SubscribeLog in
Connect with us

China Arts & Entertainment

Chunwan 2022: The CMG Spring Festival Gala Liveblog by What’s on Weibo

Published

on

PREMIUM CONTENT

As we are leaving the Year of the Ox and entering Year of the Tiger, it’s time for the 40th edition of the Spring Festival Gala! Watch the Gala together with What’s on Weibo here and follow our liveblog to keep up with what’s happening on screen and on social media (this liveblog has now closed, read the overview below!) [Premium content]

Another year has flown by and despite many changes, we can always count on China’s annual Spring Festival Gala. This 40th edition of the festival is the third one to take place in the Covid era.

The Gala will be broadcast on TV and live-streamed via various channels on January 31st, 20.00 pm China Standard Time. So turn on your TV and tune into CCTV, live stream from Weibo, watch on YouTube, or head to the CCTV website. We will be live-blogging on this page here and you can scroll & watch at the same time from this page.

 

Very Brief Introduction to the Spring Festival Gala

 

China’s Spring Festival Gala (中国中央电视台春节联欢晚会), commonly abbreviated to chūnwǎn (春晚), is the annual TV gala celebrating the start of the new year. Broadcasted since 1983, it is not just the biggest live televised event in China, it is even among the most-watched shows in the world. The show reached a record 1.27 billion viewers around the globe in 2021.

Previously known as the ‘CCTV Gala,’ it is officially presented as the ‘CMG Spring Festival Gala’ since 2020: it is hosted by China Media Group (CMG), the predominant state media company founded in 2018 that holds China Central Television, China National Radio, and China Radio International.

The Gala is an important Chinese media moment and significant cultural event organized and produced by the state-run broadcaster, overseen by the National Radio and Television Administration (NRTA), and aired across dozens of channels. It shows the very best of China’s mainstream entertainment and Party propaganda and is a mix of traditional culture, (digital) commerce, and politics. It is an opportunity for the Party to communicate official ideology, it is also a chance to present the nation’s top performers.1

Since recent years, it has also become a platform to showcase China’s innovative digital technologies. In 2015 the show first featured the exchange of virtual hongbao, red envelopes with money, which WeChat users could obtain while shaking their phones during specific moments in the show. Such marketing strategies have drawn in much younger viewer audiences than before. In 2021, the Gala explicitly presented itself as a “tech innovation event” by using 8K ultra high-tech definition video and AI+VR studio technologies and super high definition cloud communication technology to coordinate performances on stage.

The show lasts a total of four hours, from 8pm to 1am Beijing time, and usually has around 30-40 different acts, from dance to singing and acrobatics. The acts that are both most-loved and most-dreaded are the comic sketches (小品) and crosstalk (相声); they are usually the funniest, but also convey the most political messages.

As viewer ratings of the Gala in the 21st century have skyrocketed, so has the critique on the show – which seems to be growing year on year. According to many viewers, the spectacle generally is often “way too political” with its display of communist nostalgia, including the performance of different revolutionary songs such as “Without the Communist Party, There is No New China” (没有共产党就没有新中国).

For this same reason, the sentence “There’ll never be a worst, just worse than last year” (“央视春晚,没有最烂,只有更烂”) has become a well-known idiom connected to the Gala.

If you want to know more about the previous editions, we also live-blogged
– 2021: The Chunwan Liveblog: Watching the 2021 CMG Spring Festival Gala
– 2020: CCTV New Year’s Gala 2020
– 2019: The CCTV Spring Festival Gala 2019 Live Blog
– 2018: CCTV Spring Festival Gala 2018 (Live Blog)
– 2017: CCTV New Year’s Gala 2017 Live Blog
– 2016: CCTV’s New Year’s Gala 2016 Liveblog

 

Liveblog CMG Spring Festival Gala 2022

 

Underneath here you will see our liveblog being updated. Leave the page open and you’ll see the new posts coming in, there should be a ‘ping’ too with every update.

Update: this liveblog is now closed, check below for an overview of the entire show.

 
——–
The original liveblog was done via a third-party app. The original texts and images are copied below for reference. If there are links to particular segments of the show, they have been added later. The timestamp (in Beijing time) refers to the last moment that post was updated.

Want to directly check out some Spring Festival Gala highlights on YouTube?

We recommend:

The ‘painting’ dance: ‘Only This Green (只此青绿)

The dancing elephant song: ‘The Herd Returns With Spring’ (万象回春)

Creative music, dance, poetry, and painting: “Reminiscence of the South” (忆江南)

Tai Chi up in the sky: ‘Flowing Water’ (行云流水)

The space-themed children performance: ‘Star Dreams’ (星星梦)

——–
 

What can we expect?

Jan 31 19:30

It’s almost time for the 40th edition of the Spring Festival Gala to begin. The fifth and final rehearsal of the entire event took place on January 29th. Even if something goes wrong tonight, the tape of the official rehearsal runs together with the live broadcast, so that in the event of a problem or disruption, the producers can seamlessly switch to the taped version without TV audiences noticing anything.

The Spring Festival Gala usually always focuses on the themes that matter to Chinese authorities, as the event is an important moment to communicate official ideology.

The themes and topics that mattered last year were China’s battle against COVID19, the 100th anniversary of the Chinese Communist Party, China’s eradication of poverty, China’s Space Program, and the upcoming Winter Olympics.

This year most of these themes will probably again also play an important role this year, together with rural revitalization and China’s unity, with a special focus on Taiwan and Hong Kong.

Also, we’re pretty sure that Olympic mascots Bing Duan Duan (“Bing Dwen Dwen”) and Xue Rong Rong (“Shuey Rhon Rhon”) will show up.

——–
 

Less Focus on Celebrity Culture

Jan 31 19:35

After a year of celebrities being canceled and crackdowns shaking the Chinese entertainment industry to the core, this year’s Spring Festival Gala will be less focused on popular idols of the internet era and more focused on performing art talents and national heroes.

Chinese state outlet Global Times stressed the idea that those performing in the Chinese New Year Gala should “act as a role model to viewers.”

Many of the people who have an impeccable track record are the older performing artists (those who never had to deal with the social media audiences), so the average age of the artists tonight might be a bit higher up the age ladder than usual.

——–
 

Most Anticipated Acts?

Jan 31 19:50

One of the most anticipated acts for tonight is the dance play “Only This Green” (只此青绿) inspired by the famous handscroll “One Thousand Miles of Rivers and Mountains.” In this performance, choreography twin stars Zhou Liya and Han Zhen will highlight the aesthetics of traditional Chinese painting.

The performance of the official Winter Olympics theme song is also attracting some attention.

Overall, the schedule of tonight’s show is looking fairly traditional, although there will be plenty of tech on display too; a 720-degree dome made of LED screens is set up for an immersive viewing experience, and the latest technology like AR, XR, and 8K will also be used.

——–
 

Liu Zhen: Chief Director

Jan 31 19:57

This year’s director of the Spring Festival Gala is Liu Zhen (刘真), who is the Deputy Director of the CCTV arts channel. He is known for previously directing the 2009 anniversary night of the Great Sichuan earthquake and he also directed the 2019 Spring Festival Gala themed around “New China.”

Noteworthy enough, it seems that this year’s Gala is only broadcasted from CCTV 1 Beijing Studio. Usually, there are also three or four other sub venues in other parts of China. Perhaps the Covid19 situation has been a contributing factor to deciding to let this year’s show only take place in one location.

——–
 

We’re starting!

Jan 31 20:05

In this opening act, Happy and Auspicious Year (欢乐吉祥年), three major Wuhan art groups are on stage together with many familiar faces, including the 87-year old actress Tao Yuling, we just saw Chinese director Zhang Yimou and acclaimed actor Ge You appearing in the intro, and there are many others together with some veteran performers who are being honored on stage today.

——–
 

Tonight’s hosts

Jan 31 20:06

These are tonight’s hosts:

Ren Luyu (任鲁豫, 1978): Ren Luyu is a famous Chinese television host from Henan who is a very familiar face for viewers. He presented the Gala five times since 2010.

Li Sisi (李思思, 1986): Li Sisi is a Chinese television host and media personality who is actually most known for her role as host of the Gala since 2012. This is the fifth time Li Sisi is presenting the Gala. She used to be the youngest host, but this year, Ma Fanshu is taking her place as the youngest host.

Nëghmet Raxman (尼格买, 1983): Together with Ren Luyu, Raxman is known as one of the veteran Gala hosts of the past decade. This is the seventh time for him to present the event since 2015. Nëghmet Raxman is a Chinese television host, born and raised in Ürümqi, Xinjiang.

Sa Beining (撒贝宁, 1976): Also known as Benny Sa, SA Beining previously presented the Gala in 2012, 2013, 2015, and 2016. He is a Chinese television host known for his work for CCTV.

Ma Fanshu (马凡舒, 1993): Ma Fanshu is the youngest and newest host in this year’s Gala. She is a sports program host who has also been called “the most beautiful host of CCTV.”

It’s noteworthy that renowned CCTV host Zhu Jun still has not returned to the Gala. The presenter was accused of sexually assaulting an intern in 2018 and hasn’t been a host at the Gala since. Although the internet lost the sexual harassment lawsuit against Zhu Jun, he still hasn’t reappeared.

——–
 

Sense of the Times 时代感

Jan 31 20:10

This song is performed by the Chinese actor and singer Deng Chao (邓超) together with China’s ‘Supergirl’ Li Yuchun (李宇春) and Yi Yang Qianxi (Jackson Yee), the youngest member of the Chinese boy band TFBoys and super popular solo artist.

On stage, we also see dancer Zhang Yin (张引) together with various dance troupes.

Tonight we’ll see other members of the TFBoys come up in other acts as solo artists rather than as a group.

Link to this performance here.

——–
 

Skit: Father and Son

Jan 31 20:15

This is the first sketch comedy or short play of the night, called xiaopin 小品 in Chinese. Traditionally, the xiaopin is the best-received type of performance of the Gala for evoking laughter among the audiences. The various xiaopin shows are filled with puns, funny lines, and plot twists to entertain the viewers.

Over recent years, these comic acts performed during the Spring Festival Gala have come to center more on social issues such as environmental protection, corruption, social morals, migrant workers, and family affairs – including those concerning love and marriage. These are not always appreciated as much by viewers.

Meanwhile, on Chinese social media, some netizens are wondering who this kid is who was on stage earlier because he seemed a bit uncomfortable and awkward. But wouldn’t you too?! Over a billion people are watching this show!

Link to this performance here.

——–
 

The ‘Awkward Kid’

Jan 31 20:20

Look son, you’re a meme now!

——–
 

Pressured by the Parents

Jan 31 20:25

Inevitably, this skit touches upon the issue of Chinese parents pressuring their kids to settle down and have kids. This is already leading to online discussions as viewers often think the Gala has skits that are insulting to women or just embarrassing. In this case, the grandpa can’t wait for a grandkid, he even thinks his future grandchild is already calling him from the womb!

Link to this performance here.

——–
 

The Herd Returns With Spring

Jan 31 20:36

After the night’s first public announcement video – which was actually very well made with the tiger jumping through all the scenes -, we are now at the next segment. This is a musical skit (音乐短剧) focused on how nature blossoms with the return of spring (万象回春). It is performed by Chinese mainland singers Sha Baoliang (沙宝亮) and Wang Li (王莉) together with dancer and singer Liu Jia (刘迦).

The highlight of this act is the dancing elephants. They’re not real, obviously.

Last year, a herd of wild Asian elephants wandered hundreds of miles across southern China. They became a top trending topic on Chinese social media as netizens followed their journey. In September 2021, the elephants returned home after covering a total distance of 1,300 km.

Before tonight’s show, a creator already highlighted the elephants in the countdown program.

Link to this performance here.

——–
 

Spring Breeze

Jan 31 20:38

Chinese soprano Yin Xiumei (殷秀梅) and contemporary opera singer Yan Weiwen (阎维文) perform the song Ten Thousand Miles of Spring Wind (春风十万里), which was previously performed at the 2020 Gala by Zhang Ye (张也) and Liu Tao (刘涛).

Link to this performance here.

——–
 

21 Weibo Accounts Suspended For ‘Ruining The Holiday Spirits’ During Lunar New Year

Jan 31 20:40

We’re seeing loads of criticism on the Gala already. Online criticism and making fun of the Gala is a big part of the ‘Chunwan Experience’ ever since the social media era. But Weibo censors might be stricter this year.

On January 22, Weibo issued an indirect warning to netizens criticizing the festive annual Chinese New Year Galas by suspending 21 Weibo users spreading negativity regarding broadcasted festival programs and their performances.

According to Weibo Management (@微博管理员), there are individual netizens who are using televised Lunar New Year celebrations to condemn and slander Chinese performers and Chinese media. In doing so, they allegedly “deliberately destruct the warm and peaceful holiday spirit.”

“In times of pandemic, the Spring Festival needs positivity and warmth,” Weibo Management stated.

——–
 

Comical Sketch: To Return or Not?

Jan 31 20:45

This is the sixth time for Chinese comedian Shen Teng (沈腾) and Ma Li (马丽) to be on stage together at the Spring Festival Gala. Besides that, you also might know them because Shen Teng, one of China’s top comedian actors, and the famous Ma also played together in the 2015 hit movie Goodbye Mr. Loser (夏洛特烦恼).

On stage with them are Chang Yuan (常远), Ai Lun 艾伦, Wang Chengsi (王成思) and Xu Wenhe (许文赫).

This act is about people who have the means to repay debts they owe but choose not to, also referred to as 老赖 (laolai). This guy is so cheap he even offers a drink of water from the heating system.

By the way, did you know you can even watch the Gala from WeChat? It seems there are more ways and channels to watch every year. The Gala already reached a record 1.27 billion viewers last year.

Link to this performance here.

——–
 

Heads Up! Only This Green (只此青绿)

Jan 31 21:04

This is a much-anticipated dance performance by Chinese star dancer Meng Qingyang (孟庆旸) together with the China Oriental Performing Arts Group. Meng also performed the dance Jasmine in last year’s Gala.

“Only This Green” (只此青绿) is inspired by the famous handscroll “One Thousand Miles of Rivers and Mountains.” In this performance, choreography twin stars Zhou Liya and Han Zhen will highlight the aesthetics of traditional Chinese painting.

The 11.9-meter (39 ft)-long scroll A Thousand Li of Rivers and Mountains by Wang Ximeng comes from the Song Dynasty and it has been described as one of the greatest works of Chinese art. The painting is in the permanent collection of the Palace Museum in Beijing.

Link to this performance here.

——–
 

Tai Chi: “Flowing Water”

Jan 31 21:10

Chinese Olympic athlete Yang Shunhong (杨顺洪), Tai Chi World Champion Liang Bifeng (梁壁荧) and Tai Chi master Yang Dezhan (杨德战) were just featured in this impressive Tai Chi performance recorded on dazzling heights in Shanghai. (Correction > recorded from the three highest buildings in Guangzhou, Shanghai, and Chongqing!)

Link to video: ‘Flowing Water’ (行云流水)

——–
 

Chunwan Shopping

Jan 31 21:21

Over recent years, it’s become more common for e-commerce sellers to immediately jump in on the hype of what performers are wearing to sell the same or similar clothes and accessories online. In this way, viewers can watch the show while also eating and shopping, and chatting on social media at the same time!

——–
 

喜上加喜

Jan 31 21:23

In this comic sketch, we see Chinese comedian actress and film director Jia Ling together with award-winning actress Zhang Xiaofei. These two also worked together in the super popular 2021 movie ‘Hi, Mom‘. This time they are on stage as a mother-in-law and daughter-in-law. Since they’re both very popular, many Weibo users also said they were looking forward to seeing this sketch – especially because there was a scene in which Jia Ling, who played Zhang’s daughter in the movie, said: “Next life, let me be your mother.”

Meanwhile, some on social media are wondering if Jia is wearing the same outfit every year.

Link to this performance here.

——–
 

Uhm…

Jan 31 21:29

Some very quick viewers were able to capture Chinese actor Chen Baoguo (陈宝国) picking his nose with his mask on while sitting in the audience.

By the way, this is the second year the audience is wearing a face mask. In 2020, when Wuhan was first facing the Covid19 outbreak, the audience was not wearing face masks yet. 2021 was the first year.

——–
 

Here’s Han Hong Again

Jan 31 21:33

Singer Han Hong (1971) is one of China’s most famous pop singers and she is a regular at the Spring Festival Gala. For decades, the singer of mixed Tibetan and Han ethnicity was a member of a performing arts troupe within the People’s Liberation Army.

Tonight, she is singing the song So Many People in This World (这世界那么多人). She seemed to have some tears streaming down her face during her performance.

Link to performance here.

——–
 

Peking Opera

Jan 31 21:45

Every year you’ll see a Peking Opera act passing by during the Gala. This year, it is a mix of martial art acts together with singing. The performers are from all generations, from those born in the 1930s to those born in the early 2000s.

Link to this performance here.

——–
 

About that Sweater..

Jan 31 21:47

The sweater worn in the ‘debt dodger’ comic skit earlier tonight might have looked cheap, it’s actually $260! Gala viewers who liked the sweater can buy it online straight away.

——–
 

Grabbing Red Envelopes with JD

Jan 31 21:48

After the Gala partnered with Tencent, Kuaishou, and Baidu in previous years, they’ve now partnered up with e-commerce giant JD.com. Throughout the show, you’ll see various ‘media moments’ during which viewers can ‘catch’ red envelopes.

Actually, the Gala became especially linked to social media it first featured this kind of exchange of ‘hongbao’, red envelopes with money, which is a Chinese New Year’s tradition. In 2015, for the first time, viewers were able to receive virtual ‘hongbao’ as part of a cooperation between CCTV and WeChat. WeChat users shook their phones 11 billion times that night in order to ‘grab’ the money. These kinds of campaigns drew in much more young viewers – the Gala was previously viewed as something for older audiences – although it still might be, social media has helped get the younger viewers involved, too.

——–
 

“Sending Out Red Envelopes”

Jan 31 21:57

This is another comical sketch, titled Sending Out Red Envelopes (发红包) featuring some well-known comedians including Jia Bing.

This skit is another one focused on money: “You’d almost think that the director still needs to get his money back from someone,” some Weibo users are joking, since money seems to come up a lot as a theme in tonight’s comedy.

——–
 

Happy Vibes

Jan 31 22:09

Next up, there are some happy vibes with Da Zhangwei (大张伟) and Wang Mian (王勉) in this “music talk show” (“音乐脱口秀”) segment.

You might know Da Zhangwei as ‘Wowkie Zhang’ from the Sunshine Rainbow White Pony song. Attention was drawn to the song in the West when internet users thought that the chorus of the song, where Wowkie Zhang repeats the lyrics “nèi nèi ge nèi nèi nèi ge nèi ge nèi nèi,” was racist. But ‘nèi ge‘ is actually a filler word in Chinese (like ‘like’).

Link to this performance here.

——–
 

Magic Act

Jan 31 22:21

Usually, you’d expect magic performances to come a bit later in the show, but here we are with Chinese magician Daly Tang (邓男子). We’re halfway through the show.

This act is not received well on social media, with many saying this can’t even be called magic. Chinese actress being used as a ‘prop’ for the act is trending at this time.

Link to this performance here.

——–
 

乳虎啸春

Jan 31 22:25

There are martial arts at the festival every year, but this performance is a bit special since it combines comedy and martial arts and also is performed by many younger performers from the Henan Shaolin Tugou School of Martial Arts.

It is also a special performance because it combines martial arts with humor, whereas these kinds of performances are usually more serious.

According to one of the coaches of the children, the students practiced their facial expressions in the mirror every day as part of their homework. They also looked at film and television materials to learn from.

Link to this performance on YouTube here.

——–
 

“Happy Dialect”

Jan 31 22:39

This ‘crosstalk’ performance features xiangsheng actors Jiang Kun and Dai Zhicheng. Xiangsheng (相声) or crosstalk is a traditional Chinese comedic performance that involves a dialogue between two performers, using rich language and many puns.

Meanwhile, presenter Sa Beining is going viral for his peculiar role in the magic act.

Link to this performance here.

——–
 

“Star Dreams”

Jan 31 22:45

Every year, there’s always one song dedicated to children and it’s often all over the place. In the past, we’ve seen dancing panda’s and dogs, flowers, and even swinging broccoli on stage. Here we see the Air Force Blue Sky Children’s Art Troupe on stage together with Zhao Yixi (赵芸熙) in this beautiful space-themed performance.

The kids’ performance “Star Dreams” also contained a special surprise: the little girl showing up at the end is actually the little daughter of female Chinese astronaut Wang Yaping, who is now on the 6-month Shenzhou-13 mission. She asked her mum to bring her back a star.

Link to this performance on YouTube here.

——–
 

Yunnan Group Dance 摆出一个春天

Jan 31 22:48

This performance showcases the traditional folk dances from Lancang Lahu Autonomous County, located in the southwestern part of Yunnan province (not too far from the Myanmar border).

Link to this performance on YouTube here.

——–
 

“Rest Area” Outside of the Hospital

Jan 31 23:00

Another comical skit, titled ‘Rest Area Story’ (休息区的故事), is performed by Guo Donglin (郭冬临), Shao Feng (邵峰), Han Yunyun (韩云云), Huang Yang (黄杨), Jiang Lilin (姜力琳), Zhang Dabao (张大宝).

Guo Donglin is notable for performing xiangsheng and sketch comedy and has appeared at the Gala for many years.

In this performance, we see a couple, who are both working on the frontlines of the epidemic, arguing together.

Link to this performance on YouTube here.

——–
 

Sanxingdui Relics Ceremony and Dance

Jan 31 23:14

Chinese director Zhang Guoli is coming on stage now for this special ceremony that is all about the relics that were unearthed in southwest China earlier in 2021. A gold mask dating back over 3,000 years was among hundreds of relics uncovered from a series of sacrificial pits in southwest China. The finds were made at Sanxingdui, a 4.6-square-mile archeological site outside Chengdu.

Zhu Fengwei (朱凤伟) and Wang Xi (王西) perform this creative dance performance titled Golden Mask, of course referring to the special artifact found at Sanxingdui.

Link to this performance on YouTube here.

——–
 

ShaLaLaLa Song

Jan 31 23:17

Canto-pop is here! The singers performing this Shalalala song are all established names from Hong Kong. There’s Alan Tan, a big name in the Cantopop scene of the 1980s. There’s Kenny Bee who has been in the entertainment industry for at least three decades. We also see Bennett Pang, Anthony Chan, and Bingo Tso.

Together, these artists once were in the Hong Kong English pop band The Wynners, which became one of the most popular teen idol groups in Hong Kong during the 1970s.

Link to this performance on YouTube here.

——–
 

True Love Dance

Jan 31 23:22

The China Acrobatic Troupe is on stage to perform the True Love Dance (真爱起舞). Singing are Chinese actors and singers Ren Jialun (任嘉伦), Roy Wang (王源), Victoria Song (宋茜), and Jike Junyi (吉克隽逸).

Link to this performance on YouTube here.

——–
 

Another Xiangsheng

Jan 31 23:33

This xiangsheng or ‘crosstalk’ performance is by Lu Xin and Yu Hao. Crosstalk usually involves two actors with one being the “joker” and the other being the “teaser,” it is all about word jokes and playing with rhythm and language.

Meanwhile, on Weibo, many netizens are complaining that they don’t find the language performances as funny as before and that they are missing the older performers they grew up seeing on tv.

——–
 

You are the Gift of My Life

Jan 31 23:38

This song is sung by the renowned Chinese singer and songwriter Liu Huan (刘欢), who is famous for his work within China’s pop music industry. Outside of China, is also known for performing at the 2008 Olympics Ceremony, joined by Sarah Brightman to sing the official song You and Me. Liu actually has a small Olympic pin on his hat as a nod to the Beijing 2008 Olympics.

Link to this performance on YouTube here.

——–
 

Our Era

Jan 31 23:40

The song Our Era (我们的时代) is performed by Zhang Ye (张也) and Lü Jihong (吕继宏) who have often sung together at earlier Spring Festivals, mostly singing patriotic songs bringing an ode to China, Chinese people, and China’s landscapes.

Link to this performance on YouTube here.

——–
 

Special Segment

Jan 31 23:43

Like every year, this is the part of the show where some ‘exemplary persons’ get honored for their accomplishments. This special segment pays a tribute to recipients of the July 1st Medal, the Party’s highest honor, recognizing exceptional service and contributions to the Party and the country.

——–
 

Love Together

Jan 31 23:46

We suddenly find ourselves immersed in an underwater world together with Chinese singer-songwriter Li Ronghao and Taiwanese singer Angela Zhang for the song Love Together (爱在一起).

Link to this performance on YouTube here.

——–
 

Yellow River, Yangtze River

Jan 31 23:52

Mainland China, HK, Macau, and Taiwan are all represented on stage for this song!

This song (黄河 长江) is performed by Chinese top actor and singer Chen Kun (陈坤 , 1979), who is also known as Aloys Chen. Together singing with him are Taiwanese singer Jam Hsiao and Hong Kong rapper/singer/multi-talent Jackson Wang. From Macao there’s the musical artist Sean Pang (Pang Veng-Sam/彭永琛).

Link to this performance on YouTube here.

——–
 

The Bells of Spring

Jan 31 23:55

The Bells of Spring (春天的钟声) is a song performed by Gala veteran Sun Nan and the singer Tan Weiwei.

Sun Nan (孙楠) is a famous Chinese Mandopop singer who performed at the Gala multiple times over the past year, including the iconic 2016 performance where he danced together with 540 robots.

Tan Weiwei (谭维维), also known as Sitar Tan, is a singer from Sichuan who rose to fame when she became a runner-up in the Super Girl talent show. In 2020, she released a noteworthy album titled 3811 which focused on the struggles women in China are facing, with each of the 11 songs on the album telling stories of women from diverse backgrounds.

Link to this performance on YouTube here.

——–
 

Twelve O’Clock Moment

Jan 31 0:00

Countdown!

It’s twelve o’clock. Happy New Year, everybody!

This special moment is celebrated together with Chinese astronauts Zhai Zhigang, Wang Yaping, and Ye Guangfu. The three were sent into China’s space station aboard the Shenzhou-13 spaceship on October 16, 2021, for a six-month stay – the longest ever in-orbit duration for ‘taikonauts.’

——–
 

Winter Olympics Special

Feb 1 00:09

We just saw Ice and Snow Twinkling in the Chinese Year under the guidance of the renowned conductor Chen Xieyang, who is also Honorary Music Director of Shanghai Symphony Orchestra.

Following were some words from International Olympic Committee (IOC) President Thomas Bach. Last week, the Olympic chief met face-to-face with Xi Jinping as China is getting ready to host the Winter Games.

Then this is the official Olympic song Light Up the Dream (点亮梦) performed by baritone Liao Changyong and Hongkong pop diva Coco Lee. On stage with them are 19 foreign hosts of CGTN.

Light Up Your Dreams was released in September 2021 by the Beijing Winter Olympic Organizing Committee as a song meant to communicate positivity and hope (“There’s a miracle waiting for you after the storm”).

Also performing: China Disabled People’s Performing Art Troupe.

Link to this performance on YouTube here.

——–
 

Online criticism

Feb 1 00:13

Some online criticism on an earlier short play performed tonight about the hospital staff couple arguing about a spot to go abroad. The husband told the wife not to go because she is female. The online doctor network 丁香园 is now pointing out it’s sexist to say females should not go abroad as people “would be all focusing on how pretty she is instead of getting medical help.”

——–
 

Hotpot Sonata!

Feb 1 00:20

After the Song of the Land we have now switched to Hotpot Sonata (火锅奏鸣曲).

This song is an ode to hotpot! And we love hotpot!

The performance, among others, is by Chongqing Song and Dance Troupe.

Link to this performance on YouTube here.

——–
 

Creative music, dance, poetry and painting “Reminiscence of the South”

Feb 1 00:23

This song is called Remembering the South (忆江南) and is performed by a male group of older and younger performers, including the 68-year-old Chinese mainland actors Pu Cunxin(濮存昕, 68 years old), Feng Yuanzheng (冯远征, 59 years old), Ding Zhi-Cheng (丁志诚, 58 years old), and the Taiwanese actor Li-Chun Lee (李立群, 69 years old).

Among the younger singers (1980s/1990s), there’s Ayanga (阿云嘎), Chinese musical theater actor, singer and songwriter of Mongol ethnicity; Taiwanese Mandopop singer Aska Yang (杨宗纬), Chinese singer Shawn Zheng aka Zheng Qiyuan (郑棋元) and the Chinese operatic tenor Cai Chengyu(蔡程昱).

Many on social media find this performance so beautiful that they wonder why it was scheduled so late in the evening.

Link to this performance on YouTube here.

——–
 

Happy Hour

Feb 1 00:26

Chinese actor Zhu Yilong (朱一龙, 1988) is on stage singing the song Happy Hour (欢乐时光). It is not the first time for the Beijing Film Academy graduate to take part in the show. Last year, he performed together with Jackie Chan in one of the most anticipated acts of the night, which was a performance dedicated to all the health workers during the epidemic.

With Zhu there is the “queen of TV ratings”, Chinese actress Zhao Liying (赵丽颖), there’s TFBoys leader Karry Wang aka Wang Junkai (王俊凯), and Yisa Yu aka Yu Kewei (郁可唯).

Dance by Jilin City Song and Dance Troupe, China Post Art Troupe, Shandong Arts Institute, Zhongnan University of Nationalities School of Music and Dance, and the Beijing Modern Music Training Institute.

Link to this performance on YouTube here.

——–
 

Song “Unforgettable Tonight”

Feb 1 00:23

As always, the last song of tonight is Unforgettable Night (难忘今宵), the traditional closing song of the Spring Festival. The song was composed in 1984 when CCTV was preparing for its second Spring Festival Gala. Chief director Huang Yihe invited Qiao Yu and Wang Ming to write a closing song for the Gala in a simple yet popular style. The lyrics are by Qiao Yu (乔羽), the music is by Wang Ming (王酩).

Every year, the song is sung by Li Guyi (李谷一), who became famous with the song Homeland Love (乡恋) around the time of China’s Reform and Opening Up – the singer and her songs are nostalgic for many viewers. Li Guyi also appeared at the very first version of the Gala in 1983 and became the singer that sang the most at the event. She is singing together with Yang Hongji (杨洪基), Huo Yong (霍勇), and Yi Liyuan (伊丽媛).

With her on stage are all performers out tonight. It’s a wrap! Thank you for joining us and cheers to the Year of the Tiger.

Link to this performance on YouTube here.
 

By Manya Koetse, together with Miranda Barnes

1 For more on the political and socio-cultural meaning of the Gala, see Gao Yuan, 2012, “Construction of National Identity Through Media Ritual: A Case Study of the CCTV Spring Festival Gala,” Master’s Thesis, Uppsala University, Media & Communication Studies;
Yuan Yan, 2017, “Casting an ‘Outsider’ in the Ritual Center: Two Decades of Performances of ‘Rural Migrants’ in CCTV’s Spring Festival Gala,” Global Media and China 2 (2): 169-182.

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2022 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

China Arts & Entertainment

Su Chao Fever, Mo Yan’s “Scrollable” Book, and Why Li Xiaoran is China’s New Office Icon

This week in China: Grassroots football fever, a Nobel laureate writes for the TikTok era, France’s cultural relic bill, and a 19-year-old’s blind box obsession bankrupts her father’s company.

Manya Koetse

Published

on

🔥 China Trend Watch (week 16/17 | 2026) Part of Eye on Digital China by Manya Koetse, China Trend Watch is an overview of what’s trending and being discussed on Chinese social media.

Dear reader,

Hope you’re having a good week. Time for an update on what’s been trending.

In this newsletter:

👉Victor Hugo’s day has come
👉China’s grassroots football couldn’t get more viral
👉A scrollable new book by Mo Yan
👉The Chinese office meme of the moment

..and more.

Let’s dive in.

Quick Scroll

    • 📱 China’s National Security Ministry has joined Chinese Tiktok app Douyin. The high-profile Douyin debut is part of a broader trend of Chinese government agencies and security bodies joining the app.
    • 🐺 A feel-good wildlife story from Inner Mongolia: a pregnant wild wolf descended from the mountains to give birth at a wildlife conservation station where she had been previously fed. The noteworthy move shows she had apparently developed trust in the station workers, and felt safe there.
    • 🐖 Pork prices hit historic lows but spare ribs still cost 20 yuan (US$3) – this became a topic of discussion this week. Despite the drop in pig prices, retail pork still feels expensive because added costs across the supply chain haven’t changed.
    • 🍿 Movie alert. The May Day (五一) cinema content explosion is incoming. Seventeen films have already been slotted for the Golden Week holiday window.
    • 🚔 A 31-year-old man from Guangzhou has been detained under anti-cyberbullying regulations after repeatedly posting insulting comments targeting Olympic champion diver Quan Hongchan (全红婵) on WeChat.
    • 🤖 Unitree’s humanoid robot is almost as fast as Usain Bolt. The company announced that the H1 humanoid robot achieved a peak sprint speed of 10 meters per second during a 100-meter test.
    • ⚡️ Another robot, “Lightning” (闪电) by Honor, also went viral because he won the Beijing Yizhuang Half Marathon on Sunday, April 19, running a half-marathon distance faster than any human ever has, completing it in 50 minutes and 26 seconds (the human record: 56:42). (See video here).
    • 🎁 A 19-year-old woman from Zhengzhou has made headlines for allegedly embezzling around 17 million yuan (nearly $2.5 million) from her father’s company, spending it on blind boxes and livestream tipping (dashang 打赏). Her father, now bankrupt, ended up taking his daughter to the police himself.

What Really Stood Out

The Jiangsu Super League (Su Chao) Fever

[#苏超开幕式] [#何润东项羽造型亮相苏超观后感#]

The Jiangsu Football City League, better known as the Su Chao (苏超: “the Su Super”), has become a major source of trending topics, memes, and news analyses over the past week.

The “Su Super” is a provincial amateur football tournament launched in 2025 that features 13 teams, one representing each of Jiangsu’s 13 prefecture-level cities. Teams consist predominantly of amateur players, from primary school teachers to office employees, but it’s been seriously successful: last year, some games regularly drew crowds of over 30,000, with a record 60,396 fans for a Nanjing–Suzhou match.

This year, the season’s opening on April 11 was sensational, almost like a mini Spring Festival Gala of its own, with 300 robots from tech company Magic Atom (魔法原子) performing a perfectly synchronized routine—unbothered by the heavy rain—and popular pop singer Zhou Shen (周深) delivering a much-discussed live performance where he hit some incredibly high notes.

It’s the entertainment and creative memes that seem to matter more than the sport itself.

⚽ When Changzhou won 3–0 in its opening match against Nantong, in a stadium filled with more than 40,800 people, the running joke was that the city of “Changzhou” (常州) could add more “strokes” to its name. This is all part of a bigger meme that started last year, when netizens would ‘deduct’ a character stroke from Changzhou’s name after every time it lost, with its Chinese name going from 常州 to 巾州 to 丨州, until netizens joked there were no strokes left to remove (0州)—Changzhou performed quite terribly.

The “chang” character kept losing strokes as Changzhou lost in the 2025 Su Chao (edited image by netizens).

But with this year’s unexpected win, Changzhou struck back, and the official city account flipped the joke by temporarily renaming itself 常洲, with the three-water-drop radical added to the zhou 州, symbolizing its three goals scored (#常州暂时改名常洲#).

⚽ More than that, Changzhou city officials announced a one-day citywide holiday on April 12, with free public buses and metro for all residents. It was almost like a New Year’s night: major landmarks also stayed lit throughout the night.

⚽ Another meme sprang from a giant inflatable dinosaur that was set up before the match, part of Changzhou’s dino-city branding (it is home to China Dinosaur Park). It was meant to look cool and majestic, but netizens thought it resembled a shiny, greasy, reddish-brown soy-braised duck (酱板鸭) instead, leading to the “Soy-braised dragon” meme (酱板龙).

The dino that looked more like a soy-braised duck and “soy-braised dragon” merchandise sold on Taobao.

⚽ During the Suqian vs. Nanjing match on April 18, another highlight featured actor He Rundong (何润东), who appeared dressed in full armor and surrounded by guards and horses, revisiting his famous role as the ancient warlord Xiang Yu (项羽)—the historical figure associated with Suqian as his birthplace. He shouted “Xiang Yu has returned!” (“我项羽回来啦”), a moment that became even more significant after Suqian won 2–0.

⚽ What also stands out in the marketing surrounding the Su Chao is how, alongside the official mascots, Jiangsu media, companies, and fans have been producing AI-generated “city personification” figures featured in images and short videos, with storylines about winning, losing, friendship, and rivalry between the 13 cities in a virtual world. Changzhou is a little dino, Nanjing is a little duck, Nantong is a wolf, etc.

The success of the Jiangsu Super League does not appear out of nowhere: for the past few years, China’s grassroots football has seen a wave of success, with local governments and companies using these leagues and matches to boost local cultural identity and community cohesion, while city-vs-city rivalry and banter consistently trends on social media.

Within this bigger picture, the Village Super League (村超, Cun Chao)—a community football tournament held in Rongjiang County in Guizhou—is a frontrunner. What started as a self-organized village event in 2023 became one of the most-watched grassroots sports stories in recent years.

With China’s national football plagued by underperformance, corruption, and other scandals, more voices are suggesting that the future of Chinese soccer might lie in regional and local super leagues.

Regardless of whether that is true, it is undeniable that phenomena like the Su Chao are bringing a lot of online fun, memes, banter, commercial success, and positive community energy. In doing so, they generate more authentic online engagement than any professional league matches currently do.

France Returning Cultural Relics: “Hugo’s Day Has Come”

[#法国将不义之财归还被抢掠的中国#] [#雨果写的文字成真了#]

It is not often that the French National Assembly goes trending in China, but it did after unanimously passing a cultural restitution bill that makes it easier to return looted colonial-era objects.

The new bill allows countries to request the return of objects taken between 1815 and 1972, provided they can show the items were acquired by force or other illegitimate means. It marks a shift from the previous, slower, case-by-case restitution system, where every single return required a separate parliamentary vote.

In Chinese media, the news was highlighted through a quote by French politician Jérémie Patrier-Leitus, who in his speech cited Victor Hugo’s famous 1861 letter about the sacking of the Old Summer Palace (Yuanmingyuan), in which he expressed hope that a renewed France would one day return the goods it had plundered from China. Patrier-Leitus said: “The day Hugo longed for has finally arrived.”

Screenshot of the tweet by Jérémie Patrier-Leitus, in translation.

For Chinese audiences, the story carries strong emotional resonance. The looting of the Old Summer Palace in 1860 by French and British forces is widely taught at school as part of the so-called “Century of Humiliation,” the period from the mid-1800s to the mid-1900s during which China was attacked, weakened, and torn by foreign powers. The four-character slogan “wù wàng guóchǐ” (勿忘国耻), “Never forget national humiliation”, is frequently repeated in Chinese media, museums, schools, documentaries, and popular culture.

Besides state media and nationalist commentary, other discussions also emerged online. Some threads focused on which artifacts could potentially be returned to China, mainly linked to the burning of the Old Summer Palace in 1860 and the 1908 Dunhuang removals (although this remains contested as “looting”: it concerns French scholar Paul Pelliot, who acquired thousands of invaluable ancient manuscripts and artworks from a monk guarding a cave at Dunhuang for very little money, and took them to Paris, where they have remained ever since).

Other comments expressed hope that France would set an example for other countries.

Although the news went big in China, French media coverage itself did not mention China at all and instead focused on Benin, Senegal, Côte d’Ivoire, Mexico, and Algeria.

On the Feed

A Scrollable New Book by Mo Yan

Mo Yan (莫言), China’s first Nobel laureate in literature, has been praised as a “meme king” for quickly adapting to China’s online Xiaohongshu community since joining the app in November 2025.

Now, the famous author—known for epic works like Red Sorghum (红高粱)—has again become a hot topic for publishing a new book inspired by his own social media and short-video scrolling “addiction.”

The novel, titled Oh, People (Rén Na 人呐), is his first new fiction in six years and immediately hit the top of major bestseller lists upon release. It’s a collection of 81 ultra-short pieces, the briefest of which runs just 200 characters, and is designed, in Mo Yan’s own description, so that readers can “scroll through it” the way they scroll TikTok.

This format is sparking discussion across Chinese social media, especially because it comes from a writer of Mo Yan’s stature.

One core question is whether a Nobel laureate should be writing “fast literature” that mimics short-video logic, and whether this suggests that even China’s most lauded authors are giving in to platform-driven attention economics.

Others argue that the book’s format is not entirely new, and could just as easily be traced back to classical Chinese literary traditions rather than the TikTok era.

These debates may be precisely the point of Mo Yan’s new book. Is it merely scrollable, or is it serious? Through these discussions, his work already engages with two important aspects of contemporary Chinese society: the country’s changing reading culture and the dominance of short-video platforms.

Word of the Week

The Office Li Xiaoran

The phrase of the week is “the Office Li Xiaoran” (Bàngōngshì Lǐ Xiǎorǎn 办公室李小冉).

The phrase comes from the 7th season of the super popular reality/talent show Sisters Who Make Waves (乘风2026), where the 50-year-old Chinese actress Li Xiaoran (李小冉) performed with her group, which also included Olympic skater Wang Meng (王濛).

Li Xiaoran was completely and painfully off-key, off-tempo, forgetting lyrics, and stiff in her choreography — but she stayed calm and cheerfully smiled through it all.

The dreadful performance of the song—officially titled “Wish Sticky Note” (心愿便利贴)—was soon dubbed Wantong Jingutai (万通筋骨贴) by netizens, referring to a Chinese medicinal patch for joint pain. (It’s a wordplay on the title, sharing the same final character: “这不是心愿便利贴,这是万通筋骨贴”).

Ironically, Li was professionally trained at the prestigious Beijing Dance Academy, but dropped out to become an actress—prompting some netizens to joke that instead of saying “the dance world lost a great talent,” it “lost someone completely irrelevant” (#舞蹈界失去了一个无关紧要的人#).

But it wasn’t all meant in a mean way. Because people actually very much appreciated Li Xiaoran’s performance. Although it didn’t go very well, she seemed unbothered and positive, which is why viewers eventually voted her to the number one spot on the show that night.

In the aftermath, office workers started collectively joking that they’ve been “diagnosed as the Office Li Xiaoran.”

The phrase “Office Li Xiaoran” (bàngōngshì Lǐ Xiǎorǎn, 办公室李小冉) has become a viral self-label for workers who feel they are underperforming and barely surviving, but maintain a smile and stoically carry on regardless.

There’s now also a trend where people in the office signal to colleagues that they’re “Office Li Xiaoran” by putting a sign on their chairs.

In the example below it says:

Officially diagnosed as ‘Office Li Xiaoran
First to arrive every day, last to leave. Submit my work, and the boss asks: ‘What is this even supposed to be?’
Me: ‘No lip-syncing, not afraid of the stage, not pretending, doesn’t sound good—but I really did try!’

In a way, Li Xiaoran has become the perfect vehicle for office emotional catharsis—an unexpected idol for how to carry on in stressful situations. The ultimate lesson she taught us: even if everything’s going wrong, a good attitude, a splash of confidence, and a bright smile can take you surprisingly far.

See the videos here.

 

That’s a wrap.

See you next edition.

Best,

Manya


 

 

Eye on Digital China, by Manya Koetse, is co-published on Substack and What’s on Weibo. Both feature the same new content — so you can read and subscribe wherever you prefer. Substack offers community features, while What’s on Weibo provides full archive access. If you’re already subscribed and want to switch platforms, just get in touch for help. If you no longer wish to receive these newsletters, or are receiving duplicate editions, you can unsubscribe at any time.

Continue Reading

China Arts & Entertainment

“Auntie Mei” Captured After 20 Years, China’s Train-Stain Scandal, and Zhang Xuefeng’s Final Lesson

The major talking points on Chinese social media this week: from the capture of a notorious child trafficker and unexpected death of Zhang Xuefeng, to one of the most expensive Chinese music video ever made.

Manya Koetse

Published

on

🔥 China Trend Watch (week 12½ | 2026) Part of Eye on Digital China by Manya Koetse, China Trend Watch is an overview of what’s trending and being discussed on Chinese social media. This edition was sent to paid subscribers — subscribe to receive the next issue in your inbox.

On Tuesday, March 24, rumors that something had happened to China’s most popular educational influencer were flying across Chinese social media. Some said he had collapsed, others said he was barely hanging on, while others still were refuting the rumors.

This is about “Teacher Zhang Xuefeng” (张雪峰老师, 1984), the man who carved out a big place for himself in China’s online landscape over the past decade by focusing on a sweet spot that virtually all Chinese parents and their children care about: how to choose majors strategically to ensure future employment prospects.

Among Zhang’s common questions: “What kind of salary do you want your child to have in the future?”

Besides the relevance of his focus, Zhang’s northeastern accent, comic remarks, blunt criticism, and talent for triggering controversy also amplified his online appeal, ensuring that his name frequently became part of China’s public discourse.

Like that time when he advised China’s young people against studying journalism, even stating that if he were a parent, he would “definitely knock the child unconscious if they insisted on studying journalism,” deeming it a major that lacks depth and prospects. Although it became a major controversy at the time, a poll of 42,000 voters showed that 39,000 agreed with Zhang.

Zhang capitalized on the collective anxiety in China surrounding the gaokao (高考), the national university entrance exam that determines future paths, as well as concerns that even graduates from top universities may face unemployment if they choose majors with limited practical value. Zhang’s view: choice is more important than effort.

This Tuesday evening, news emerged that Zhang Xuefeng had died on the afternoon of March 24 at the age of 41, after suffering sudden cardiac arrest.

His death has had a huge impact on Chinese social media, where many people are responding with disbelief and shock.

It’s not just that Zhang was widely known (and while not everyone liked him, many respected him)—it’s perhaps also the fact that he spent so much of his life advising others on how to control their careers and income, building great personal wealth in the process, only to die so young, at the peak of his career, with no strategy to protect him.

Besides being “chronically overworked,” Zhang also pushed himself to exercise and run frequently. Adding to this, he had been under pressure since last fall, when he became a target of official criticism and platform regulators.

Isn’t it ironic that, in the end, the most important takeaway Zhang might leave behind is not his advice on choosing majors or making smart career moves, but rather the reminder to sometimes step away from the rat race and appreciate everyday life and health, because you never know when it might all end.

Zhang leaves behind his wife and 11-year-old daughter.

Let’s dive into some of the other trends that have been major talking points this week.

Quick Scroll

    • 🧠 China has approved a coin-sized brain–computer implant for commercial use in people with spinal cord injuries. Developed by Shanghai-based company Neuracle Medical Technology (博睿康) in collaboration with Tsinghua University, the so-called “NEO” is the world’s first market-approved brain implant designed to help people with severe paralysis regain hand motor function.
    • 🚨 Lei Siwei (雷思维), Vice-Governor of Gansu and member of the provincial Party Standing Committee, is under investigation as of March 17, with the notice issued by China’s top anti-corruption body citing “serious violations of discipline and law.” The case is the latest in an ongoing series of provincial-level anti-corruption actions that’ve been continuing into 2026.
    • 📚 Several Chinese provinces and cities are removing biology and geography from high school entrance exams starting from next year, as part of a broader government-initiated campaign to reduce pressure on students and put a stop to “educational involution” (教育内卷).
    • 👀 Taiwanese actor-singer Jerry Yan (言承旭), best known as Dao Mingsi from Meteor Garden and a member of F4, is at the center of somewhat of an authenticity crisis after fans photographed his concert teleprompter showing not just lyrics, but scripted emotional cues for his performance like “your eyes slightly reddening” and “now you take a deep breath.”
    • 🎮 More than 100 Chinese universities are offering esports majors nowadays, sparking online discussions this week. These programmes go far beyond just playing video games, covering esports operations, management, data analytics, game design, etc, reflecting the growing professionalisation of China’s esports industry.
    • 🎓 A feature by Chinese magazine Sanlian Life Weekly (三联生活周刊) went trending for highlighting a sharp gender shift in China’s higher education demographics, with female students now outnumbering men at universities. Female undergraduate enrollment grew by 348% between 2002 and 2022.
    • 🧪 A laboratory explosion at Chongqing University on March 20 killed one student and injured three. Initial findings point to improper handling of chemicals.
    • 💔 China’s superfamous actress Yao Chen (姚晨) and filmmaker Cao Yu (曹郁) jointly announced their separation on Weibo in a poetic way, using classical Chinese language: “A journey through mountains and rivers, a blessing for three lifetimes. Fate comes and goes, all is joy” (山水一程,三生有幸。缘来缘去,皆是欢喜). A related hashtag received 300 million views.

What Really Stood Out This Week

Chinese Woman Who Sold Abducted Toddlers Captured After Two Decades

[#梅姨落网#] [#人贩子梅姨落网#]

A woman who played a key role in a series of China’s notorious child trafficking cases, causing relentless suffering for many families, has finally been caught after being on the run for two decades. The arrest of the woman, referred to as “Mei Yi” or “Auntie Mei” (梅姨), has dominated Chinese social media over the past week, ever since Guangzhou police announced on March 21 that they had finally captured her.

This story touches upon multiple issues that have turned it into such a major topic.

Mei Yi was involved in a series of child trafficking crimes carried out by a gang led by Zhang Weiping (张维平) and Zhou Rongping (周容平) across multiple areas in Guangdong province between 2003 and 2005. She acted as a middleman responsible for transferring and selling abducted children, mostly toddler boys. In just over two years, the group abducted and trafficked nine young children.

The parents of these boys never stopped searching for them, while Chinese authorities worked for years to crack the case. In 2016, eleven years after the last abduction, police arrested five core gang members, including Zhang, who later confessed and revealed that the person reselling the children was a local elderly woman nicknamed “Mei Yi.” However, her real identity and whereabouts remained unknown for years. Zhang Weiping and Zhou Rongping were both sentenced to death and executed in 2023.

Thanks to new technologies—from digital tracking systems to DNA matching—the abducted children were located one by one and reunited with their biological families over the years: the first in 2019 and the last in 2024. By then, the boys were roughly between 14 and 21 years old, meaning they had spent nearly their entire childhoods with the families who had bought them.

Evading Capture by Being Ordinary

One aspect of this case drawing attention is not just how Mei Yi was caught, but how she managed to evade arrest for so long. The crimes took place more than twenty years ago, in factories, rental housing, and other areas with dense migrant populations, leaving very little traceable evidence. It is also unclear how accurate the composite sketch of Mei Yi—circulating since 2017 and updated in 2019—actually was. Authorities have not released a confirmed photo following her arrest, and it is possible her real appearance differed significantly from the sketch.

A lawyer close to the case told Chinese media outlet The Paper that what made her so hard to catch was probably not how clever her tactics were, but that she appeared so normal to those around her, who might have never guessed she was a criminal. Besides arranging illegal “adoptions,” Mei Yi also acted as a local matchmaker and fortune teller, and she even lied about her identity and used aliases with someone who was her partner for two years.

Official media do not disclose exactly how Mei Yi was eventually tracked down, but it’s clear that the authorities got much closer after all the abducted children were found in October 2024, undoubtedly leading to important clues that connected all the cases.

Not Such a Happy Ending

Chinese state media have largely framed the case as a story of justice served: Mei Yi as a long-sought villain, the police as persistent heroes, and China’s advancing technology as the key to solving the case. A kind of “happy ending.”

But the truth seems more complicated, with a loud silence surrounding nine families where the abducted boys spent their entire childhoods. Their willingness to pay for a male child is part of a broader issue linked to China’s one-child policy, relatively light penalties for buyers of trafficked children (or even legal limitations due to statutes of limitation), and a deeply rooted son-preference culture that was especially strong in those years 2003- 2005.

Some online commentators did argue to “not let those hypocritical ‘adoptive parents’ off the hook.” Yet the situation is complicated by the fact that some of the boys still consider these families their parents, and in some cases choose to stay with them rather than return to biological families they barely remember.

The fact is that Mei Yu is just one chapter in a much larger story that is far from finished.

Just earlier this week, the story of another abduction case also went trending. It concerns a man named Du Jun (杜军), who was abducted in 1991 at the age of 3 while playing outside a shop with his sister. Du Jun, who spent 35 years separated from his biological family, finally reunited with his biological mother following a successful identification process that is part of a continuing series of long-separated family reunions facilitated by China’s expanding DNA-matching and digital tracking systems.

Du, now 38, had not known he was trafficked as a child, nor that his biological family had searched for him for years. He became an orphan at a young age and built a life for himself. He was found through online search efforts, the dedication of volunteers, DNA research, and a specific detail only his biological family knew: that he had a bend at the joint of his left middle finger because of an accident as a toddler.

Du Jun as a young child before his abduction, and Du Jun reunited with his biological mother in 2026. Images via Hongxing Xinwen.

As with the nine abducted boys, Du Jun’s reunion with his family does bring light to a long, dark tunnel – but it doesn’t bring back the missed childhood, the shattered families, and the endless, tear-filled years.

Let’s hope many more “Mei Yis” will be brought to justice in the years ahead.

A Censored Menstruation Train-Incident

[#官方通报月经弄脏卧铺事件详情#] [#女子月经弄脏火车卧铺被让赔180元#] [#列车服务应满足卫生巾这一女性刚需#]

Another story that became a major talking point on Chinese social media this week involves a woman named Ms. Zhang, who was charged 180 yuan (US$26) after accidentally staining a bedsheet on a sleeper train. The woman unexpectedly got her period while traveling overnight to Lanzhou and was unable to obtain any sanitary products on board. A train attendant asked her to either wash the bedsheet herself or pay compensation.

The woman, who ended up washing the sheets herself by hand in cold water, later shared her experience on social media and suggested that all trains should sell sanitary pads. Her post resonated with many, and even though she took it offline, it was quickly picked up by Chinese media.

After the post went viral, Lanzhou Railway issued an official statement on March 20, presenting its version of events and challenging some of the woman’s claims.

The statement included details that depicted staff as helpful, such as an attendant allegedly offering to wash the sheets and a conductor searching for sanitary pads (but finding none). At the same time, it used seemingly accusatory language, repeatedly describing the woman’s menstruation as having “contaminated” (污染) the bedding as well as two other spots where she had sat.

Zhang did not accept this explanation and again turned to social media (under the username @勇敢小狐不怕困难) to reveal what she said had been happening behind the scenes. She shared that someone from Lanzhou Railway had repeatedly messaged her privately, asking her to delete her posts, claiming that employees’ jobs were at risk because of the incident, and even offering her money—which she refused, despite ultimately taking the post down.

Zhang further suggested that her posts were “disappearing as soon as they were published,” that the media narrative was being controlled, and that she had been pressured into silence.

On Xiaohongshu and Weibo, many users sided with Zhang. The wording used by Lanzhou Railway struck a chord, particularly the framing of menstruation as “contamination” while simultaneously blaming Zhang for staining multiple areas, despite not providing any sanitary products.

Where exactly was she supposed to sit?” one Xiaohongshu user asked. “In the aisle? On a suitcase? Squatting by the toilet door? Lying on the floor?

One major reason why this debate exploded online is not just the media discourse itself, but the way it taps into broader frustrations among Chinese women over social taboos and structural shortcomings surrounding menstruation in public spaces.

Over the years, various incidents involving menstrual products have gone viral and sparked grassroots efforts to change the current situation.

In 2022, a female passenger also expressed her frustration online about sanitary pads on high-speed trains, drawing online attention. Many commenters, mostly men, argued that pads weren’t “essential items” and shouldn’t take up retail space onboard. The railway authority’s official response—describing sanitary pads as “personal items” that don’t need to be sold—only worsened online outrage.

For many women, these kinds of incidents, from trains and schools to planes, highlight how little society apparently understands or respects their basic needs.

In this case, the way Zhang was seemingly framed as if she had deliberately stained the sheets (and was somehow expected to stop menstruating) triggered widespread anger. Although some of the more outspoken posts were censored on Weibo, more nuanced criticism remained: “Menstrual blood is treated as dirty, described as ‘contamination.’ But this is just menstruation—something that half of all people experience.”

On the Feed

“The Most Expensive Music Video in the History of Mandopop”

Whenever there’s new music by the Taiwanese producer, actor, composer, singer-songwriter, and ‘King of Mandopop’ Jay Chou (周杰伦), it goes trending.

Not only does his music bring back memories of the early 2000s – when he first rose to prominence and became super popular – but his catchy tunes and lyrics also resonate with younger audiences.

But it’s not just the music that makes waves – it’s also the music videos that have become artistic and sometimes spectacular productions by themselves. “Other artists just make a music video, he turns it into a movie,” some commenters wrote after the release of his 2022 Greatest Work of Art video.

On March 24, the music video (MV) for the lead single Children of the Sun (太阳之子) dropped, a production made in collaboration with Wētā Workshop, the New Zealand-based visual effects studio known for its work on Avatar and The Lord of the Rings.

The music video shows Jay Chou in a fictional European world spanning from the 16th to the 20th century, filled with references to famous art, from Vincent van Gogh and Dali to Mona Lisa, Ophelia, and The Anatomy Lesson of Dr. Nicolaes Tulp by Rembrandt (Jay Chou appears in the painting himself).

The cost of the music video production reportedly exceeded 20 million yuan (US$2.9 million), and some commentaries described it as the most expensive MV in the history of Mandarin-language pop music.

You can watch the video on Weibo here, or on Youtube here.

Continue Reading

Subscribe

Eye on Digital China is a reader-supported publication by
Manya Koetse (@manyapan) and powered by What’s on Weibo.
It offers independent analysis of China’s online culture, media, and social trends.

To receive the newsletter and support this work, consider
becoming a paid subscriber.

Manya Koetse's Profile Picture

Get in touch

Have a tip, story lead, or book recommendation? Interested in contributing? For ideas, suggestions, or just a quick hello, reach out here.

Popular Reads