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China’s Top TV Dramas to Watch This Winter 2017/2018

China’s top television dramas to binge on this winter – by What’s on Weibo.

Manya Koetse

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From historical dramas to military series – a list of the latest, most-watched television dramas in China shows that Chinese television dramas are not just hot & happening – they are also diverse when it comes to themes and genres.

It has been over 27 years since China’s first television drama aired and caused a national craze. Although China’s media industry has greatly changed through the times, one thing has remained the same: Chinese TV viewers still love watching television dramas – a dominant form of media entertainment. In fact, the Chinese TV drama industry is booming and among the most vibrant in the world, with no signs of slowing down.

As the days are getting colder and darker, it is time to curl up on the couch to do some tv drama (binge) watching. China has seen a myriad of new television dramas this year, with some of the more popular ones airing this winter.

This is a top 10 of most popular new dramas according to Weibo’s charts and the Sohu hot charts at the time of writing. We have added various links on where to watch these series, but they might change overtime – please post relevant links in the comment section below.

Some dramas are only licensed for certain regions. For those who wish to switch between regions on their desktop or mobile, you can use a VPN. Our friends at NordVPN offer excellent services (check out here).

From the Game of Hunting (l) and The Legendary Tycoon.

For weekly updates on the top online ratings of Chinese television series, check out Cdramabase.com, an excellent website run by Alice Craciun providing insights into the world of Chinese drama.

#10. Peacekeeping Infantry Battalion #维和步兵营#

Genre: Military drama
Release date: October 10, 2017 (35 episodes)
Network: Jiangsu TV
Directed by: Ning Haiqiang (宁海强), Yi Xiang (翌翔)

‘Peacekeeping Infantry Battalion’ is a different military drama than the mainstream series within this genre; it is not focused on Sino-Japanese War, but on modern-day conflicts. This drama has received much praise from Chinese experts.

Its airing comes at a time when China’s role in UN peacekeeping is becoming increasingly crucial, not just as a contributor of troops, but also as a financial provider. The drama, attracting large audiences across China, plays an important role in the current shaping of the image of China’s peacekeeping troops.

The drama was co-directed by director Ning Haiqiang, who is also known for multiple military productions such as The Hundred Regiments Offensive (百团大战), and aims to show how Chinese peacekeeping forces are selected, trained, and go abroad. The drama mainly focuses on the tumultuous story of people in the Peacekeeping Infantry Battalion, who are risking their own lives to evacuate citizens from Libya during a dangerous mission. And, of course, it would not be a proper Chinese drama without some romance amidst all the military developments.

To check out the drama (in Chinese) see this YouTube channel.

Starring: Du Chen (杜淳), Jia Qing (贾青), Xu Honghao (徐洪浩), He Da (何达), Liu Runnan (刘润南), Shen Hao (沈浩).

#9. Detective Dee #通天狄仁杰#

Genre: Costume drama, detective
Release date: August 21 2017 (46 episodes)
Network: Beijing TV, Anhui TV
Directed by: Xie Zhaoyi (叶昭仪)

This is a large-scale costume drama that was already produced back in 2014. It focuses on the main character Di Renjie, which is played by actor Ren Jialun, who also starred in the drama Noble Aspirations (青云志).

Drama blog DramaPanda describes Detective Dee as a “Chinese equivalent to Sherlock Holmes” who actually lived during the reign of Empress Wu Zetian (624-705). He’s become a widely fictionalized character.

The drama shows the trials and tribulations of Di Renjie, as he is falsely accused of a crime he did not commit and then discovers he has special talents for solving cases.

Watch it on CCAsian here.

Starring: Ren Jialun (任嘉伦, also known as Allen Ren), Kan Qingzi (阚清子), Jiao Junyan (焦俊艳), Chen Yi (陈奕), Miao Junjie (缪俊杰).

#8. Green Love 青恋

Genre: Romance, family, rural
Release date: October 18, 2017 (26 episodes)
Network: CCTV-1, Zhejiang TV (where it started airing October 31st)
Directed by: Ma Jin (马进)

‘Green Love’ (Qinglian) is the only tv drama in this list that is themed around rural life in China – although it is about urban youth at the same time. It tells the story of the 28-year-old man Lin Shen (starring Guo Jingfei) who returns to his hometown of Yunshe village after establishing his own company in Shanghai.

As described by Cdramabase, he is not the only one turning to this village after building on a career in the big city. Investor Chen Ling (by Che Xiao) wants to escape the busy city and visits Lin Shen’s village, where she learns to appreciate Chinese village life.

Starring: Guo Jingfei (郭京飞), Che Xiao (车晓), Una You (尤靖茹).

#7. The Legendary Tycoon #传奇大亨#

Genre: Period drama
Release date: October 9, 2017
Network: Zhejiang TV, Tencent, iQiYi, Youku
Directed by: Zhuang Xunxin (庄训鑫)

With 110 million views on Weibo #传奇大亨#, this is a popular Chinese drama and a quite original one because it is based on a real-life story.

This drama takes place in Shanghai during the 1930s, when the brothers of the ‘Gu family’ join the movie industry. Gu Yanmei, played by actor Zhang Han, is the youngest brother, who follows his older brother Gu Ruoxia to Singapore to start their own film business there. When war breaks out, the brothers decide to move their film production base to Hong Kong – the start of a tumultuous and flourishing career.

The Legendary Tycoon is based on the story of the Shaw Brothers, of whom the youngest, Run Shaw, passed away in 2014, at the age of 107 (Find a short history of the Shaw Brothers & Chinese cinema here).

See the first episode of this drama here (in Chinese), or through Viki with English subtitles here.

Starring: Zhang Han (张翰), Jia Qing (贾青), Chen Qiao’en (陈乔恩), Song Yi (宋轶) Tan Kai (谭凯), Liu Changde (刘长德) Guo Ziqian (郭子千) Yao Zhuojun (姚卓君) Sun Wei (孙玮).

#6. Xuan Yuan Sword: Legend of the Han Clouds #轩辕剑之汉之云#

Genre: Fantasy, sci-fi, costume
Release date: August 8 2017 (58 episodes)
Network: Dragon TV
Directed by: Pan Wenjie (潘文杰), Jin Sha (金沙)

‘Xuan Yuan Sword: Legend of the Han Clouds’ is set during a fantasy era and revolves around three opposing kingdoms and the heroic accomplishments of the young protagonists. That these kinds of fantasy spectacles are still very popular amongst netizens can be viewed on this drama’s Weibo hashtag page, which had received 2,2 billion views by the time of writing.

The show can be viewed with English subs on Youtube here or through Viki.

Starring: Zhang Yunlong (张云龙), Yu Menglong (于朦胧), Guan Xiaotong (关晓彤), Zhang Jiazhu (张佳宁).

#5. My! Physical Education Teacher #我的!体育老师#

Genre: Romance, comedy
Release date: 11 November 2017 (38 episodes)
Network: Hunan TV
Directed by: Lin Yan (林妍)

The pretty Wang Xiaomi had always dreamed of being treated like a princess by her future husband. The much older Mark (Zhang Jiayi), who is facing a mid-life crisis, is her ideal candidate. But dealing with her new stepdaughter and restless husband is not the pampered life Wang had hoped for.

The drama comically features the generational differences between those born in the post-70s, post-80s, post-90s, and those born after 2000.

The drama can be watched online through CCAsian here.

Starring: Zhang Jiayi (张嘉译), Wang Xiaochen (王晓晨), Wang Weiwei (王维维), Zhang Zijian (张子健), Zhao Jinmai (赵今麦)

#4. Ordinary Person #凡人的品格#

Genre: Urban drama, workplace
Release date: October 28, (45 episodes)
Alternative title: Ordinary Person Character
Network: Jiangsu TV, Zhejiang TV
Directed by: Xu Zongzheng (徐宗政)

This drama’s narrative follows the story of several people who work together at a media company. While war reporter-turned-producer Zhan Dapeng (played by Lin Yongjian) is facing a crisis both in his working and personal life, the pretty industry newbie Chang Ge (Jiang Xin) is an admirer of Zhan. The two encounter many challenges while working on a new program together – they’re both partners and enemies at the same time.

Check it out (in Chinese) on Youtube here.

Starring: Lin Yongjian (林永健), Jiang Xin (蒋欣), Tong Lei (童蕾), Liang Zhenlun (梁振伦), Bai Zhidi (白志迪).

#3. The Endless Love #路从今夜白#

Genre: Romance
Release date: 11 November 2017 (32 episodes)
Alternative title: The Journey from Tonight is White
Network: Hunan TV, Mango TV
Directed by: Gu Yunyun (顾贇贇)

This drama, that is based on a novel by Mo Wu Bi Ge, revolves around the love story of the talented painter Gu Yebai (played by Chen Ruoxuan) and the amiable Lu Youyan (An Yuexi). When Gu is getting ready to prepare for a major art competition, psychological problems are challenging his journey. A new love blossoms when Lu Youyan helps him overcome his problems, but their relationship faces more obstacles as the drama unfolds.

This drama can be watched through Viki.com with subtitles (if it is licensed for your region).

Starring: Chen Ruoxuan (陈若轩), An Yuexi (安悦溪), Wei Miles (魏哲鸣), Luo Yutong (罗玉通), Clinton Kuang (匡牧野).

#2. ER Doctors ##急诊科医生##

Genre: Hospital drama
Release date: October 30, 2017 (43 episodes)
Network: Dragon TV, Beijing TV
Directed by: Zheng Xiaolong (郑晓龙), Liu Xuesong (刘雪松)

The television drama ‘ER Doctors’ (#急诊科医生#) is not just one of the highest-ranking tv dramas this winter, but also one of the most viewed and discussed topics on Weibo.

ER Doctors is a realistic drama that centers around a group of doctors at a hospital’s emergency department.

It tells the story of the ER room head doctor of the emergency department He Jian Yi (Zhang Jiayi) and the new Ph.D. advisor, who just returned from America, Jiang Xiaoqi (by Wang Luodan). At first, these two are wary of each other, but they come to understand each other and rescue not only patients side by side but also themselves in the end (Cdramabase).

According to Shanghai Daily, director Zheng attached great importance to the details in every scene, which is why he visited a Shanghai hospital with the drama’s cast to learn basic ER training.

Starring: Zhang Jiayi (张嘉译), Wang Luodan (王珞丹), Jiang Shan (江珊)

#1. Game of Hunting #猎场#

Genre: Romance, workplace
Release date: November 6, 2017 (52 episodes)
Alternative title: Hunting Ground
Network: Hunan TV, Youku, LeTv and more.
Directed by: Jiang Wei (姜伟) (also screenplay)

The Game of Hunting is the absolute number 1 of this list, currently topping the top lists of most popular dramas on Weibo and Sogu, and receiving a 9.0 rating from viewers.

The drama’s narrative revolves around headhunter Zheng Qiudong (played by Hu Ge) as he struggles to climb up in the financial world – a “hunting ground” full of enemies and immoral characters. When his business falls apart, he has to start anew with the help of this new alliances.

The show is heavily sponsored by One Plus (一加手机), one of China’s most popular domestic smartphone brands.

Game of Hunting can be watched online through multiple channels, including YouTube.

Starring: Hu Ge 胡歌, Chen Long 陈龙, Sun Honglei 孙红雷, Zhang Jiayi 张嘉译, Zu Feng 祖峰.

Want to know more? Also see
Top 5 Chinese TV Dramas of Summer 2017
Top 10 Chinese Television Dramas Early 2017
Top 10 TV dramas in China 2016

By Manya Koetse

Spotted a mistake or want to add something? Please let us know in comments below or email us.

©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the founder and editor-in-chief of whatsonweibo.com. She is a writer, public speaker, and researcher (Sinologist, MPhil) on social trends, digital developments, and new media in an ever-changing China, with a focus on Chinese society, pop culture, and gender issues. She shares her love for hotpot on hotpotambassador.com. Contact at manya@whatsonweibo.com, or follow on Twitter.

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  1. Avatar

    Linda Carr

    May 24, 2018 at 6:03 pm

    The Endless love is just a lovely series that I love to watch. In the beginning, I was just thinking that Chinese just rely on K-dramas and their shows are not as good as Koreans but now, I can understand they have a good drama industry. I am also watching some Chinese dramas here ( http://drama3sonline.com/ ).

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China Arts & Entertainment

Chinese Social Media Reactions to The New York Times Bad Review of ‘Wandering Earth 2’

A New York Times bad review of ‘Wandering Earth II’ has triggered online discussions: “China’s gonna save the world, the US can’t stand it.”

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This Chinese Spring Festival, it’s all about going to the movies. After sluggish years for China’s movie market during the pandemic, Chinese cinemas welcomed millions of visitors back to the theaters during the weeklong Spring Festival holiday.

Much-anticipated new movies attracted Chinese moviegoers this festive season, including Full River Red by Zhang Yimou, the suspenseful Hidden Blade, or the animated Deep Sea by Tian Xiaopeng.

But the undisputed Spring Festival box office champion of 2023 is Frant Gwo’s Wandering Earth II (流浪地球II), the sequel to China’s all-time highest-grossing sci-fi epic Wandering Earth (2019), which also became the fifth highest-grossing non-English film of all time.

The narrative of the follow-up movie Wandering Earth II actually takes place before the events of the first film and focuses on the efforts by the United Earth Government (UEG) to propel the Earth out of the solar system to avoid planetary disaster. This so-called Moving Mountain Project – which later becomes the Wandering Earth Project – is not just met with protest (the majority of Americans don’t believe in it), it also bans the Digital Life Project, which supports the idea that the future of humanity can be saved by preserving human consciousness on computers (backed by an American majority). The film is all about hope and resilience, human destiny, and geopolitics at a time of apocalyptic chaos.

Outside of China, the sequel was also released in, among others, North American, Australian, and UK cinemas.

Although the film, featuring movie stars Wu Jing and Andy Lau, received an 8.2 on the Chinese rating & review platform Douban, a 9.4 on movie ticketing app Maoyan, dozens of positive reviews on Bilibili, and was overall very well-received among Chinese viewers, a bad review by The New York Times triggered discussions on Chinese social media this weekend.

Chinese media outlet The Observer (观察者网) initiated a Weibo hashtag about “The New York Times‘s completely sour review of Wandering Earth II” (#纽约时报酸味拉满差评流浪地球2#, 6.2 million views at time of writing).

The New York Times review of Wandering Earth II, titled “The Wandering Earth II Review: It Wanders Too Far,” was written by Brandon Yu and published in print on January 27, 2023.

Yu does not have a lot of good things to say about China’s latest blockbuster. Although he calls the 2019 The Wandering Earth “entertaining enough,” he writes that the sequel is a movie that is “audaciously messy” and has lost “all of the glee” its predecessor had:

“(..) the movie instead offers nearly three hours of convoluted storylines, undercooked themes and a tangle of confused, glaringly state-approved political subtext.”

The topic was discussed on Chinese social media using various hashtags, including “The New York Times Gave Wandering Earth II a 3″ (#纽约时报给流浪地球打30分#, #纽约时报给流浪地球2打30分#).

Instead of triggering anger, the bad review actually instilled a sense of pride among many Chinese, who argued that the review showed the impact the movie has made. Some commenters pointed out that the movie is a new milestone in Chinese cinema, not just threatening America’s domination of the movie industry but also setting a narrative in which China leads the way.

“We’re gonna save the world, and America just can’t stand it,” one commenter replied.

That same view was also reiterated by other bloggers. The author and history blogger Zhang Yi’an (@张忆安-龙战于野) argued that The New York Times review was not necessarily bad; it actually shows that Americans feel threatened by the idea of China’s important role in a new international world order, and by the fact that China actually will have the capacity to lead the way when it comes to, for example, space technology innovation, robotics, and artificial intelligence.

Zhang argues that if a similar movie had been made by India as a Bollywood blockbuster – including exploding suns and wandering earths – The New York Times would have been more forgiving and might have even called it cute or silly.

But because this is China, the film’s success and its narrative plays into existing fears over China’s rise, and it clashes with American values about what the international community should look like.

Zhang writes: “The China in the movie doesn’t boast itself as the savior of the world, but in reality, China really is capable of saving the world. The United States is no longer able to do so (电影里的中国没有把自己吹嘘成救世主,现实中的中国真的有能力做救世主。而美国却已经不能了).”

One popular Film & TV account (@影视综艺君) also summarized the general online reaction to the bad review in the American newspaper: “Whenever the enemy gets scared, it must mean we’re doing it right. Our cultural export has succeeded.” That post received over 120,000 likes.

On Zhihu.com, some commenters also attached little value to the review and showed how the overseas reviews of Wandering Earth II widely varied in their verdict.

Meanwhile, a state media-initiated hashtag on Weibo claimed on January 28 that Wandering Earth II has actually “captured the hearts of many overseas audiences” (#流浪地球2海外上映获好评#), and that the film’s “imaginative” and “wonderful” visuals combined with its strong storyline were being praised by moviegoers outside of China.

On IMDB, the movie has received 5.9/10; it has gotten a 70% Rotten Tomatoes score. The Guardian gave it 2/5. Meanwhile, on Weibo, one reviewer after the other gives the film 5/5 stars.

Weibo blogger Lang Yanzhi (@郎言志) writes: “Recently, we’ve seen a lot of attacks and slander directed at the China-made science fiction movie Wandering Earth 2, especially coming from Western media and pro-Western forces, because the film’s “Chinese salvation” narrative made them uncomfortable. This was already the case when the first film in the series was released. It is very clear that Wandering Earth is not just a movie: it is a symbol of great influence.”

By Manya Koetse , with contributions by Zilan Qian

 

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China Arts & Entertainment

Behind the Short Feature Film of the Spring Festival Gala

The first-ever ‘mini film’ of the Spring Festival Gala struck a chord with viewers for its strong storytelling and authentic production.

Manya Koetse

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This precious and powerful short film by Zhang Dapeng has touched the hearts of Spring Festival Gala viewers. But there is more to the short film than meets the eye. Here’s the noteworthy story behind the 7-minute Spring Festival Mini Film.

On January 21, 2023, China’s Spring Festival Gala, hosted by China Media Group, kicked off the Year of the Rabbit. The annual show, which featured forty different acts and performances, lasted over four hours and attracted millions of viewers worldwide (see our liveblog here, and see a top 5 highlight of the show here).

Traditionally, the Spring Festival Gala always shows several short public service ad films in between the performances, but this year was the first time the Gala featured a “mini-film” or “micro film” (微电影).

Titled Me and My Spring Festival Night (“我和我的春晚”), the 7-minute film was praised among viewers. On Weibo, one hashtag dedicated to the short film received over nine million clicks (#我和我的春晚#).

The film was directed by the Beijing director Zhang Dapeng (张大鹏). Born in 1984, Zhang is a Beijing Film Academy graduate who previously attracted wide attention for directing the Peppa Pig Celebrates Chinese New Year movie and the brilliant ad campaign that came with it. Titled What Is Peppa, that short ad film featured a grandfather living in rural China who goes on a quest to find out what ‘Peppa’ is. The promotional video became an absolute viral hit back in 2019 (see/read more here).

Still from ‘What is Peppa.’ 2019.

This time, Zhang’s latest Chinese New Year film is about a hard-working former military man from China’s countryside named Zhang Jianguo (张建国), for whom coming on the show to play the trumpet has been a dream for many years. By featuring his story, the film takes us from the Chinese 1980s, 90s, 00s – as we see him change jobs, move around, and start a family – up to the present.

The main idea behind the film was to honor all the ordinary viewers who have written – and are still writing – to the Gala ever since it first aired in the early 1980s, and to tell a story inspired by these personal letters and ordinary viewers.

Short Summary of “Me and My Chunwan”

At the start of the film, we see Zhang Jianguo dusting off his military honorary awards (光荣军属), putting on his jacket, grabbing his thermos flask and trumpet, and setting out on a journey in the midst of winter.

Riding an electric tricycle in the icy cold, his driver (actor Huang Bo 黄渤) asks him where he is going. “Can you keep your mouth shut?” Zhang replies (“你嘴严实不严实”). “I can,” the driver says, and Zhang then says: “So can I.”

The voiceover narration, a first-person narrative by Zhang himself, explains that he has always been busy: “I never had time for the Spring Festival Gala. My Spring Festival fate is all because of something my captain said.”

The film jumps to a scene showing Zhang as a young military man during the Chinese New Year’s Eve, working outside while people are watching the Spring Festival Gala on a small black and white television inside. As his commander (played by Wu Jing 吴京) hands him his trumpet, he says: “Go and play your trumpet on the television.”

“If the leader asks me to go on the Spring Festival Gala, it’s a task I must complete,” the voice-over says.

But in the military scene itself, duty calls and Zhang has to blow the trumpet to announce dinner time.

In the years that follow, Zhang is always busy during the Spring Festival Gala. Working in the factory, getting married, working on a train, farming cattle, taking care of his family, and always cooking. His trumpet is still there with him, to announce dinner time or hanging on the wall as a memory of times past.

As the years pass by, Zhang realizes that he has gradually forgotten about his commander’s words. Time moves fast. First, he had a son, then his son grew taller than himself, and then his son had his own son. “And I still had never been to the Spring Festival Gala.”

With his captain’s words back on his mind, Zhang, now an older man, sets out on his journey without telling anyone. By foot, by electric tricycle, by bus, and by train, Zhang travels all the way to the famous Beijing Studio 1 to perform at the Spring Festival Gala after being “too busy” for forty years.

Backstage at the Spring Festival Gala, Zhang sits down with famous Chinese Spring Festival Gala performers (Ma Li 马丽 and Shen Teng 沈腾). While unpacking his lunchbox, he tells them he was finally not too busy to come on the show: “I wrote a letter and here I am.” “It’s that simple?” Ma Li wonders.

The producer then rushes to come and get Zhang, who bravely walks towards the stage with his old little trumpet.

A female voice-over then reads out a message, while we see various scenes throughout the years showing Zhang – from young to old – writing letters to CCTV from wherever he is.

The female narrator says: “Dear Uncle Zhang, we’ve received your letter regarding your hopes to realize your cherished stage dream. In this age of emailing, and knowing that you’ve been writing us for 39 years, we’re moved and feel guilty. Our reply may be late, but not our sincerity..

Meanwhile, we see a flashback to a mailman pulling up to old Zhang’s home (the mailman is the actor Wang Baoqiang), and the old Zhang finally receives that much-anticipated letter from CCTV at his remote rural home.

The female narrator continues: “This year, we proudly invite you to be a guest at the Spring Festival Gala and to “ring the dinner bell” [play the sound announcing dinner]. Sincerely, the Spring Festival Director Committee.

In the final shot, we see Zhang blowing the trumpet at the Gala, with flashbacks showing him blowing that trumpet in all those decades before. He has finally made it to the big stage.

A Noteworthy Story

While Me and My Spring Festival Night received a lot of praise on Chinese social media, the story behind the film was not immediately clear to many viewers celebrating the Chinese New Year, but it was explained in several articles and interviews with director Zhang Dapeng.

During the live-televised Spring Festival Gala itself, the airing of Me and My Spring Festival Night was directly followed up by a shot featuring a person (a veteran) in the audience standing up and actually playing the trumpet.

Directly after, the song “Goodmorning Sunshine” began, representing multiple people from all kinds of professions and social groups. About one minute into the song, the camera turns to another audience member: the person who plays ‘Uncle Zhang’ in the mini-film. Later in the song, we can see he is wiping away tears, visibly moved.

Why was he so moved? The older man in the audience, the main ‘Uncle Zhang’ actor in the film, is Jin Changyong (金长勇), and he actually is not a professional actor.

Somewhat similar to the character Zhang Jianguo, Jin Changyong or “Uncle Jin” (金叔) is a hardworking veteran from Hebei’s Huailai County in Zhangjiakou.

Jin Changyong is a 63-year-old farmer who is also active at the Hebei Tianmo Film and TV Park doing security and logistics-related jobs. He served in the army for four years from the age of 19, as, among others, a military chef.

Director Zhang Dapdeng came across ‘Uncle Jin’ one day while shooting another film at the studio. While Jin was busy doing kitchen work, director Zhang saw him and, as he later recounts, was struck by his face that showed he had “lived through many changes” (“这种饱经沧桑的脸”).

Zhang later invited Uncle Jin to star in the movie, and he also made sure Jin’s own story played a role in the script.

Director Zhang Dapeng, image via CCTV.

This makes this short movie all the more special, something which has since been discussed on Chinese social media (#春晚微电影的主演是普通农民#).

The surprising twist in the story is how Zhang Jianguo tells other people he has just always been “too busy” to attend the Gala, while he had in fact already written to the show for 39 years with the hope of one day being invited.

Another noteworthy aspect of the film is how Zhang Dapeng chose to cast some of China’s most celebrated actors as supporting roles to lift up the main character and actor, Jin, who was inexperienced and learnt from his fellow players.

In an interview, Jin expressed that the entire experience of playing in this short film left his overcome with emotion. After the filming had ended, he told reporters that he had sleepless nights because he had not received an actual invitation to the Spring Festival Gala yet, something which he so very much hoped for. Just one week before the show, that invitation finally came.

The fact that Jin, in a way, played a man like himself in the short movie has added to the film’s popularity.

“I was sincerely moved by this film,” one commenter wrote, with others saying: “This was the best program I’ve seen on the Gala over the past decade.”

While some people also remarked that the short film seemed to have been influenced by The Grand Budapest Hotel by Wes Anderson, others praised it for its originality.

“This was just the best part of the night,” several commenters said: “It made me cry.”

“Zhang Pengda – a name to remember,” others wrote.

You can watch the short film on Youtube here.

By Manya Koetse 

Get the story behind the hashtag. Subscribe to What’s on Weibo here to receive our newsletter and get access to our latest articles:

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

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