闻中的陈芊芊)

A reality TV competition that swept the Chinese entertainment scene, Sisters Who Make Waves attempted to rebuke stereotypes of women over 30 as “leftover women.”

The show brought together female celebrities above the age of 30 (the oldest competitor was 52), and had them go through a series of challenges, culminating in a girl group formed by the final competitors.

Nothing But Thirty is just another example of a show that’s attempted to depict the realistic struggles of women in modern-day China.

More Chinese dramas that feature women — specifically, their struggles and the expectations that society places on them — are slated to be released in 2020.

Over the past few years, more attention has been focused on women’s rights in China. As feminism becomes an increasingly important topic of discussion in China, strongly facilitated by social media and not without controversy, companies are likely to hop on the bandwagon and continue producing shows that fall squarely in the ta shidai category, given the genre’s rising popularity.

Though we can’t expect every single show to perfectly, accurately, and realistically portray women’s struggles, the fact that more stories like these are being produced already helps bring such conversations into the mainstream. 

Hopefully, the trend of ta shidai shows is a sign that these issues won’t just be tackled on camera, but in real life as well. 

 
Read more about Chinese TV dramas here.
 

By Yin Lin Tan

 Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2020 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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